The papers in this issue cover: Indian theater aesthetics and philosophy, actors and critics voice their experimental points of view, a discussion of the nature of consciousness in Shakespeare's "Hamlet," an analysis of altered states of consciousness as experienced by Walter Benjamin.
This issue will be of particular interest to theater practitioners and educators and aims to further the debate on the psychophysical connections in performance.
This issue will be of particular interest to theater practitioners and educators and aims to further the debate on the psychophysical connections in performance.
