Product Details

• Actors: Lon Chaney, Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland
• Directors: Lon Chaney, Edward Sedgwick, Ernst Laemmle, Rupert Julian
• Writers: Bernard McConville, Elliott J. Clawson, Frank M. McCormack, Gaston Leroux
• Format: Black & White, EP, NTSC
• Rated: Unrated
• Number of tapes: 1
• Studio: Madacy Records
• VHS Release Date: June 2, 1998
• Run Time: 93 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (153 customer reviews)
• ASIN: 6304818351
• Amazon Best Sellers Rank: #528,256 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

The New York Times

"THE PHANTOM OF THE OPERA is an ultra fantastic melodrama, an ambitious production..."

"Famous unmasking scene still packs a jolt, and the Bal Masque is especially impressive..."

"a classic story of obsessive love..."

From the Actor

Chaney's masterpiece. His portrayal of Erik, the disfigured musician, though often imitated, has never been duplicated. The screenplay, by Elliot J. Clawson, is also the most faithful adaptation of the novel by Gaston Leroux, despite changing the ending (and the original ending was indeed shot!). Beautiful singer Christine Daae is haunted by what she thinks is an inner voice guiding her musical career. Actually, it's our Phantom, hiding in the cellars of the Paris Opera House and harboring a wild crush on the girl. After advancing her career through creative means (like dropping a chandelier on the reigning prima donna), Erik the Phantom takes Christine into his elaborate hideout beneath the Opera, where the best and most famous of all Phantom unmasking sequences takes place. It's a thrilling cat-and-mouse for the rest of the film until Erik's mad escape by coach ends in his drowning in the Seine. This is a classic, perhaps the classic monster movie.

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

227 of 237 people found the following review helpful:

5.0 out of 5 stars Review of 2003 Milestone DVD; notes on 2011 Image Blu-ray, September 30, 2003

By 

keviny01 - See all my reviews

This review is from: The Phantom of the Opera - The Ultimate Edition (1925 Original Version and 1929 Restored Version) (DVD)

*** FEB-02-2012: ADDED NOTES ON 2011 IMAGE BLU-RAY EDITION ***

Many of you are probably thinking of buying the 2011 Image Blu-ray edition. But Be aware that as of this writing, there are a number of problems that have yet to be fixed in store copies:

(1) The stereo soundtracks are mistakenly presented as mono.
(2) The scores by Gaylord Carter and Gabriel Thibaudeau are out of sync with the picture at the beginning, most noticeably during the ballet scene.
(3) The ballet scene is slightly "slow-motioned" in places, perhaps to compensate for being out of sync with the audio.
(4) The disc menu is hard to navigate and it is hard to find what you are looking for.
(5) A misprint on the backcover says "6mm print" that should have been "16mm".

Film restorationist David Shepard has said at Nitrateville.com that he has already approved a corrected master disc that fixes the stereo, the sync, the slow-motion, and the menu issues. It is waiting to be pressed into replacement discs to be sent out to those who have asked for it. As of now, these replacement discs have yet to be sent out. To request replacement, contact Michele Johnson ( [e-mail] ). Shepard has also said that Image Entertainment is NOT recalling the defective discs from retail stores because it claims that sales have been positive.

If you can't wait, order it now, but it will likely have the defects above. You will need to request and wait for the replacement. Or you do what I do, and pass over this Image Blu-ray altogether and wait for the rumored Blu-ray edition from Milestone instead.

*** BELOW IS MY REVIEW OF THE 2003 MILESTONE DVD EDITION FROM SEPT-30-2003 ***

Although marred by static direction and stilted acting, the 1925 silent film THE PHANTOM OF THE OPERA is known primarily for the memorable contribution by Lon Chaney as an actor and makeup artist. His moving portrayal of the disfigured escaped convict who haunts Paris Opera House is perhaps the sole reason to watch this film. And his talent as a makeup artist helped create one of the most indelible images in film history: the skull-like head of the phantom that conveys sadness, anger, and horror at the same time. This Region-1-only 2-disc DVD set from The Milestone Company includes two versions of this classic film: the 1925 version that was premiered in New York, and the 1929 re-edited silent version that is most often seen today. The DVD also contains excellent supplements that give us a good overview of the film's rather remarkable history.

The rarely seen 1925 New York premiere version included on this DVD is untinted, runs 107 minutes, and was transferred from the only surviving 16mm reduction print. Its video quality is understandably poor; sharpness and clarity are never satisfactory, and blemishes abound. There are some notable differences between this version and the shorter, 93-min, 1929 re-edited version. In the 1925 version, actors are introduced via their own title cards. There is no "Carlotta's mother" character. Carlotta is played by Virginia Pearson in both the opera and the dramatic scenes. The chandelier sequence is edited more competently and thus played out a little more effectively. There are more scenes in Christine's dressing room, so adequate suspense is built up before she meets the phantom. There is also one crucial scene in a garden that explains why Christine is so enamored to the mysterious voice she hears. In my opinion, the 1925 version is the superior version; it seems more complete and satisfying narratively than the edited 1929 version.

The 1929 edited silent version included on this DVD was transferred from a restored, re-tinted print made by the renowned film restoration company Photoplay Productions. This is the best-looking version of PHANTOM to date. It also looks much sharper and cleaner than the 1997 Image DVD. Both DVDs offer the speed-corrected 1929 version, but the '97 Image DVD opens with a shot of a man holding a lantern walking past the camera, while the Milestone DVD, curiously, omits this so-called "lantern man" shot and opens at the opera house. On both DVDs, the "Bal Masque" scene is shown in two-strip Technicolor, with the color on the Milestone disc looking a little more realistic. Also, in order to duplicate the original film as much as possible, some of the color scenes on the Milestone disc were actually digitally colored (such as the phantom's red cape at the roof of the opera house), because there is no existing color footage for them. On the '97 Image DVD, no digital coloring was used.

