Most Helpful Customer Reviews
|
|
4 of 4 people found the following review helpful:
5.0 out of 5 stars
A Most Welcome Reissue of Persichetti Wind Band Music, May 11, 2006
The contents of this CD were originally issued on the Harmonia Mundi label about ten years ago. It was a treasurable issue then and its reappearance on a budget label is particularly welcome for those who don't own the older disc. Much of this music stands at the very center of essential American concert band music repertoire, along with his Symphony No. 6. Vincent Persichetti (1915-1987), whose polytonal and rhythmically alive music is presented here, had a particular talent for writing for combinations of winds, brass and percussion. Included on this well-filled disc are seven of the fourteen such works that he wrote. Divertimento for Band, Op. 42, Psalm for Band, Op. 53, and Pageant, Op. 59 are among the most-played of these works, but the much more complex and striking Parable for Band (Parable IX), Op. 121, one of the last things he wrote, is perhaps one of his most original works.
The music itself is performed beautifully by players of the London Symphony under the direction of American conductor, David Amos, long known for his recorded forays into forgotten or nearly-forgotten American music. One could not ask for more idiomatic performances. As someone who had many years ago played in performances of the Divertimento and the Psalm, this recording brought back warm memories. Naxos, which has just started a new series called 'Wind Band Classics,' has issued this as the second in what hopes will be an extensive list of recordings to come. A plus for this release is the knowledgeable booklet essay by the leading expert on the music of Persichetti, Walter Simmons.
Strongly recommended.
Scott Morrison
|
|
|
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Persichetti is at his best when he strays from his lighter and more traditional College Band side, December 8, 2007
This is the reissue of a CD originally published in 1994 by Harmonia Mundi USA (Vincent Persichetti: Divertimenti For Winds). No doubt because they were aimed at college bands, the works gathered on this disc, composed between 1950 (Divertimento op. 42) and 1984 (Choral Prelude: O God Unseen, op. 160), represent the lighter and more traditional side of Persichetti. They are fun (and easy) to hear, and I am sure fun (and not so easy) to play, with dynamic and syncopated allegros reminiscent of Bernstein's Broadway style and the expected pensive adagios, at times rising to genuine dramatic intensity (Psalm, Choral Prelude) - but hardly original in their approach to the medium and its sonic possibilities. Not surprisingly, the two pieces that stray from that model, Masquerade op 102 and Parable op 121 are the most interesting and rewarding. Their language is more angular, dramatic, whimsical and, ultimately, ear-catching and attention-grasping.
|
|
|
4.0 out of 5 stars
Persichetti / LSO Winds, July 16, 2009
At the time when most of the pieces on this recording were composed, the repertoire of concert band music was quite small. There were marches, transcriptions, light pops music and the pioneering British works by Holst, Vaughan Williams and Grainger.
Around 1950, the demand for serious concert music for band increased partly due to the emergence of college bands. The long play record made it possible for Frederick Fennell and others to make them available to the record buying public. Thank goodness for composers like Vincent Persichetti and a handful of others, for their examples set the template for the music to come. His music is rhythmically exciting and well orchestrated. These are not pieces that come across as conceived for another medium and translated for band. Persichetti obviously had a natural feel for band instrumentaion - he had few precedents in band composition - and these recordings show it. Persichetti was basically a classicist and it is easy to comprehend his works from an architectural standpoint.
The London Symphony Winds are a good choice for this repertoire, given the history of wind music in England. The performances are crisp and well-balanced and bring out the energy that Persichetti aimed for as well as the expression needed in the lyrical sections. A must for anyone interested in wind music.
|
|
|
|
~ Corporon
~ Vincent Persichetti
~ Charles Ives
- the new music site from IMDb and Amazon.
