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The Phantom Blooper [Hardcover]

Gustav Hasford (Author)
3.9 out of 5 stars  See all reviews (8 customer reviews)


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Product Details

  • Hardcover: 243 pages
  • Publisher: Bantam; First Edition edition (January 1, 1990)
  • Language: English
  • ISBN-10: 0553057189
  • ISBN-13: 978-0553057188
  • Product Dimensions: 9.1 x 6.2 x 1.2 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #666,213 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
3.9 out of 5 stars (8 customer reviews)
 
 
 
 
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31 of 33 people found the following review helpful:
5.0 out of 5 stars The return of private Joker, June 28, 2001
This review is from: The Phantom Blooper (Hardcover)
I discovered this novel the same day I found that Gustav Hasford, "unreconstructed Vietnam veteran" and author of "The Short-Timers" (the basis for Kubrick's "Full Metal Jacket") died in 1993 in a Greek motel, forgotten except by few friends and - even if he never knew it - by me. The inescapable sense of sadness and loss almost became anger when I realised that "The Phantom Blooper" was in every way as good as "Short-Timers" - if not better. I'll spell it differently: it's masterpiece, one of the most amazing piece of war literature ever written. Briefly released in 1990 by Bantam - just to be killed by a nervous publishers - this novel is "The Short-Timers" (and thus "Full Metal Jacket "!) sequel, even if written before FMJ was filmed, and as its predecessor it's divided in three parts.

The first ("The Winter Soldiers") finds Joker on Khe Shan, in the very last day of the combat base's life. Most of his friends are dead, back in the US or missing, maybe captured by The Phantom Blooper, a legendary Marine who has defected to the VC. Even if all the events are apparently compressed in less than 24 hours, as usual in Hasford's narrative there's a lot of overlapping violence (including the rough welcome to a New Guy). I'll not spoil anything, but you'll be treated with one of the most original, visceral, epic descriptions of a war action ever committed to paper. It's a sequence that begs to be filmed - but I can't really figure out who could do it.

Some American reader will be outraged by part two ("Travels with Charlie") but it's really here that Hasford raw genius does shine. Joker is captured by the NVA: instead of being shipped to the Hanoi Hilton, is brought back to a VC village "near Laos". It could have been easy for Hasford to transform Joker stay with the enemy into a cardboard horror story or in the Vietnam version of "Dance with the Wolves". But he (somehow working with the Viets, thus becoming "the white front fighter" - and The Phantom Blooper!) becomes a detached, but almost sympathetic observer of the village's life and the combat routine in the NVA. He even comes to look at a Green Berets compound "with the eyes of an attacker". He's not converted ("Communism is boring and doesn't work", he observes, too disillusioned to fall from a political claptrap to another one) but he's deeply affected: if you give the enemy a face, it ceases to be the enemy. The balance with which Hasford invest Joker's reaction to what he sees is superb, and Joker sharp humour never disappears. "Travels with Charlie" is packed of great vignettes, including a paradoxical moment of voyeurism, the strangest reference to Dale Canergie in the annals of literature and the description of an Arclight bombing run from the receiver's end that will give you shudders. The shocking violence typical of Hasford's prose is still here, and some graphic detail will repel the squeamish. But reality was never meant to be a Barbara Cartland romance...

Finally Joker is "rescued" and sent back to the US. "The Proud Flesh" (the third part) may be Hasford unheralded finest moment - a nearly flawless recapitulation of Joker/James Davis (his real name, not incidentally the name of America's first casualty in Vietnam) return to humanity and reality. It's not an happy return - it couldn't be, as Joker finally realise how war can be more real than peace, and how he feels a POW even in his house. But again Hasford elegantly avoid what could have been a collection of clichés, and gives to Joker's trajectory back home a poetry of anger and contempt that is both powerful and engrossing - but wonderfully simple and effective. The final image of the book is the last thing you would expect from the man who wrote "The Short-Timers", but is marvellous.

