Perotin

Hilliard Ensemble (Artist) | Format: Audio CD

Product Details

• Audio CD (April 26, 1994)
• Number of Discs: 1
• Label: Ecm Records
• ASIN: B0000031V3
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (25 customer reviews)
• Amazon Best Sellers Rank: #238,484 in Music (See Top 100 in Music)

Track Listings

1. Viderunt omnes, organum for 4 voices

2. Veni creator spiritus, 3-part conductus (MS Florencia)

3. Alleluia, Posui adiutorium, organum for 3 voices

4. O Maria Virginei

5. Dum sigillum summi Patris, conductus for 2 voices

6. Isaias Cecinit

7. Alleluia, Nativitas, organum for 3 voices

8. Beata viscera, conductus for solo voice

9. Sederunt principes, gradual for 4 voices

Customer Reviews

Most Helpful Customer Reviews

57 of 59 people found the following review helpful:

5.0 out of 5 stars The Middle Ages Brought to Life, February 22, 2000

By 

David J. Horne (Cincinnati, Ohio United States) - See all my reviews
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This review is from: Perotin (Audio CD)

I bought the Hilliard Ensemble's Perotin recording after reading the section on the evolution of medieval music from plainsong to organum in Grout's history of Western music. Grout praises Perotin's music, and this recording shows that praise to be well justified. The music is magnificent: dark, rich, full of mystery and awe, quintessentially medieval in sound. The Hilliard Ensemble's interpretations are superb and capture all the richness and power of this great idiom. The music communicates the reverance, awe, and, even fear, that the people of the Middle Ages must have felt in approaching a God who, after thousands of years of silence to most of the world, had revealed Himself to His creation. The Viderunt omnes, Veni creator spiritus and beata viscera are particularly fine, the Viderunt being possibly the finest surviving music of the age. I also highly recommend the Hilliard Ensemble recordings of Medieval English music, Walter Frye, the Machaut Mass, Gesauldo Responsoria, and Tallis. I also own Paul Hillier's recording, "The Age of Cathedrals" with his American ensemble, The Theatre of Voices, and value it highly.

36 of 36 people found the following review helpful:

5.0 out of 5 stars One of the Hilliard Ensemble's greatest works, November 24, 2001

By 

Mark Swinton - See all my reviews

This review is from: Perotin (Audio CD)

Perotin (or Magister Perotinus) was at the forefront of polyphony as it emerged in the twelfth century, together with Leonin (Magister Leoninus). Paul Hillier's scholarly sleeve notes describe the processes at work in his music far better than a short review could; suffice it to say that the style of some of the organum pieces has influenced many a twentieth century composer, including the minimalist Steve Reich, whose views are quoted in the notes. Perotin is not the only composer represented in the programme - some of the pieces are anonymous, although this does not detract from their musical strength in any way.

In a nutshell, the organum works are founded on plainchant, which is sung as part of the performance. Some voices sing the chant in extremely long note values, so that the progressions of the melody are hard to distinguish. Meanwhile, higher voices dance through a series of rhythmically-charged motifs, overlapping with each other and producing an astonishing alternation of dissonances and consonances, breathtaking to hear. The opening piece, the Christmas motet "Viderunt omnes," is a particularly fine example of this.

Other works in the programme sound closer to the sound world of Guillaume de Machaut: "Dum signillium" and "Veni Creator spiritus" are two such pieces, the former sung by tenors John Potter and Rogers Covey-Crump whilst the latter adds counter-tenor David James. Another short motet, "Isaias cecinit," repeats the same material for new verses of text, like a hymn tune with a descant at the end. I believe these three to be the most wonderful in the programme; especially, "Veni Creator" has a timelessness about it, enhanced by magical singing and the strong acoustics of Boxgrove Priory - one can almost imagine being in another century listening to this. Another fine moment is the chant "Beata viscera," powerfully sung by David James to a wordless drone.

As early music recordings go, this one has much to commend it: masterful singing in a wonderfully atmospheric venue, excellent sound quality, thoughtful programming that sets long beside short and quiet beside loud. It is glorious music from first to last - truly wonderful!

27 of 30 people found the following review helpful:

5.0 out of 5 stars Otherworldly, December 21, 2000

By 

S. Gustafson "Holy Roman Emperor" (New Albany, IN USA) - See all my reviews
(REAL NAME)   

This review is from: Perotin (Audio CD)

The overall audio effect of this disc is truly haunting and otherworldly. The rich recording and the skilful use of vocal drones make you feel as if you are in a vast and dark cathedral, lit only by stained glass and candlelight.

This is an excellent performance. Though recorded by many other ensembles, the -Beata Viscera- on this record is soaring and definitive.

This record would be appreciated, not only by confirmed early music fans, but by those who love all other sorts of slow and ethereal music. The harmonies are beautiful, and even sound somewhat edgy to the contemporary ear, largely because the modal melodies and open fifths do not map easily into our expectations for major or minor keys.