Personal Injuries (Mass Market Paperback)

by Scott Turow (Author) "HE KNEW IT WAS WRONG, AND THAT HE was going to get caught..." (more)
Key Phrases: contrived cases, surveillance squad, surveillance van, Kindle County, Robbie Feaver, Brendan Tuohey (more...)

Editorial Reviews

Amazon.com Review
Scott Turow has always pushed himself beyond the expectations of readers and critics. In Presumed Innocent (1987), he introduced fictional Kindle County and ushered in the era that spawned such mega-authors as John Grisham, Richard North Patterson, and David Baldacci. In Personal Injuries, Turow continues to innovate on legal fiction, but his achievement this time is not gained through clever plot twists (though there are several) or intense legal action (though there is much of that too). The achievement of mastery this time is via exquisitely drawn, Faulknerian characters--attorney Robbie Feaver, agent Evon Miller, U.S. Attorney Stan Sennett, and Justice Brendan Tuohey--whose lives become the driving mystery at the core of the book.

The novel begins with Robbie Feaver seeking counsel from the narrator, attorney George Mason. For years, Feaver has been bribing several judges in the Common Law Claims Division to win favorable judgments. Now that U.S. Attorney Stan Sennett has uncovered Feaver's dirty little secret, he wants to use Feaver to get at the man he believes to be at the center of all the legal corruption in the metropolitan area, Brendan Tuohey, Presiding Judge of Common Law Claims and heir apparent to the Chief Justice of Kindle County Superior Court. With Mason as an advisor, Robbie assists Sennett and his team of FBI undercover agents in crafting a massive sting operation that involves an FBI-manufactured lawyer named "James McManis," a cast of fictional clients, and "Evon Miller"--a deep cover agent (and former Olympic athlete)--who poses as Robbie's paralegal and paramour.

With a skill rarely found in genre fiction, Turow composes his narrative with variations on several recurring themes. The novel ripples with paranoia as the FBI enshrouds the legal community of Kindle County in a web of tapped phones, concealed cameras, and wired spies.

At the center of indirection sit Robbie and Evon. The pair dance through an elegant game of erotically-charged hide and seek: Robbie the practiced liar and former actor, and Evon, the agent whose whole life must remain a fiction if she is to survive. At their best, legal thrillers leave readers confronting the core of their values and perceptions of legal and moral rectitude. Personal Injuries is the legal thriller at its very best. --Patrick O'Kelley --This text refers to the Hardcover edition.

From Publishers Weekly
Unlike most of his fellow lawyer-novelists, Turow has always been more interested in character than plot, and in Robbie Feaver, a lawyer on the make who ends up fighting for his life, he has created his richest and most compelling figure yet. For years, Robbie has been paying off judges and squirreling away part of the riches he earns as a highly successful trial lawyer. When the IRS happens upon the money trail, and a top prosecutor leans on him to turn state's evidence and finger some of the corrupt justices, Robbie calls on George Mason, veteran Kindle County lawyer, to represent him and win the best deal he can. A complicating element in the case is Evon Miller, Mormon-born FBI agent in deep undercover, who is assigned to watch Feaver and finds herself, against her better inclinations, drawn to himAfor Feaver is a character of almost Shakespearean contradictions. A charming, brash womanizer who nevertheless shows superhuman reserves of love and patience to his dying wife at home, he is always several jumps ahead of the prosecutors, the FBI and the reader, winning sympathy, even admiration, where there should be none. This patient account is fascinatingly detailed in the ways of the law and the justice system, of how Robbie zeroes in on the biggest target of all, only to be trumped at the last moment. It is also a deeply understanding look, in its portrait of Evon, of the motives that drive a solitary woman into police work (Thomas Harris's Clarice seems shallow by comparison). There are some remarkable narrative strategiesATurow deftly alternates a first-person and omniscient-author point of view, for exampleAbut readers will not be concerned with technical details, only with the rare revelation of a paradoxical personality so compelling he makes the very adroit plot almost superfluous. 750,000 first printing; $500,000 ad/promo; first serial to Playboy; BOMC main selection; QPB selection; 9-city author tour; paperback rights to Warner; simultaneous Random House audio. (Oct.)
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Mass Market Paperback: 528 pages
• Publisher: Vision (December 1, 2000)
• Language: English
• ISBN-10: 0446608602
• ISBN-13: 978-0446608602
• Product Dimensions: 6.8 x 4.2 x 1.2 inches
• Shipping Weight: 9.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.2 out of 5 stars See all reviews (229 customer reviews)
• Amazon.com Sales Rank: #181,516 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

32 of 33 people found the following review helpful:

5.0 out of 5 stars Fascinating, compelling, moving - Turow is a master, November 18, 1999

By A Customer

This review is from: Personal Injuries (Scott Turow) (Hardcover)

Scott Turow does not write John Grisham novels. Many of us who read Turow read him because he doesn't churn out the the lowbrow, predictable pablum of other popular genre writers. Personal Injuries is magnificent - filled with complex, multi-faceted characters who are never entirely good or evil but, like most of us, somewhere in-between. The character of Robbie Feaver kept surprising me and challenging my initial perceptions (kinda like some of the people in my own life, how 'bout that!). I found the plot involving corrupt judges to be absolutely compelling and helped immeasurably by Turow's obvious experience with similar circumstances. I finished the novel last night and couldn't help but weep while reading the final 20 pages. Not only did I find the conclusion moving but the novel and the challenges of its characters left me with questions about my own life to think about. Now, what more could I ask of a piece of fiction?

23 of 23 people found the following review helpful:

4.0 out of 5 stars What a wonderful read, February 12, 2000

By A Customer

This review is from: Personal Injuries (Scott Turow) (Hardcover)

It is amazing how many people missed the boat on this one. The very first review says it all. "Personal Injuries" isn't about plot or story line or fast pace or excitement or courtroom drama.

As I read the book I kept waiting for something to happen until I realized that something was happening. I was watching an author create a cast of characters who peopled any room I read this book in. Exquisitely drawn and beautifully built as seen through the eyes of not the first person narrator but the main character Robbie Feaver (pronounced "favor" as he tells us).

Further, Turow's portrayal of ALS and its effect on family members as well as the victim is heartbreaking. Such sadness!

Turow also leads us into the dark world of witness protection, the FBI and the battle of jurisdiction, political ambition and political medelling, etc.

Well done, Mr. Turow. Some of us understood where you were going and what you were doing.

37 of 41 people found the following review helpful:

1.0 out of 5 stars Turow this one back!, January 13, 2000

By	tmchurch (Moscow, Russia) - See all my reviews

This review is from: Personal Injuries (Scott Turow) (Hardcover)

Reading Scott Turow is like going to Law School; it's in Chicago and it sucks. Another pound or two of legalese from this master market grabber. True fans of legal fiction should enjoy this, but people are better off watching Matlock on PAX-TV. Turow's main problem is his attention to detail; everybody knows an olive fork doesn't twist like that, why draw our attention to the flaw by high-lighting it in detail? He could have just said "fork." I can't believe I put down Louis Ferdinand Celine for this. I am so sad and it is Scott Turow's fault.