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15 of 18 people found the following review helpful:
1.0 out of 5 stars
Dancing with himself, February 16, 2009
Since Mr. Sellers can't seem to help himself when it comes to lists, I think a review which parrots that particular form is fitting.
TOP 5 REASONS WHY YOU SHOULD AVOID BUYING "Perfect From Now On" by John Sellers:
5 - Sellers (by his own admission) is more interested in appearing "with it" than actually enjoying the music. He bases his musical choices/obsessions on how 'obscure' they are, and how knowledgeable he can be regarding the band in question.
4 - His holier-than-thou (and occasionally hypocritical) approach to:
- drugs (although he abuses alcohol like a fiend)
- other parts of the world (although he grew up in Michigan?!)
- any music he doesn't deem 'worthy'
3 - The (sub)title of the book... nowhere is there any indication that 'Indie Rock' did anything greater for Sellers than give him a soundtrack to his studies and drinking. That isn't "saving" your life-- it's what EVERYBODY uses music for.
2 - Guided By Voices. Sure, I love them too, had an intense period of listening/collecting/concert going. But come one man... enough. It's just downright embarrassing reading about Sellers' slavish idol-worship. Plus, he didn't even get on board with GBV until the end of 2002? For somebody who seems desperate to be on the 'cutting edge of music', there is simply no excuse.
1 - The condescending tone of the book. Sellers doesn't just come across as a passionate music fan (really- who isn't?). No, reading this book, Sellers comes-across as a snippy, shallow know-it-all. His barrage of pop-culture references and "I'm-right-you're-wrong" writing is tiresome and provides little more than what you might find on a teenager's blog.
This book ends-up being little more than one sad person's attempt to brag about a shared, collective experience (enjoying/obsessing over music). It's the sort of paper-thin observation that can be read for free on-line; it's the literary equivalent to Sellers standing in front of a mirror and rhyming off his favourite artists (and why he enjoys them more than you). Really - why waste money on it?
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19 of 24 people found the following review helpful:
1.0 out of 5 stars
Disappointing...., August 1, 2007
To any true music fan, there is often times as much joy in debating the relative merit of one artist against another as listening to the music itself. I suspect that is true with most things (sports talk radio comes to mind). That is why I was excited to read this book. Going in, you understand there you are not getting anything that is plot driven or even has a point. What you expect is that the author will lay out arguement as to why he loves a certain band/genre of music and you can silently juxstapose those against your own biases. I am willing to concede almost any point in these debates when I engage in them with friends, with the understanding that they are nothing if not totally arbitrary, so long as there seems to be a sense the opposing viewpoint has a heartfelt conviction about the subject matter. That is why I was hugely dissapointed with this book.
While there is no doubt that the author seems to have a sincere conviction that indie music is a superior medium, it seems borne out of a sense of what he thinks is cool rather than what indie artists produce. For example, if The Pixies has acheived the same level of commercial sucess as Pearl Jam, there is no doubt in my mind the author would dismiss them with the same contempt he holds for Journey. It becomes exhausting to read the contempt he has for anything that exists outside the very obscure or how a band he loved at one point he now regrads with a sneer simply because they eventually achieved broad acceptance.
Another point of contention I have with the overall tone of the book is that Sellers comes off as fairly spineless. A large chunk of the narrative is devoted to him getting to meet Bob Pollard from Guided By Voices. I was willing to overlook the fawning tone toward Pollard as his whole point was to draw a picture of how he is more slavishly devoted at various points in his life to artists than just about anyone so he can gain an upper hand when congregating with like minded obsessives (and if you don't believe his motivations are this shallow, read the book). However, he mentions something in passing (a footnote actually, one of the several thousand he includes in the book) that made me lose all respect for him as a man and thus tainted the whole book. Seller is a University of Michigan grad while Pollard is an OSU fan. Anyone with even a passing knowledge about the sport of college football knows that this is one of the most storied rivalries in all of college sports and the two sides hate each other. Anyway, he ends up cheering for OSU in front of his idol as they watch the game because he so badly wants Pollard to like him. I know nothing about Pollard personally but I bet it wouldn't be far from the truth to speculate that he would have had much more respect for Sellers if he would have grown a pair and had his own opinion about the game rather than adopting one based on being accepted. And that right there pretty much sums up the whole book.
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11 of 14 people found the following review helpful:
5.0 out of 5 stars
Perfect mix of nostalgia and musicology, March 16, 2007
This book really surprised me. It surprised me, in that, the subject matter was completely different from what I had expected. For anyone who is of the age that grew up listening to bands that used to be known as college rock and later indie rock, this is a real trip down memory lane.
Sellers uses a mix of autobiographical anecdotes as well as an obsessive base of knowledge of bands that span everything from the early days of MTV (R.E.M, The Cure, The Smiths) to the coming-of-age/college years for many Gen X-ers and bands such as The Pixies, Pavement, and The Stone Roses.
Unlike prior works by Sellers, this book is much more of a narrative of the author's life and the great importance and influence music has had on him. A good dose of band histories, best-ofs, interesting facts are mixed in, without being an over-the-top, ultimate guide to the genre.
Instead, the story is one that translates to anyone who ever was completely blown away by U2's War or The Stone Roses' first album or for anyone who can identify as a period in their life in which no other music mattered (as in "That was the summer of The Replacements").
Sellers admits that he will obsess over a band (see later chapters on Guided By Voices) to the point that he finds himself hopelessly tracking down every album, EP, and factoid about his particular band du jour that it becomes a compulsion to consume everything in his life, be it Dinasour Jr. or Husker Du or Pavement....a cycle that ends with John's ultimate allegiance to GBV, ending in a near-doom experience with the band for which he would most likely sell a kidney.
I found myself laughing out loud while reading this book. It's an amusing narrative with a college rock station soudtrack. But, it's also an important insight into growing up, coming of age, and realizing what awesome power music has on shaping your experiences and your memories.
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