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Shop over 1,000 albums for $5 each for a limited time. |
| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Comfy In Nautica | 4:04 | $0.99 | |
| Play | 2. Take Pills | 5:23 | $0.99 | |
| Play | 3. Bros (Album Version) | 12:30 | Album Only | |
| Play | 4. I'm Not | 3:59 | $0.99 | |
| Play | 5. Good Girl/Carrots | 12:42 | Album Only | |
| Play | 6. Search For Delicious | 4:53 | $0.99 | |
| Play | 7. Ponytail | 2:05 | $0.99 |
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Most Helpful Customer Reviews
25 of 26 people found the following review helpful:
5.0 out of 5 stars
Person Pitch,
By
This review is from: Person Pitch (Audio CD)
Panda Bear's Person Pitch is proof positive why it's necessary for Animal Collective to remain a "collective" rather than a permanent band: the members just have too many ideas. Granted, they leapfrogged from style to style on each of their albums anyway, but Animal Collective drummer Panda Bear's latest sounds like the work of one man making music on his own terms, and reflects his own current state of mind. See, Panda Bear (Noah Lennox) just moved to ultra-laid-back Lisbon, and sure enough, Person Pitch sounds like the Beach Boys' California love filtered through a strange exoticism that's easy to associate with a place like Portugal. It retains Animal Collective's ebullient, idealistic attitude, but it's more low-key and atmospheric: quiet drum machines and plinked instruments awash in a psychedelic cloud. And, as you would expect from an animal in the Collective, the vocals are treated in wonderfully creative ways; the fact that Panda Bear sounds uncannily like Brian Wilson is just a really big bonus.
20 of 20 people found the following review helpful:
5.0 out of 5 stars
Magic Mushroom Music,
By
This review is from: Person Pitch (Audio CD)
Like another reviewer on here, I was not all that impressed with Panda Bear's first solo record, Young Prayer. It was overly simple and lo-fi. There's not much that I can say about it that hasn't been said before. However, with Person Pitch, Panda Bear has created an amazing audio tapestry of hazy samples and sun-drenched guitarscapes. If I had to reduce this review to as few words as possible, I would say this: Fennesz's Endless Summer meets the Beach Boys' Pet Sounds in Animal Collective's basement. I hesitate to mention AC here but this album is definitely reminiscent of the more melodic parts of Feels. I'm going to go out on a limb and say that this is more accessible on the first listen than any AC release.
There are only 7 tracks here, but there is no filler on the album and two of the tracks exceed the 10-minute mark. It opens with Comfy In Nautica - a repeated choral loop on top of simple 1-2-3-4 factory-noise percussion that floats underneath Noah's (Panda's real name) nostalgic singing. The next track, Take Pills, reminds me of Banshee Beat from Feels in that it begins slow and lurching but becomes upbeat about 3 minutes into it. "I don't want for us to take pills anymore..." is the catchy refrain to this one. Next comes Bros, the album's centerpiece. It starts with the sound of an owl hooting, but jumps into the melody very quickly. It desolves into lovely, hazy AC territory about halfway through, and the owl comes back for some background vocal work. There are four other tracks that come next. I'm not going to try to go through each of them here, mostly because I fear my adjectives will become redundant. But if you enjoy the first three tracks, you're most likely going to enjoy the last four. Every track on here has a similar sound and feel to it, but they each stand out on their own. I highly recommend this to fans of AC, who most likely do not need my recommendation, but also to people who feel like AC is maybe a bit too out there for them at times.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
A landmark album.,
This review is from: Person Pitch (Audio CD)
Listening to this album as an Animal Collective fan, I was surprised by this album. Of course, I was expecting it to be a mind-bending and experimental album. However, I did not expect that it would be on of the best albums I'd heard in the contemporary music scene. It is the absolute apex of mixing jarring experimentalism with shiny 60's pop melodies. Brian Wilson on a ketamine bender: that's more or less the best way to describe it. Absolutely perfect, not a wasted moment on this album. Essential listening for anyone even mildly interested.
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