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Phantom Punch

Sondre LercheMP3 Download
4.6 out of 5 stars  See all reviews (13 customer reviews)

Price: $9.49
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Album Savings: $1.40 compared to buying all songs

  • Original Release Date: February 6, 2007
  • Format - Music: MP3
  • Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
 
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  Song Title Time Price  
Play   1. Airport Taxi Reception 2:28 $0.99 Buy Track  - Airport Taxi Reception
Play   2. The Tape 2:37 $0.99 Buy Track  - The Tape
Play   3. Say It All 3:53 $0.99 Buy Track  - Say It All
Play   4. Phantom Punch 3:00 $0.99 Buy Track  - Phantom Punch
Play   5. Tragic Mirror 3:57 $0.99 Buy Track  - Tragic Mirror
Play   6. Face The Blood 2:16 $0.99 Buy Track  - Face The Blood
Play   7. John, Let Me Go 4:07 $0.99 Buy Track  - John, Let Me Go
Play   8. Well, Well, Well 3:27 $0.99 Buy Track  - Well, Well, Well
Play   9. After All 3:04 $0.99 Buy Track  - After All
Play 10. She's Fantastic 2:22 $0.99 Buy Track  - She's Fantastic
Play 11. Happy Birthday Girl 7:28 $0.99 Buy Track  - Happy Birthday Girl
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Product Details

  • Original Release Date: February 6, 2007
  • Release Date: February 6, 2007
  • Label: CAROLINE ASTRALWERKS - CAT
  • Copyright: (C) 2006 EMI Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2006 EMI Music Norway AS
  • Total Length: 38:39
  • Genres:
  • ASIN: B000SX8B5U
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #72,504 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

 

Customer Reviews

13 Reviews
5 star:
 (10)
4 star:
 (2)
3 star:    (0)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (13 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 9 people found the following review helpful:
5.0 out of 5 stars First Impressions, February 11, 2007
This review is from: Phantom Punch (Audio CD)
I bought this album yesterday, so it hasn't had a chance to grow on me, but I can offer a few impressions.

First of all, longtime fans should be warned that this is the least melodic thing Sondre Lerche has ever done. The music is angular and energetic, at times downright raucous, and the wistful pop hooks of Two-Way Monologue are nowhere to be found. Instead, we have rapid, unpredictable melodies that twist and turn through a variety of blue notes and key changes. Some bits are catchy, while others (on first listen at least) are just hard to follow. These songs are clearly the product of an agile and highly trained musical mind, and I find them fascinating on an intellectual level. Emotionally, however, they seem somewhat barren: too much logic, not enough feeling. Again, I have not given the songs a chance to grow on me, so it's entirely possible that the emotion is there and I'm missing it. And to be fair, there are a few numbers here that immediately struck me as pretty, specifically Tragic Mirror, John Let Me Go, and Happy Birthday Girl. Hence, I'm giving this album the benefit of the doubt and not four but five stars - really four and a half, but I decided to round up because of my general esteem for the artist and because I'm the only reviewer so far. Plus, I have a feeling I will start to like it better. Most of my favorite albums struck me this way at first.

I recommend Phantom Punch highly if you are a musician or songwriter, or if you just really love Sondre Lerche. His voice and lyrical personality are as quirky and likeable on this album as they have ever been. However, there is no doubt that this is less accessible than his previous work; even the jazz of Duper Sessions, I think, does more to draw in the casual listener. You should only buy this album if you have a certain amount of patience; that said, I hope you do have the patience, because I think you'll find it's worth it.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Sondre All Grown Up, March 9, 2007
This review is from: Phantom Punch (Audio CD)
Sondre Lerche's fourth LP release is a refreshing departure from his earlier work: it's more frenetic and upbeat, experimenting with Latin American-flavored twists and yet still maintaining a definitively "indie rock" label, more so than the sweet-sounding pop melodies of Two Way Monologue and Faces Down (and obviously more so than the jazzy Duper Sessions). There is a revitalizing energy to Phantom Punch that assures the listener that Sondre refuses to box himself into any one category, always experimenting with different types of music without losing that distinctive and wholly original appeal.

"Airport Taxi Reception," "The Tape," "Phantom Punch," and "Face the Blood" are the songs that will get fans tapping their feet and heads along with some truly ear-catching hooks and Franz Ferdinand-inspired riffs. "Say It All," "Tragic Mirror," "Well Well Well," and "After All" are more representative of classic Sondre, and yet there is an air of maturity there that has replaced the sweet but naively innocent impression of earlier albums.

Hardcore fans will recognize the third incarnation of former B-Side "John, Let Me Go" that has cropped up on several EPs over the years in both acoustic and electric form. This time, it's even more pumped up, with a longer, more energized bridge that incorporates some great harmonica work.

Suffice to say, if you're a Sondre fan, you will adore this album as always. If you're new to Sondre, this album is far more mainstream-geared than any prior album and is an excellent introduction into the the ouvre of this phenomenally talented singer and songwriter.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars I definitely felt the Phantom Punch, October 5, 2009
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This review is from: Phantom Punch (Audio CD)
This album served as a bit of an eye-opener for me so my opinion of it may be a bit bias. When I first got it, I was more of a hip hop, neo soul, jazz fusion kind of guy so I was caught off guard when Phantom Punch grabbed me upon first listen and never let me go ... even to this day.

Since then, I've opened up my eyes to many more rock and indie acts, such as MGMT, Liam Finn and As Tall As Lions. And not to mention many of Sondre's earlier releases. However, while those albums are all great in their own rights, this album still holds an utmost special place in my heart. Just listen no further than the title track, "Phantom Punch" to see the why: it's exciting, not over processed and the chorus is beyond catchy and memorable. Moreover, it seems Sondre understands the concept of too much of a good thing, so the songs are nicely varied and cover a wide expanse of musical territories.

What I also love about this album and about Sondre himself is that his singing isn't overdone. Sondre doesn't have the strongest voice but he works comfortably in his range. Particularly since I come from more of a soul music background, there is nothing more tragic to my ears than a singer screeching and wailing on in a manner that doesn't suit his/her voice.

Phantom Punch, thank you for opening my eyes to new musical horizons!
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