The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of The Marquis de Sade (or Marat Sade) [Paperback]

Peter Weiss (Author)

Book Description

ISBN-10: 1577662318 | ISBN-13: 978-1577662310 | Publication Date: December 1, 2001

This extraordinary play, which swept Europe before coming to America, is based on two historical truths: the infamous Marquis de Sade was confined in the lunatic asylum of Charenton, where he staged plays; and the revolutionary Jean-Paul Marat was stabbed in a bathtub by Charlotte Corday at the height of the Terror during the French Revolution. But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

Editorial Reviews

From the Back Cover

"A truly remarkable play that is just as important for modern audiences as it was when it was first performed. A true milestone in modern theatrics. I will be glad to have my students read this great translation and adaptation." -- Daniel Inouye, Ouachita Baptist University

Product Details

• Paperback: 128 pages
• Publisher: Waveland Pr Inc (December 1, 2001)
• Language: English
• ISBN-10: 1577662318
• ISBN-13: 978-1577662310
• Product Dimensions: 7.8 x 5.4 x 0.4 inches
• Shipping Weight: 4.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #104,666 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

22 of 29 people found the following review helpful:

5.0 out of 5 stars One of the most haunting plays of all time., July 16, 1996

By A Customer

This review is from: The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis De Sade (Paperback)

Written in the early sixties, the play frequently abbreviated as Marat/Sade is set in 1808, yet many of the comments are distinctly directed toward current events, notably the upheavals in Eastern Europe. Now, with the fall of the Soviet Union behind us, the play takes on even greater significance. Despite the reassurances of the asylum director, whether a mere fifteen years or well over two hundred years have passed, the nature of revolutions, and the fanatics who cause them, has not changed. Combining historical events with modern theatrics, Weiss has produced what has been and will continue to be one of the most disturbing, as well as one of the most important works ever to be performed on stage.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Provocative and Mind Stimulating Material, April 5, 2008

By 

L. Shirley "Laurie's Boomer Views" (Huntington Beach,CA) - See all my reviews
(TOP 500 REVIEWER)   

This review is from: The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of The Marquis de Sade (or Marat Sade) (Paperback)

Maybe you have seen the film Quills and it has sparked an interest in you about the Marquis de Sade. Or maybe you are a history buff and are interested in the time of the French revolution, or perhaps you just love a really good thought-provoking play. If any of those things holds your interest you are in for a really marvelous read. 'The Persecution and Assassination of Jean Paul Marat as performed by the Inmates of the Asylum of Charenton Under The Direction of Marquis de Sade"(by Peter Weiss) is the full title of this book, but is AKA "Marat/Sade" and various editions may be found under either title. The edition I am reviewing is the English version(original is German) by Geoffrey Skelton.

So Marat/Sade is a play within a play with definite messages concerning "Revolution" and the effects on both the masses and the leaders. The setting is a fictional one, but uses the basis of historical events and characters to tell the story. The play inside this play is written and produced by Sade and performed by the inmates of Charenton where he spent so many years imprisoned for his writing, considered socially unacceptable and outrageous. The year it is being performed is 1808 but the events surrounding the story are happening on July 13, 1793, the day Charlotte Corday stabbed Jean-Paul Marat.

It is the day of the assassination. Marat, Sade, Corday,and political activists of the time argue back and forth about the reasoning and atrocities surrounding the Revolution and the state of Terror. The points going back and forth(sometimes in song) has the inmates(the rest of the cast), being easily swayed and worked up into a state of frenzy, all the while building to the stabbing. What is morally right and wrong? Heads are rolling - literally - who are the sane ones here - are the inmates running the asylum - so to speak?Even Columier(progressive director of the institution and supporter of freedom in arts)has trouble with the play when he feels it goes to far against the establishment.

This book, first published in 1965 grasps not only the horrific events of the 18th century, it is also certainly a statement on the international events of the 1960's. It will still provoke thought and may translate to some of the atrocities going on in the world today. Author Peter Weiss, seems to have really gotten into the heads of Sade, Marat and the others giving intellectual and provocative dialogue to the players. The scenes are well set for the stage, and excellent descriptions are given for each character making it very easy to visualize the entire play.

The books includes character descriptions - even down to subtle items in the wardrobe that would distinguish their roles, author's note on the historical background of the play,the music and words to the songs, and a brief bio of Weiss. I don't speak German(the 2 semesters I took in college nearly 40 years ago is long forgotten), but I have to say I don't feel like anything was lost in the translation of this play.

I would highly recommend this play to anyone who enjoys historical fiction, politics, infamous characters, and even if you are part of an acting group looking for an interesting and provocative play, you should have a look at this one.

This is a keeper and one to be read repeated times...enjoy the read...Laurie

also available here at the 4 for 3 deal at this time:
Marat/Sade

2 of 2 people found the following review helpful:

4.0 out of 5 stars Different From the UK Edition, May 14, 2008

By 

P. Bradley (CT, USA) - See all my reviews
(REAL NAME)   

This review is from: The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of The Marquis de Sade (or Marat Sade) (Paperback)

While certainly a brilliant play, I should mention that this edition differs slightly from the edition I used while in the United Kingdom. Aside from the typical spelling changes, certain words were changed slightly in meaning (Coulmier's "This is outright defeatism!" vs. "...outright pacifism!"). The biggest crime, however, was a drastic reduction of the final scene.

The UK edition features an extended Epilogue, including an explanation from Sade, the "resurrection" and counter-explanation of Marat, and a giant poster of Napoleon during the parade scene. In this edition, some of the Herald's lines were given to Coulmier to apparently bridge the gap.

All of the descriptions, introductions, notes, and even inclusion of musical scores remain identical. If given a choice, I would certainly look for that edition, as it is somewhat more fulfilling. (It features a standard black & white cover with no pink trim)