This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Written by specialists of this music, it is intended for players, teachers, and scholars who are interested both in the history of performance, as well as in the specific interpretation of lute, guitar and vihuela music from the end of the fifteenth century to approximately 1850. It brings to light various new ideas about performance and technique for a wide range of instruments, including the fifteenth-, sixteenth- and seventeenth-century Italian lute, archlute, theorbo, French baroque lute, vihuela, and baroque and classical guitar, as well as for lute-accompanied English and Italian song.
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Book Description
Editorial Reviews
Review
'... a very valuable addition to the lute player's library.' Early Music Today
'Victor Coehlo has assembled a fine team of collaborators for this excellent collection of essays ... All in all, a collection worth having: the essays are thought provoking and of a high standard.' The Lute
'Victor Coehlo has assembled a fine team of collaborators for this excellent collection of essays ... All in all, a collection worth having: the essays are thought provoking and of a high standard.' The Lute
Book Description
This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Written by specialists of this music, it is intended for players, teachers, and scholars who are interested both in the history of performance, as well as in the specific interpretation of lute, guitar and vihuela music from the end of the fifteenth century to approximately 1850. It brings to light various new ideas about performance and technique for a wide range of instruments, including the fifteenth-, sixteenth- and seventeenth-century Italian lute, archlute, theorbo, French Baroque lute, vihuela, and Baroque and classical guitar, as well as for lute-accompanied English and Italian song.
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Inside This Book
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First Sentence:
Modern performance of the so-called 'early Renaissance' lute repertory continues to be restricted to a small circle of sources and composers, generally revolving around Joanambrosio Dalza, Francesco Spinacino, and Vincenzo Capirola. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
plectrum lute, theorbo manuscripts, lute song composers, pratum musicum, chitarra spagnola, lute tab, tablature accompaniments, tablature letters, del liuto, vihuela music, lute technique, lute arrangements, baroque guitar, opera terza, plectrum technique, lute manuscripts, rhythmic signs, choirbook format, concordant versions, vocal model, mensural notation, lute music, alla napolitana, broadside sheets, tuning instructions Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Victor Coelho, Instrumental Music, Francesco da Milano, Thomas Campion, Alessandro Piccinini, Dinko Fabris, Biblioteca Nazionale, Howard Mayer Brown, Vincenzo Galilei, Giovanni Battista, Orazio Vecchi, John Griffiths, Orlando Cristoforetti, Dionisio Aguado, Fernando Sor, Pier Francesco Valentini, San Gimignano, Venegas de Henestrosa, Denis Gautier, Fernando Ferandiere, Francesco Spinacino, Ippolito Tromboncino, Joan Maria, John Dowland New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Modern performance of the so-called 'early Renaissance' lute repertory continues to be restricted to a small circle of sources and composers, generally revolving around Joanambrosio Dalza, Francesco Spinacino, and Vincenzo Capirola. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
plectrum lute, theorbo manuscripts, lute song composers, pratum musicum, chitarra spagnola, lute tab, tablature accompaniments, tablature letters, del liuto, vihuela music, lute technique, lute arrangements, baroque guitar, opera terza, plectrum technique, lute manuscripts, rhythmic signs, choirbook format, concordant versions, vocal model, mensural notation, lute music, alla napolitana, broadside sheets, tuning instructions Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Victor Coelho, Instrumental Music, Francesco da Milano, Thomas Campion, Alessandro Piccinini, Dinko Fabris, Biblioteca Nazionale, Howard Mayer Brown, Vincenzo Galilei, Giovanni Battista, Orazio Vecchi, John Griffiths, Orlando Cristoforetti, Dionisio Aguado, Fernando Sor, Pier Francesco Valentini, San Gimignano, Venegas de Henestrosa, Denis Gautier, Fernando Ferandiere, Francesco Spinacino, Ippolito Tromboncino, Joan Maria, John Dowland New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 31
books:
See all 31 books this book cites
3
books
cite this book:
- Thomas Campion (Twayne's English Authors Series) by Walter R. Davis on 4 pages
- The Manuscript Sources of Seventeenth-Century Italian Lute Music by Victor Coelho on page 45, page 109, and page 157
- Performance: Revealing the Orpheus Within by Anthony Rooley on page 48, and page 64
- New Grove Dictionary by Sadie on page 87, and page 119
- Method for the Spanish Guitar (Da Capo Paperback) by Fernando Sor on page 203, and page 210
See all 31 books this book cites
- The Cambridge Companion to the Guitar (Cambridge Companions to Music) by Victor Anand Coelho in Front Matter (1), Front Matter (2), and Back Matter
- La musique, de tous les passetemps le plus beau--: Hommage a Jean-Michel Vaccaro (Domaine musicologique) (French Edition) by Jean-Michel Vaccaro on page 48
- Mel Bay Baroque Guitar in Spain and The New World by Frank Koonce on page 1
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