A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.
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A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.
(Ariel )
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Inside This Book
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First Sentence:
There is a sense in which lesbian identity could be assumed, spoken, and articulated conceptually as political through feminism-and, current debates to wit, against feminism; in particular through and against the feminist critique of the Western discourse on love and sexuality, and therefore, to begin with, the rereading of psychoanalysis as a theory of sexuality and sexual difference. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
morally superior female, viene cantando, constitutive gaze, women performance artists, lesbian subject position, social gest, displacing gaze, dominant gender ideology, lesbian position, patriarchal bard, lesbian performance, patriarchal succession, theatre movement, lesbian representation, lesbian subjectivity, feminist theatre, lesbian body, constituting acts, sexual indifference, sweet queen, mannish lesbian, female reformers Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Shen Te, Teresa de Lauretis, Albert Nobbs, King John, Monique Wittig, Sue-Ellen Case, Cornell University Press, Julia Kristeva, India Song, Portrait of Dora, Sister George, The Changeling, Indiana University Press, Jacques Lacan, Jailer's Daughter, United States, Elin Diamond, Jacqueline Rose, Margaret Fleming, Michel Foucault, Anne-Marie Stretter, Jill Dolan, The Revenger's Tragedy, The Two Noble Kinsmen New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
There is a sense in which lesbian identity could be assumed, spoken, and articulated conceptually as political through feminism-and, current debates to wit, against feminism; in particular through and against the feminist critique of the Western discourse on love and sexuality, and therefore, to begin with, the rereading of psychoanalysis as a theory of sexuality and sexual difference. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
morally superior female, viene cantando, constitutive gaze, women performance artists, lesbian subject position, social gest, displacing gaze, dominant gender ideology, lesbian position, patriarchal bard, lesbian performance, patriarchal succession, theatre movement, lesbian representation, lesbian subjectivity, feminist theatre, lesbian body, constituting acts, sexual indifference, sweet queen, mannish lesbian, female reformers Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Shen Te, Teresa de Lauretis, Albert Nobbs, King John, Monique Wittig, Sue-Ellen Case, Cornell University Press, Julia Kristeva, India Song, Portrait of Dora, Sister George, The Changeling, Indiana University Press, Jacques Lacan, Jailer's Daughter, United States, Elin Diamond, Jacqueline Rose, Margaret Fleming, Michel Foucault, Anne-Marie Stretter, Jill Dolan, The Revenger's Tragedy, The Two Noble Kinsmen New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
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100
books
cite this book:
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- Troilus and Cressida (Signet Classics) by William Shakespeare on 8 pages
- India Song by Marguerite Duras on 5 pages
- The Subject of Semiotics by Kaja Silverman on 5 pages
- The Lesbian Body by Monique Wittig on 4 pages
- The Duchess of Malfi (Dover Thrift Editions) by John Webster on 4 pages
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- Acting Like A Woman in Modern Japan: Theater, Gender, and Nationalism by Ayako Kano on 5 pages
- Poetry Off the Page: Twentieth-Century British Women Poets in Performance by Laura Severin on 4 pages
- The Routledge Companion to Theatre and Performance (Routledge Companions) by Paul Allain on page 155, page 186, and Back Matter
- Like a Film: Ideological Fantasy on Screen, Camera and Canvas by Timothy Murray in Back Matter (1), Back Matter (2), and Back Matter (3)
- Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America by Diana Taylor on page 324, page 328, and page 343
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