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Sometimes a film will surprise you by just how unexpectedly good it is. Directed by Stephen Frears (The Queen, Liam, My Beautiful Launderette), with a screenplay by Steve Coogan and Jeff Pope based on the book The Lost Child of Philomena Lee by Martin Sixsmith, Philomena is one of those films. An extraordinary story about a woman's real-life search for the child she was compelled to give up for adoption fifty years earlier, it's also a marvelous character study of two highly mismatched people brought together by chance to solve a mystery with both knowing that the odds are very much against them. And even though this sort of story has been done many times before, Philomena not only manages to avoid cliche, it takes surprising twists and turns along the way showing that real life can indeed trump the best that fiction has to offer. It engages you from the very beginning, draws you further in with each scene until you are so deeply invested in the characters and their quest that everything that unfolds on the screen matters to you.

The plot begins with Philomena Lee (marvelously played by Judi Dench) , a retired Irish woman living in England with her grown daughter, staring at a small old photograph of a little boy about 3 years old. When her daughter, Jane (Anna Maxwell Martin), asks, Philomena reveals a secret she's kept all her adult life - that when she was a young girl in Ireland she had a son out of wedlock that she was forced, very much against her will, to give up for adoption. The details of her story are revealed in flashbacks in which we see young Philomena (a compelling performance by Sophie Kennedy Clark) held in one of Ireland's now infamous Magdalene Asylums, institutions run by various orders of nuns where many young Irish girls of the time were sent for getting pregnant (as well as any number of other "improprieties" such as engaging in prostitution, being promiscuous or sometimes just for flirting), becoming virtual prisoners - and slave labor - beyond the reach of the secular law and with no hope of appeal. She has been haunted by this her entire life, always wondering what became of her little boy, and finding her every attempt to find out thwarted by the implacable bureaucracy of the Irish church.

At the same time, Martin Sixsmith (Steve Coogan in a deft counterpart to Dench), a former adviser to the current Labour government at the time, has just lost his job due to a minor scandal due to something he said. Given the sack in his mid-fifties, Martin is at loose ends, unsure of what to do with himself, vacillating between taking up running or pursuing a vaguely-formed notion of writing a book on Russian history. Prior to working in government though, Martin was a journalist of sorts, and while at a party an editor friend of his suggest that perhaps he should try his hand at doing a "human interest" story. Jane, who happened to be at the party, overhears this and approaches Martin with the story of her mother's dilemma over her lost son, thinking that perhaps he can help. Martin, who had openly said he wasn't interested in doing human interest story as he considered them nothing but fluff, brushes her off. But later, when pondering his options, he finds himself drawn back to Jane's idea. He gets her name and number from another friend and calls her to set up a meeting with Philomena, and soon they're off, going first to the convent in Ireland, where Martin learns firsthand just what Philomena has been up against.

I can't speak of what subsequently unfolds plot-wise without spoiling the revelations and discoveries that are made, but a lot of what makes the film so enjoyable is simply watching Dench and Coogan's mismatched characters interact with each other. Where Martin is world-weary, a bit cynical and of a suspicious nature, Philomena is trusting, irrepressibly chatty, and finds delight in the simplest things, all of which tends to drive Martin up the wall. But in spite of the first impression that we first get of her, as the film progresses Philomena reveals that she's far from naive about life, having moments where she shows a remarkably clear-eyed view of the world (particularly when it comes to sex). It's simply that she refuses to let the bad things that have happened to her color her view of everything else in life. But this attitude, while in some ways admirable, is not very helpful when one is up against forces that are deliberately trying to prevent people from digging up the past, and this is where Martin's suspicious nature proves its worth as he begins to examine the stories they're being told and openly question their veracity, a thing Philomena by nature is not capable of. But what truly works more than anything else is the way Dench's Philomena is delightfully funny even though she's not trying to be, completely oblivious to the way she's coming across to Martin, while Coogan's Martin is hopelessly inept at being funny, most especially when he's trying to be, one of those unfortunate individuals who cannot tell a joke to save their life. It's a comic chemistry of a very human kind, made completely natural by two superb actors at the top of their form.

