Petersburg [Deluxe Edition] [Paperback]

Andrei Bely (Author), John Elsworth (Translator)

Book Description

Publication Date: May 1, 2009

A story of family dysfunction, parricide, political terror, conspiracy, and murder, this masterpiece also points to apocalypse and redemption. The world of history—the revolution of 1905—and the world of myth—in the figure of Saturn, who devours his children and in turn is devoured by them—are intertwined. Russia is torn apart by the conflict between revolutions and reaction; at the level of myth, these opposites are indistinguishable. The Ableukhovs, father and son, embody this conflict, but are scions of the same Mongol lineage. The city itself is the child of its autocratic founder, Peter the Great, who maintains his power over it through the agency of his statue, the Bronze Horseman.

Editorial Reviews

Review

"One of those world masterpieces of literature."  —PopMatters.com

Language Notes

Text: English (translation)
Original Language: Russian --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 570 pages
• Publisher: Pushkin Press; Gift edition edition (May 1, 2009)
• Language: English
• ISBN-10: 1901285960
• ISBN-13: 978-1901285963
• Product Dimensions: 7.6 x 4.9 x 1.3 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 4.2 out of 5 stars  See all reviews (17 customer reviews)
• Amazon Best Sellers Rank: #784,026 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

40 of 42 people found the following review helpful:

5.0 out of 5 stars One of the greatest masterpieces of 20th-century prose, August 3, 1999

By A Customer

This review is from: Petersburg (Penguin Twentieth-Century Classics) (Paperback)

According to Vladimir Nabokov, this work rates with Joyce's Ulysses and Kafka's Transformations. I'll take this one over its competition. One of the most well-read works of Russia's Silver Age, I recommend it not only as literature but also as cultural history. PLEASE, find an edition of the Maguire and Malmstad translation, it's much more lucid. Bely is difficult enough even if you read Russian; you need all the help in translation you can get. The notes are copious but, if read attentively, help place the book in the cultural context in which it was written.

26 of 32 people found the following review helpful:

4.0 out of 5 stars Worth the less than ideal translation, July 25, 2005

By 

M. D. Copeland "avid opinionist" - See all my reviews
(REAL NAME)   

This review is from: Petersburg (Paperback)

Nabokov, the translator's introduction triumphantly proclaims, thought Petersburg one the three best books ever written, beside Joyce's Ulysses and Kafka's Metamorphosis. Nabokov, they do not emphasize quite as proudly, was also a native Russian, so he might have had this book a little easier.

Truly, this is a masterpiece, even if a little hard to translate. Imagine Ulysses, barely possible to read as it is, translated into another language, and you might come close to the difficulties in navigating through Bely's symbolist playground complete with 50+ pages of endnotes. However, unless you plan on learning Russian sometime very soon, that is no excuse for skipping this novel--certainly the lack of a successful English translation is the only thing that keeps it from joining the ranks of other great Russian novels. The fragile tale of an enchanting yet troubled city and the dancing psyches that inhabit it is well worth any difficulties in translation.

19 of 23 people found the following review helpful:

5.0 out of 5 stars Powerful Play of Symbols and Desires, October 29, 2002

By A Customer

This review is from: Petersburg (Paperback)

Andrei Bely's "Petersburg" is rightly praised as a masterpiece. Knowing Bely's symbolist background, I had exepected the shimmering interlacing of symbols. Yet, while reading the book, I was surprised by the amount of historical and personal desire (and their intertwining) and the masterful way in which it was rendered. Linguistic experiments, grotesque, time-and-space shifts, intertextuality, metatextuality... and, yet, a fully comprehensible narrative! This novel is a true modernist diamond. The book questions what we usually perceive as the predominance of Anglomodernism - yes, the Russians were writing great things after Dostoevsky, too!