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Anne Perry and the Murder of the Century Hardcover – May 1, 2013


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Product Details

  • Hardcover: 384 pages
  • Publisher: Skyhorse Publishing; 1 edition (May 1, 2013)
  • Language: English
  • ISBN-10: 1620876302
  • ISBN-13: 978-1620876305
  • Product Dimensions: 9.2 x 6.3 x 1.3 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (73 customer reviews)
  • Amazon Best Sellers Rank: #65,214 in Books (See Top 100 in Books)

Editorial Reviews

Review

“. . . A readable and eye—opening story of 1950s Christchurch and the complicated family dynamics that produced one of New Zealand’s most famous murder cases.” (Library Journal)

“Graham psychoanalyzes Parker and Hulme from afar but does so tastefully and insightfully. Matricide is a rare crime. As a result, it has not been written about much in the popular literature, a gap Graham fills admirably. A worthy retrospective that feels chilling in the manner of novelist Perry.” (Kirkus Reviews)

About the Author

Peter Graham served as a barrister for many years before turning to crime writing. In addition to Anne Perry, he is the author of Vile Crimes: The Timaru Poisonings. He lives in New Zealand.  

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Customer Reviews

I found this book to be very interesting.
S.H.H.
The author in this book did a great job at putting forth all of the facts in the case and leading you to the crime itself.
Dad of Divas
For anyone who's interested in highly unusual murders, I would recommend reading this book.
Debrah A. Ross

Most Helpful Customer Reviews

64 of 67 people found the following review helpful By Hugh Young on May 21, 2013
Format: Hardcover
I was 10 when Christchurch was shaken by the murder of Honora Rieper (Parker) by her daughter Pauline and Juliet Hulme, and my parents discussed it at length, so the case has always been with me. This book adds a great deal to our knowledge of it, especially about the relationship of the girls and the role of their parents.

The Hulmes' coldness and neglect of Juliet accounts for a great deal in her personality. The Reipers were not blameless in their handling of Pauline, but they seem to have been much better than they were painted. While class was an important factor in 1950s Christchurch, both families made full use of the egalitarian aspect of New Zealand society to cross that divide, and the Reipers were not the clods they are sometimes painted.

Juliet (Anne Perry) has made all the running in rewriting the history, turning herself almost into a bystander to the murder (as it may well now seem to her), but Peter Graham delves into her later life less sympathetically than more authorised biographers and interviewers. (Never has anyone whose life handed them such bitter lemons turned it into sweeter or more plentiful lemonade!) He finds a narcissistic personality, who welcomed Pauline's worship and may have taken a more active role in planning the murder and carrying it out than she now admits. She says the whole affair lasted little more than a day, but Graham indicates how circumstances built up over a period of months, the girls inseparable, the parents more or less intent on separating them, Henry Hulme clearly lying to Pauline that she could join Juliet in South Africa or England when he had no intention of letting that happen. As Graham implies, had the girls known their parents' true plans, it might not have been Pauline's mother who died.
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18 of 18 people found the following review helpful By Book Fanatic TOP 500 REVIEWERVINE VOICE on April 24, 2013
Format: Hardcover
I read a lot of true-crime and it is rare to run across something as compelling as this well-written story by Peter Graham. I first heard about this murder when I saw a recommendation from Siskel and Ebert for the movie Heavenly Creatures. I thought it was a fantastic movie and when I saw this book come out I immediately grabbed it. Then the book grabbed me and I didn't want to put it down.

In today's media soaked world this story would have probably been one of the best known crimes ever on par with O.J. Simpson's crimes, but it happened in 1954. The teenage lesbian sex and fantasy make it a story hard for the media to resist even back then. Peter Graham has written an account that seems to be very objective and is quite critical of the two girls. He doesn't attempt to paper over anything and the account he tells about the behavior of the girls before, during, and after crime leaves one in utter disbelief at their arrogance and lack of remorse.

What makes this story even more interesting is that Juliet Hulme after getting out of prison at the age of 21 or so, went on to become a best-selling detective-fiction author going by the name of Anne Perry. She was outed in 1994 when the movie Heavenly creatures was released.

I highly recommend this compelling book. Two big thumbs way up!
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19 of 20 people found the following review helpful By Debrah A. Ross on June 9, 2013
Format: Hardcover Verified Purchase
Some years ago, I stumbled across a film on television called "Heavenly Creatures." It was bizarre, chilling yet oddly fascinating. Essentially it was the true story of two teenage girls from Christchurch, New Zealand who, in 1954, murdered one of their mothers. It was Kate Winslet's first major film. She played one of the girls, Juliet Hulme, and the other young actress Melanie Lynskey played the friend, Pauline Rieper(nee Parker). It was Pauline's mother, Honora Parker whose skull was nearly crushed as the two took turns beating her head with a brick that had been placed in a stocking. This was during an outing arranged by Pauline for the three of them to Victoria Park; first having tea and cakes, then taking a walk into the woods. Much of the film focused on the imaginary world these two girls created for themselves. Juliet and Pauline were both "different" in their own way, and not long after they met, they became inseparable. (The possibility of the girls being lesbians was brought up). It was this intense desire to stay together that led to the idea of killing Pauline's mother, who stood in her way of going to live in South Africa with Juliet. The book picks up where the movie ends, filling in blanks in the film, like the almost immediate arrest of Pauline, and Juliet the following day. They were both imprisoned, as the film tells at the end, but Juliet eventually began a career as a successful writer under the name of Anne Perry. I found the book to be a "page-turner", one of those that you have to plan your day around. For anyone who's interested in highly unusual murders, I would recommend reading this book. I suggest renting the film and watching it first. NOTE: Pauline also changed her name after her release from prison and became a recluse.Read more ›
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10 of 10 people found the following review helpful By Steve C. on September 12, 2013
Format: Kindle Edition Verified Purchase
I had hoped to find the definitive account of this famous case of the so-called "Heavenly Creatures." I'm not entirely sure this is it, though Anne Perry and the Murder of the Century is exhaustive and leaves little to the imagination. The writing is very regional, at times somewhat stilted, and many of the author's Britishisms will land with a thud at the feet of readers from other areas of the world, or soar completely overhead. Some of the background material, such as bios of minor characters and descriptions of places, seems unnecessarily detailed and slows down the narrative. The book, however, is far from poorly written, and the author is a great deal more successful in describing the crime itself and the events and thoughts leading up to it. The picture painted of the two teenage killers is quite chilling and often surprising--particularly the icy calculation that led to the murder of Pauline Parker's mother. The motive for the crime, however twisted, is pretty clearly delineated and doesn't leave the reader wanting. And the case is so fascinating--and almost unfathomable in its more innocent time and place--it should keep you reading up to that point in the narrative. 

Also, the author's post-trial analysis of Juliet's and Pauline's characters is astute and avoids sensationalism. He rightly takes the adult Juliet (who now calls herself Anne Perry) to task for her convenient self-forgiveness and revisionism in painting herself as an unwitting child who was coerced by fear and guilt to take part in the crime, but he does so evenhandedly. Perry's comment when asked if she ever thinks about the woman she killed may tell the true story of her degree of contrition: "No. She was somebody I barely knew.
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