"The Phantom Blooper" is "Short-Timers" sequel, but is not "Short-Timers II". There's a greater sense of humanity, a greater focus and a maddening rage against a world gone awry. This "unmaking of a soldier" (as someone perceptively had described it) is oozing the frustration of those that really went through all the fight, and didn't choose to forget. "Once a marine, always a marine": Joker doesn't revert to simple pacifism (militarism's twin brother) but he recognises that soldiers, people who had the unenviable privilege to see history's most unpalatable truths, are the only ones who know really "how things are". The walked the walk so they can talk the talk. "Firepower to the people" as Black John Wayne (grunt, squad leader and head of the "Black Confederacy", one of the book's most intriguing inventions) would put it. And he means it. The irony of a Marxist speech from someone who's bound to fight a Marxist enemy isn't lost on Hasford.

The fact that such an amazing novel isn't available to the public since a decade is a deep shame. The full text of the book is available on Gustav Hasford memorial web site, but "The Phantom Blooper" MUST be read on paper. Try to find one copy on the used book circuit, and let's hope someone in the future will give to Gustav Hasford's talent its due, maybe re-publishing "The Short-Timers" and this together, as it should be. Too late, unfortunately. How sad.

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11 of 12 people found the following review helpful:
5.0 out of 5 stars Better than The Short-Timers, September 28, 1999
By A Customer
This review is from: The Phantom Blooper (Hardcover)
Gus Hasford's first novel, The Short-Timers, was the basis for Full Metal Jacket, and this is its sequel. More powerful and personal than its predecessor, The Phantom Blooper takes readers into the world of the NVA when Private Joker becomes a prisoner of war. It is a haunting portrayal of a previously faceless enemy. If you've only read The Short-Timers or seen the movie version, you don't know the whole story!
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Gustav Hasford:Capital Punishment For Library Violations!, August 21, 2009
This review is from: The Phantom Blooper (Hardcover)
In reading Gustav Hansford's "The Phantom Blooper", as a historian my gist was to extract any parallels to reality that occurred in the quaqmire of America's debacle in Vietnam. While finding that out and much more, I also discovered how much of an enigma Hustav Hansford truly was. Born November 28th, 1947 in Russellville, Alabama, Hansford was a U.S. Marine and served as a combat correspondent in Vietnam. He wrote a semi-autobiographical novel after the war entitled "The Short Timers," which was later made into a best selling movie. Full Metal Jacket. Authored by director Stanley Kubrick and writer Michael Herr, as well as Hansford, it was nominated for an Academy Award. Ultimately, Hansford's contributions became a point of contention between the three, and Hasford abstained from attending the Oscar Awards.


Two years before Hasford authored "The Phantom Blooper", he was arrested in San Luis Obispo, California for stealing almost 800 books across the U.S. and Great Britain. He was accused of having "bibliophilia", an obsessive-compulsive disorder that centers on the collecting and acquiring of books to the point where social relations are ignored and health declines. NAM: The Vietnam War in the Words of the Men and Women Who Fought There Books are pursued by the sufferer of this psychological condition to the point where they are not to be admired or read, but simply to be obsessively possessed. Hansford's defense at his trial, costing over $20,000, was that he had "borrowed" the missing books to serve as the basis for an ultimately never published book on the U.S. Civil War. He was sentenced to half a year in jail, of which he served 90 days and vowed to pay fines derived from the royalties that resulted from future sales of "The Phantom Blooper", published in February, 1990.


