Amazon.com: The Phillis Reynolds Naylor Value Collection: Shiloh; Saving Shiloh; Shiloh Season (9780553526332): Phyllis Reynolds Naylor, Peter MacNicol, Henry Levya, Michael Moriarity: Books
Shiloh Read by Peter MacNicol Eleven-year-old Marty Preston loves to spend time up in the hills behind his home near Friendly, West Virginia. But one summer Sunday, Marty comes across something different on the road just past the old Shiloh schoolhouse-a young beagle-and that's when the trouble begins.
Saving Shiloh Henry Leyva Marty Preston wonders why it is that despite Judd Traver's attempts to redeem himself everyone is still so willing to think the worst of him. But Marty's parents and with some trepidation, Marty himself, persist in their attempts to be good neighbors and to give Judd a second chance. Now that Marty has Shiloh, maybe he can help Judd to take care of his other dogs. Then again, maybe folks are right—there's no way a Judd Travers can ever change for the good.
Shiloh Season Read by Michael Moriarty After Marty Preston worked so hard to earn the dog, Shiloh, he had hoped that his troubles with Judd Travers were over. He could not rescue all the dogs that Judd mistreated, but since Shiloh was the one who ran away and came with him, Shiloh was the one he loved. Judd, however, has other problems.
Shiloh Read by Peter MacNicol Eleven-year-old Marty Preston loves to spend time up in the hills behind his home near Friendly, West Virginia. But one summer Sunday, Marty comes across something different on the road just past the old Shiloh schoolhouse-a young beagle-and that's when the trouble begins.
Saving Shiloh Henry Leyva Marty Preston wonders why it is that despite Judd Traver's attempts to redeem himself everyone is still so willing to think the worst of him. But Marty's parents and with some trepidation, Marty himself, persist in their attempts to be good neighbors and to give Judd a second chance. Now that Marty has Shiloh, maybe he can help Judd to take care of his other dogs. Then again, maybe folks are right—there's no way a Judd Travers can ever change for the good.
Shiloh Season Read by Michael Moriarty After Marty Preston worked so hard to earn the dog, Shiloh, he had hoped that his troubles with Judd Travers were over. He could not rescue all the dogs that Judd mistreated, but since Shiloh was the one who ran away and came with him, Shiloh was the one he loved. Judd, however, has other problems.
About the Author
Phyllis Reynolds Naylor is a prolific author across many genres and the recipient of the 1992 Newbery Medal for Shiloh. She also wrote Shiloh Season, the second part of the trilogy and Saving Shiloh. She lives in Bethesda, Maryland.
I guess I've been writing for about as long as I can remember. Telling stories, anyway, if not writing them down. I had my first short story published when I was sixteen, and wrote stories to help put myself through college, planning to become a clinical psychologist. By the time I graduated with a BA degree, however, I decided that writing was really my first love, so I gave up plans for graduate school and began writing full time.
I'm not happy unless I spend some time writing every day. It's as though pressure builds up inside me, and writing even a little helps to release it. On a hard-writing day, I write about six hours. Tending to other writing business, answering mail, and just thinking about a book takes another four hours. I spend from three months to a year on a children's book, depending on how well I know the characters before I begin and how much research I need to do. A novel for adults, because it's longer, takes a year or more. When my work is going well, I wake early in the mornings, hoping it's time to get up. When the writing is hard and the words are flat, I'm not very pleasant to be around.
Getting an idea for a book is the easy part. Keeping other ideas away while I'm working on one story is what's difficult. My books are based on things that have happened to me, things I have heard or read about, all mixed up with imaginings. The best part about writing is the moment a character comes alive on paper, or when a place that existed only in my head becomes real. There are no bands playing at this moment, no audience applauding--a very solitary time, actually--but it's what I like most. I've now had more than 120 books published, and about 2000 short stories, articles and poems.
I live in Bethesda, Maryland, with my husband, Rex, a speech pathologist, who's the first person to read my manuscripts when they're finished. Our sons, Jeff and Michael, are grown now, but along with their wives and children, we often enjoy vacations together in the mountains or at the ocean. When I'm not writing, I like to hike, swim, play the piano and attend the theater.
I'm lucky to have my family, because they have contributed a great deal to my books. But I'm also lucky to have the troop of noisy, chattering characters who travel with me inside my head. As long as they are poking, prodding, demanding a place in a book, I have things to do and stories to tell.
This review is from: The Phillis Reynolds Naylor Value Collection: Shiloh; Saving Shiloh; Shiloh Season (Audio Cassette)
The children's novel Shiloh is about a young boy, Marty Preston, who encounters a stray dog on one of his summer adventures through the West Virginia countryside. Marty befriends the dog only to find out that he belongs to Judd Travers, a hunter who abuses his dogs. Knowing in his heart that he cannot return the dog he has named Shiloh, Marty cares for the dog himself and eventually ends up working to buy Shiloh from Judd. Throughout this story, the character of eleven-year-old Marty goes through a metamorphosis as he develops from innocence to maturity with an understanding that life is not always just, and adult responsibility is complicated. At the beginning of the story, Marty is just an ordinary child enjoying a summer of frolicking in the hills of West Virginia with his .22 rifle. His moral development begins when he sees Shiloh for the first time and realizes he has been abused because of the dog's reluctant and almost fearful nature. After Marty decides to keep Shiloh, his internal conflicts begin when first he is forced to deal with the issue of legality versus morality. He knows that Shiloh legally belongs to Judd; however, Marty knows that the dog will end up being starved or even killed if he returns to his owner. Secondly, Marty feels anxious for deceiving his family. He has kept Shiloh a secret, and he has used food to feed Shiloh that the family needs. Marty feels great remorse for the pitiful impression he gives others of his family as he asks Mrs. Howard for extra cookies and Mr. Howard for scraps of cheese; however, he feels Shiloh's well-being is worth his family's reputation for being poor. The last "internal conflict" that Marty wrestles with is the issue of whether the dog is worth the hard labor Marty has to give to Judd in order to keep Shiloh. Judd Travers makes him slave away, almost unfairly, to win the legal rights of the dog. Throughout this novel, Marty learns the value of responsibility and all that it entails along with the costs of doing what is morally right. Jeanne Harms and Lucille Lettow propose that, "By dialoguing with oneself the reader brings different inner audiences into the reading experience, thus expanding the possibilities for creating meaning" (Harms 210). By analyzing Marty's character development, it is evident to the reader that these "internal voices" cause the protagonist to become a strong and successful character, and therefore by reading this book, the reader deals with the "inner voices" along with Marty. This novel forces the reader, child or adult, to battle out similar situations and, in effect, gain far more from the book than just a simple moral. This in turn, causes readers to grow personally by relating to the situations of conflict such as lying to family or doing what is right versus what is legal. By dialoguing with oneself the reader brings different inner audiences into the reading experience (Harms 210). Marty's "internal conflict" is the driving force behind his character development
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