Philip Glass: The Concerto Project, Vol. IV

Philip Glass (Artist, Composer), Residentie Orkest (Hague Philharmonic) (Artist, Orchestra), Tim Fain (Artist, Performer), Wendy Sutter (Artist, Performer), Jurjen Hempel (Artist, Conductor), Stuttgart Chamber Orchestra (Artist, Orchestra), Dennis Russell Davies (Artist, Conductor) | Format: Audio CD

Product Details

• Performer: Tim Fain, Wendy Sutter
• Orchestra: Residentie Orkest (Hague Philharmonic), Stuttgart Chamber Orchestra
• Conductor: Jurjen Hempel, Dennis Russell Davies
• Composer: Philip Glass
• Audio CD (October 11, 2011)
• Number of Discs: 1
• Label: ORANGE MOUNTAIN
• ASIN: B005GFYDX4
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #47,735 in Music (See Top 100 in Music)

Track Listings

1. Double Concerto Duet No.1

2. Double Concerto Part 1

3. Double Concerto Duet No.2

4. Double Concerto Part 2

5. Double Concerto Duet No.3

6. Double Concerto Part 3

7. Double Concerto Duet No.4

8. Tirol Concerto Movement I

9. Tirol Concerto Movement II

10. Tirol Concerto Movement III

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Something old; Something new, December 16, 2011

By 

Marvin Cohodas "Glassoperaphile" (Vancouver, BC, Canada) - See all my reviews
(REAL NAME)   

This review is from: Philip Glass: The Concerto Project, Vol. IV (Audio CD)

This disk includes two of Philip Glass's most significant concerti. This recording of his first Piano Concerto (Tirol Concerto for Piano and Orchestra) has been issued previously under another label, but is included here as part of a comprehensive catalogue of Glass concerti. This early concerto is quite beautiful, especially the soulful second movement, and wonderfully performed by Dennis Russell Davies. Something new is the Double Concerto for Violin and Cello, which premiered in 2010.

The Double Concerto is the second Glass concerto to introduce a new format with the flexibility of extracting solo pieces if an orchestra is not available. As in the Second Violin Concerto (American Four Seasons), sections with orchestra alternate with solo sections, here duets between cello and violin. The format is different however in that an ending with fireworks was not required, so the final section is a duet that ends on the peaceful tone that Glass has recently favored for concerti.

In both concerti the alternation of soloist and full orchestral accompaniment works extremely well, providing a very new kind of rhythm with a lot of potential for varied effects. As an example, and my favourite part of the Double Concerto, the second duet begins with soloists alternating with short musical fragments. As their contributions gradually become longer, they begin to overlap. When they finally join completely in a long, sweeping melody the effect is magical. The tone and harmony of this melodic conclusion is maintained as the second orchestral section begins with a dance-like rhythm. But in this section the theme gradually develops from a dance into a stately hymn and ultimately a blaring march that, given the snare drum accompaniment, seems to me like an outcry against the horrors of war. The tone then softens and same movement ends in a calm passage for soloists that leads nicely into the following soloist duet. This combination of firm structure and lyricism has long been a Glass hallmark and the Double Concerto represents an outstanding example.