Customer Reviews

Personal Best [VHS]

5 star:		(14)
4 star:		(4)
3 star:		(2)
2 star:		(3)
1 star:		(2)

 

 

Whether you viewed this film when it first appeared in the '80s or today, you cannot help but get the feeling that you are right there w/Tory (Patrice Donnelly) & Chris (Mariel Hemingway) competing on the track and struggling through the pains of high level competition. The technical advice given this film is marvelous, thanks in part to co-star Patrice Donnelly.

Also, the attraction between the two stars is touching and their ensuing love scenes are gentle and moving. When the two stars struggle in their 3yr long relationship, you (the viewer) struggle right along with them. Unfortunately, the two stars never address the reason for their breakup and one is left w/a feeling of incompleteness.

Scott Glenn is very convincing as the coach who falls in love w/Tory and becomes the number one jerk to keep Tory & Chris apart.

So, I'm having a party conversation with a lesbian friend and "Personal Best" comes up. She denounces it as a lousy portrayal of lesbianism. Yeah, I answer, but it is a great sports movie! And it is too. Personal Best is not just a great sports movie, but is also a great bildungsroman ("coming of age" movie). In it the lead character, Chris Cahill (Mariel Hemingway) is involved in a dysfunctional relationship with her father who is a coach. We see little of her family life. The movie revolves around her moving to a new family and getting new parents: Tory Skinner (Patrice Donnelly) and Terry Tingloff (Scott Glenn, who is, you guessed it, a coach). The problem is the tranference of parental relations is confused from the very beginning by a sexual relation between Chris and Tory. The waters are muddled even further when jealousy rears his head between the "parents," and between Tory and Chris who are set in competition against each other by Tingloff. Through it all, Chris grows up so that, when Tingloff comes on to her in a vulnerable situation, she staves him off (unlike Tory in a earlier scene) and begins to develop her own relationships and her own philosophy of competition. The moral of the movie is: To be competitive you don't have to be better than everybody else, just a little bit better than you were yesterday. You don't have to kill the competition, you can love the competition, but always remember, you are the competition.

This is a film about competition in sports and about the love/sexual atraction between two women. The scenes that capture the more difficult moments in sports competition (the beginning of a 1000 meters, by example)are really good and beautiful. There you can see the high feelings of people that dedicates theirs lifes to win in a sport campus. Otherwise, the love scenes are delicate and very beautiful. You can feel by yourself the feelings between the two women. High feelings. What I really didn't like is the end of the love story. It is not credible and seems to be moralizing. But you have to see this picture. Great photography, great bodies. I saw it when it was new (1983, 1984, I guess) and I saw it now and I find it better than then.

I found myself watching "Personal Best" again after several years. Robert Townde creates a movie of coming of age within the world of sports, focusing on the human bodies of women in training in a veritable and also erotic way. The interweaving of the love affair with the rigors of sports and competition is superb. Patrice Donnelly turns out to be the stronger actress, despite the fact that she is the sportswoman, not actress by trade. This is a classic movie as the first commercial movie with a lesbian scene - well worth seeing.

I love Mariel. Even though this is too much of a lesbian theme for me, I still love the movies that she's in. I recieved it fast and in great shape.

"Personal Best" is all about extending yourself to the limit and taking matters into your own hands. It still stands up after all these years. The lasting memories of this movie will always give me something to hold on to; it is just as stimulating as it was in 1982, right up to the climax.

When Personal Best came out in 1982, at about the same time as Chariots of Fire - another running movie - I loved it. But seeing it again, it's lost something. Now, all I see is Mariel Hemingway whining and crying through the whole movie. I think what caught me the first time was the great photography, Mariel's hot bod, and Scott Glenn's great lines about comparing coaching the women's team to Chuck Noll coaching the Pittsburgh Steelers. All three are still great. Just don't expect much else.

Saw this movie back in 1982 when it first became a hit with soldiers and airmen alike while stationed overseas. Have long searched for the DVD version and now I've got it. Thank you very much

I love this movie. it was one of the first one's I saw, but they should have ended up together, but that's what you get when the movie is written by a man.

This is most definitely NOT lesbian cinema. Rather it is a touching love story between two people; one of whom happens to be a lesbian and the other (Hemmingway), who is bi. The writing, casting and direction of this movie are top-notch. The only negative is that it is rather anti-climactic due to the ridiculous boycott of the 1980 Olympics by the US government.