Hansford did write a final novel, "A Gypsy Good Time" which was a detective story set in Los Angeles and was published in 1992. This book was barely noticed and with Hasford's health rapidly declining from the debilitating effects of diabetes, he moved to Aegina, a small island off the coast of Greece where he eventually died of heart failure on January 29, 1993. Where Hasford 's first book was semi-autobiographical and centered on the "making of an American soldier", the second one, "The Phantom Blooper" showed the reverse, e.g. "the unmaking". Everything We Had: An Oral History of the Vietnam War It followed a theme of defection from the U.S. Military, capture by the Viet Cong, assimilation and ultimately identification with the enemy, which actually occurred in the celebrated case of Robert Garwood. Conversations With the Enemy: The Story of PFC Robert Garwood It also concluded with alienation, depersonalization and P.T.S.D., which commonly most Vietnam Vets faced upon returning from S.E. Asia.


The book is clearly against the war, as in Hasford's dedication he pulled no punches and dedicated it to "the 3 million veterans of the Vietnam War who were betrayed by their country". Hasford also made many allegations within the pages, as in the beginning he wrote that the 40,000 Communist attackers of the besieged and later abandoned base at Khe Sanh were able to do "human wave" kamikaze charges against the Americans because they were "opium crazed". Hasford also validly pointed out that during the Vietnam War, the U.S. ruled the land, but "when the day turns black and the sun goes down, everything beyond our wire is overrun by the Viet Cong. Every time the sun goes down, we lose the war." Hasford wrote the chilling comment about combat there as: "In Viet Nam nice guys do not finish at all and monsters live forever."


As with most memoirs, all U.S. troops in the field served a 1 year tour, and it was the "F.N.G" (the new guy") that seasoned troops were leery of. Hasford wrote of them: "You've got to keep New Guys alive until they realize that we're not going to win this war, which usually takes about a week." A Rumor of War Hasford also touched on corruption, prostitution and the black market that went on during the war, especially with the the paradigm of a G.I. trading a truck full of hand grenades for heroin. Warriors: An Infantryman's Memoir of Vietnam Before the capture of the protagonist of his story, "Joker", Hasford clearly maintained in the storyline about the enemy: "We can kill them, sometimes, but we are never going to beat them. All Viet Cong farmers are press-ganged at the point of a gun, brainwashed and shot full of heroin. The V.C. have magic powers which allow them to sink into the soil and disappear.


Hasford had an interesting way of explaining why the war was not winnable. After "the Tet Offensive", 1969 brought the highest "death toll" of U.S. combat troops in a single year. R.F.K. and Martin Luther King were assassinated, L.B.J. declined to run again for a 2nd term and the American public lost their patience with the nightly K.I.A tallies and unfulfilled promises of there being "light at the end of the tunnel" for a successful conclusion to the war in S.E. Asia. In "The Phantom Blooper", after his protagonist was captured by the V.C. and planned his escape, Hasford wrote of "Joker" in trying to feign assimilation into the V.C. and plot his escape back to U.S. forces: ""In the jungle, without weapons or food, I'll die. I must wait patiently to be a genuine defector or they will ship me away to the Hanoi Hilton. If I've learned anything from these people, it is the power of patience." Clearly, the false perception of winning the Vietnam War through enemy attrition would never work, according to Hasford. Ultimately, this proved to be on target. Unlike the Oriental mentality, Western patience with American involvement in Vietnam was at it's end.


Hasford concluded this book with very painful issues, such as America's attempt to deny "Vietnam Veterans Against The War" the right to express their indignation of this country's conduct in the war, their sense of betrayal, and how in some cases Vets were seen as drug crazed baby killers and psychopaths. Acceptable Loss Issues such as losing one's family, unemployment, and disgust at insincere "K.I.A. condolence letters" written to family members of the deceased are all addressed. It is interesting to note that as this was true in many cases, Gustav's protagonist was embarrassed to be home after military separation, considered himself a killer, and was homesick for the adrenalin that only the rush of Vietnan would provide and cure. It is interesting that Hansford has "Joker" assert at the end of the book: "I'm not even 21 years old and I've killed more than Billy the Kid". Clearly, this novel is a book that between the covers will teach the reader more about what went on in Vietnam over 40 years ago than most history books combined will inculcate.

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