There was a "talkie" version of PHANTOM made in 1929, but unfortunately the print of that version was lost. The dialogs and sound effects recorded for that version, however, survived. To give the viewer a taste of the sound version, the Milestone DVD offers something interesting to accompany the 1929 silent version: a soundtrack composed of fragments of existing recordings of the sound version pieced together to fit the silent version as much as possible. The result is still far from being a "talkie" track. It has plenty of sound effects and spoken dialogs, but it has almost no synchronized talking. Inter-titles are still present (because this is still the silent version). There is, however, one opera sequence where the singing of actress Mary Fabian (who did her own singing) is perfectly synchronized with the picture, which is a wonder to watch. The DVD also includes audio-only supplements of recorded dialogs, which give us further glimpses of the talkie version -- and of its rather incompetent voice acting.

Also accompanying the 1929 version is a superb audio commentary by PHANTOM expert Scott MacQueen. He provides a wealth of information about the production history, the backgrounds of the cast and crew, the various versions of the film, the use of color, and the use of sound. He deplores the incompetence of director Rupert Julian, and emphasizes that the true auteurs of the film were Chaney and set designer Ben Carré. He points out that contemporary reviews indicate that the 1925 version contains Technicolor sequences in not only the Bal Masque scene, but also the opera sequences and the auditorium scenes (the extensive use of color must have been quite a spectacle for a silent film back then). He recounts in great details (while speaking at a pretty fast pace) how the various versions of PHANTOM survived over the years -- the existing 1925 version originated from the so-called "Show-at-home" 16mm versions which Universal made for private collectors in the 1930s, while the surviving 1929 version was obtained by a Jim Card at Universal in the 1950s, and the Technicolor sequences was obtained from a 1930 dye transfer copy by restorationist David Shepherd.

To add even more value to an already superb package, the Milestone DVD also includes still-frame reconstructions of the Los Angeles and San Francisco premiere versions of PHANTOM. These were the very first public showings of the film. The Los Angeles version ended not with a chase scene as in later versions, but with the phantom dying alone at his piano.

101 of 107 people found the following review helpful:

3.0 out of 5 stars An extra "ghost" in box 5 on the Milestone 2-disc set, October 22, 2003

By 

Charles Phelps (McKinney, TX United States) - See all my reviews
(REAL NAME)   

This review is from: The Phantom of the Opera - The Ultimate Edition (1925 Original Version and 1929 Restored Version) (DVD)

For starters, I agree with all the positive things said about this 2-disc set.

Unfortunately, there a couple of things about the discs that just spoiled the whole experience for me and may do so with you.

First, there is a "motion blur" or "ghosting" artifact that runs throughout the 1929/30 restoration. It looks similar to what a transfer from PAL video format to NTSC video format looks like only more exaggerated (images appear to be overlapped or double--sometimes triple--exposed). During the unmasking, Chaney's face is unnecessarily blurred, even when using freeze frame and stepping through the scene frame by frame.

Milestone has acknowledged the "ghosting", attributing it to adjusting the frame rate of the film during transfer from video master to video master. Incidentally, the original video master was in PAL format and was converted to NTSC for US, but Milestone claims PAL to NTSC was not the cause. Since they performed the additional restoration/picture cleaning on the overly "ghosted" transfer, it became a trade-off as to whether to present the cleaned up version or the "unghosted" version. Why such extensive restoration was done to a video master with excessive motion blur is beyond me.

For some folks, this will be a minor thing. For others, it will be very distracting and cast a dark cloud over what looks like to be the cleanest `print' of this movie in existence. I will be keeping the other Image DVD edition with the David Shepherd restoration.

Secondly, for the special features, the pause, fast forward, and reverse functions have been disabled. This can be a bit of a nuisance. For example, there is a 21 minute "restored version" of the films' original premiere utilizing stills and expository text. This I was excited about. However, unless you are a speed reader, you won't be able to read everything in one viewing. You can't pause it, or "rewind" to read what you missed. It is like trying to enjoy a book (both text and pictures) with someone else turning the pages for you. If you miss something, you have to start over from page one and go through again.

Again, some of you won't care about the motion blur one iota. Others will feel as I do: This disc should've been a contender but instead, it feels like a missed opportunity.

29 of 31 people found the following review helpful:

3.0 out of 5 stars big screen objection, April 19, 2000

By 

tamas steiner (OTTAWA , CANADA) - See all my reviews

This review is from: The Phantom of the Opera (1929 re-release) (DVD)

Warning to all purist. The DVD of the PHANTOM OF THE OPERA is not the triumph of preservation its advertised as being. First and most important to home theatre owners, the transfer is simply not in focus! Unlike in the movie theatre you cant ask the projetionist to refocus the image.. you are stuck with it. Secondly: if the "preservationists" found the best pre-print material in the 1929 synchronized re-edit as described on the liner notes, why in heavens name don't they present it as originally shown? Pretending that it is the silent version by replacing the soundtrack may be the loophole by which the film could be categorized as public domain but it is inherently dishonest to present it as an example of "film preservation". The original silent cut, the synch sound release and the present (refocused) remaster would be much more apreciated service to posterity. Look to other silent film transfers for guidence in image quality limits.If the box indicates that the contents are a "SPECIAL COLLECTOR'S EDITION" and advertises "PRIME..35mm QUALITY" one wishes it lived up to its promise. (DVD version)