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Performance Art: From Futurism to the Present (World of Art) [Paperback]

Roselee Goldberg (Author)
4.4 out of 5 stars  See all reviews (8 customer reviews)


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Paperback $13.59  
Paperback, June 2001 --  
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Performance Art: From Futurism to the Present (Third Edition)  (World of Art) Performance Art: From Futurism to the Present (Third Edition) (World of Art) 4.4 out of 5 stars (8)
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Book Description

June 2001 World of Art

“A clear and accurate history of . . . a continuous development of enormous consequence to the most adventurous twentieth-century art."—Robert Rosenblum

Performance art is now at the forefront of contemporary art world-wide and the desire for direct engagement with today’s most prominent artists explains its wide appeal to the expanding audience for new art. Artists such as Mariko Mori, Paul McCarthy, Matthew Barney and Forced Entertainment can now be seen in the context of previous innovators, from the Dadaists to Laurie Anderson.

First published in 1979, now extensively updated and expanded, this pioneering book has been supplemented by the definitive account of the current technological, political and aesthetic shifts in performance art. 186 black-and-white illustrations


Editorial Reviews

From Publishers Weekly

First widely, and fittingly, recognized in the 1970s the heyday of conceptual art, which insisted on "an art of ideas over product, and on an art that could not be bought and sold" performance art has thrived in recent decades, according to RoseLee Goldberg's Performance Art: From Futurism to the Present. First published more than 20 years ago, the book has been extensively updated. Goldberg (Laurie Anderson), a former curator of the Kitchen Center for Music, Video and Performance in New York City, analyzes artists as varied as the dadaists, Laurie Anderson, John Cage, Cindy Sherman, Mariko Mori, Paul McCarthy, Matthew Barney, Karen Finley, Forced Entertainment and Desperate Optimists. It's mandatory reading for scholars and practitioners, and helpful to anyone who wants to learn more about this intriguing but often bewildering art form. 186 illus.

Copyright 2001 Cahners Business Information, Inc.

Review

A most welcome publication ....a basic source for scholar, artist, and general reader. -- Choice

[A] clear and accurate history of ....a continuous development of enormous consequence to the most adventurous twentieth-century art. -- Robert Rosenblum

Product Details

  • Paperback: 240 pages
  • Publisher: Thames & Hudson; Second Edition edition (June 2001)
  • Language: English
  • ISBN-10: 0500203393
  • ISBN-13: 978-0500203392
  • Product Dimensions: 8.3 x 5.9 x 0.7 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #157,200 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
4.4 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

17 of 19 people found the following review helpful:
5.0 out of 5 stars A must-read!, March 20, 1998
By A Customer
Goldberg's is an excellent, well-researched, and interesting text that documents the history of a most misunderstood medium: performance art. Proceeding in a sure-footed way from the early, combative, theatrical efforts of the Italian Futurists, then to Dadaism, then on to the dances of Oskar Schlemmer, to the 1960s "happenings", up until the end of the 1980s...Goldberg covers it all. She gives essential and pertinent cultural information that facilitates the reader's understanding of the "how" and the "why" of performance art. This book is a must-have for art and cultural historians, as well as anyone who wants to broaden their knowledge of the key figures and events relating to art of the modern and postmodern eras.
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11 of 16 people found the following review helpful:
3.0 out of 5 stars Pretty old book, July 30, 2004
By 
Historian "malgos2" (New York, NY United States) - See all my reviews
OK, the book was first printed in 1979 and nothing new has been added since then. I would recommend "Outside the Frame" by Robin Brentano instead or Richard Martel's "Out of Action".

Besiedes, the idea that Leondardo da Vinci made performance art is crap...
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5.0 out of 5 stars School Book, January 24, 2012
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I needed to buy this book for a class I'm taking and not only was it way cheaper than my university book store but it came right on time and was in proper packaging. The book was in perfect condition and I'm very pleased with the reading so far!
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