Also worth mentioning is the beautiful film score by Alexandre Desplat that heightens the mood without intruding on or distracting from the events on screen, and the cinematography by Robbie Ryan that really captures the intimacy of the story and the characters involved.

On a side note, it helps if you can find Peter Mullan's 2002 film The Magdalene Sisters, which is all about the Magdalene Asylums and their decades-long horrendous abuses of vulnerable young Irish women, most notably forcibly taking their children away from them and compelling the women to work in the institution's laundries which the nuns operated as a commercial enterprise, reaping the profits while the women working in them got nothing. The parts of Philomena that only touch on those abuses fall into greater context if you've seen the earlier film.

Highly, highly recommended as an engaging film on every level, a very human story worth hearing, and for the wonderfully mismatched chemistry between Dench and Coogan's characters.
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"Philomena" (2013 release from the UK; 95 min.) brings the story ("inspired by true events", we are reminded at the beginning) of Martin Sixsmith (played by Steve Coogan) and Philomena Lee(played by Judi Dench). As the movie opens, we learn that journalist Sixsmith just lost his job (Sixsmith: 'I'm depressed because I just go the sack'; his doctor: 'But it wasn't your fault'. Sixsmith: "that's why I'm depressed!") and is now contemplating writing a book about Russian history. Meanwhile, through flashbacks we learn that in the early 1950s Philomena became pregnant at a young age. Her parents gave her into care of the nuns at Roscrea Abbey in Ireland, where eventually her young son was given up/sold to an American couple. Philomena has been wanting to find her son ever since. Philomena's daughter convinces Sixsmith to take on this "human interest story", and off go Sixsmith and Philomena looking for her son. To tell you more would ruin your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: Steve Coogan pretty much took on this project, and in addition to starring, he also co-wrote the script and produced the movie. I very much enjoyed his restrained performance. Even better is Judi Dench, now in het mid-to-late 70s yet seemingly better than ever. While the movie is ostensibly about Philomena looking for her son, the movie is actually much more about the at first awkward relationship between Philomena and Sixsmith, and the "fish out of water" experiences when Philomena gets to the US. The chemistry between Dench and Coogan is palpable, and it truly carries the movie (Philomena: 'do you want a N-Tune?', to which Sixsmith responds: 'if I hum it, will you play it?', ha!). But the last 15-20 min., when all is revealed, of course will tuck at your heart, so bring a Kleenex or two. Make sure to stay when the credits start rolling, as not only do we learn what became of Philomena and Sixsmith, but we also get to see real-life pictures of them.

I had seen the trailer of this a few times in recent weeks and couldn't wait to see it. The movie finally opened this weekend here in Cincinnati, and the Sunday matinee screening I saw this at was quite packed, and not surprisingly heavily leaning towards seniors. The crowd laughed and hollered at all the right times, and ate up this movie. Bottom line: while perhaps not the great, serious movie that one might have expected, "Philomena" is a moving 'human interest story' nevertheless, and worthwhile checking out, be it In the theatre or on DVD/Blue-ray.
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TOP 1000 REVIEWERon November 30, 2013
You may ask what is Judi Dench up to this time? I wonder if this wonderful actress ever dreamed her career would continue to soar into her golden years. I hasten to add that everything you have heard in praise of this film is richly deserved. This is a road picture without the outrageous calamities that usually beset players in this genre; it is a gentle comedy without demeaning any of the characters; and it is also a very effective drama about a young mother and her long-lost child.

This PG-13, pleasantly scripted dramedy was co-written by Jeff Coke (Lots of TV) and Mr. Coogan himself, based on the book "The Lost Child of Philomena Lee" by Martin Sixsmith. You will see no sweaty bodies (except when Philomena gives birth), hear no gunshots, and see no vehicular mayhem. What a relief!

We have:
* Judi Dench ("Skyfall") is Philomena Lee. Many decades ago, as a pregnant teenager abolished to a convent, she was forced to give up her out-of-wedlock boy as penance. She has searched for him for a long, long time. This woman is not worldly, but she IS wise...
* Steve Coogan ("What Maisie Knew") is Martin Sixsmith, a jaded journalist who suffers from a mild case of depression; he did after all, just lose his job. When he is first approached about this story, his reaction is strictly negative. "Human Interest Stories" are NOT his cup of tea! This may be the first time I've found this actor appealing.
* Anna Maxwell Martin ("North and South") is Jane, Philomena's daughter who is convinced her mother deserves to know what happened to her little boy after he was taken from her. Jane is the one who approaches the journalist...

The facts, as they are uncovered, are NOT kind to the Catholic Church, nor to the people who administer the penances for their parishioners. In recent years, much has been disclosed about the treatment of young girls and orphans in Ireland, courtesy of the Church, so there is no big surprise here. This simply puts a face on one of its victims.

The home movies that appear throughout seem so authentic, it's hard to know if they are real or not. I can't find anything that tells me, so I think this is simply an extremely sophisticated blend of fact and fiction. Kudos to the artists who put this together! You may be sure I will pre-order my DVD from Amazon.
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on December 4, 2013
Despite the juiced-up facts and figures surrounding the real Philomena Lee's story, this movie is unforgettably rich with raw emotion and a gripping immediacy that feels utterly real. Credit Judi Dench and director Stephen Frears for almost never going for the sentimental, and allowing this tragic, but ultimately redemptive, story unfold before our eyes - and certainly in our hearts. I cannot remember the last time I felt the way I did in a movie theatre while watching this movie: I forgot entirely where I was, so completely absorbed into the people on the screen. With each revelation, this movie earns its tears, and once again (think The Magdalene Sisters) shines a harsh light on those infamous Irish "laundries", attributing even more terrible sins to the pious nuns and priests who ran them. Philomena, embodied by the glorious, infinitely watchable, utterly human Ms. Dench, emerges as a striking figure of compassion and forgiveness amid so much deceit and cruelty. Philomena will stay with you.
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on April 27, 2014
As a practicing Roman Catholic I approached this film with a little trepidation cautious that it may be another example of Hollywood bashing organized religion. That said I am also aware of the child abuse scandal that was not only exposed in my own diocese but others throughout the U.S. After a lot of soul searching you come to the conclusion that our Church not only encompasses imperfect clergy but parishioners searching for a way to lead their lives the way Christ would. Philomena Lee (Judi Dench) is a woman at the twilight of her life who has gained peace and the ability to forgive notably the Sacred Heart sisters who sold her son for adoption. When the film begins Philomena is a woman looking for closure in her life wanting to find out what happened to the toddler son taken from her before she had a chance to grow as a woman and a mother. She is assisted in an odyssey that will take her from England to Ireland to America by a recently sacked BBC investigative journalist, Martin Sixsmith (Steve Coogan), who is looking for a human interest story that will get him back in the game. Sixsmith is the polar opposite of Philomena not only a lapsed Catholic but an embittered cynic. Their journey together is not only a fact finding one but one where Sixsmith reconnects with his humanity under the positive tutelage of Philomena which allows for his personal growth. "Philomena" will wring your emotions like few films can. Dench's work is one of great nuance and warmth. She and Coogan have great chemistry that brings out the best out of each performer. Not an easy film to watch, particularly if you are Roman Catholic, but an imperative nonetheless.
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on April 20, 2014
A lovely and gentle tale about the enduring power of love and the importance of forgiveness.

When sophisticated and cynical journalist, Martin, loses his job, he is approached by the grown daughter of Philomena Lee. Philomena, fifty years earlier was forced to give up her four year old son to comparatively rich Americans who in collusion with the Irish government and the Catholic charities literally bought the children of unwed mothers.

Philomena gave birth under harsh circumstances then was mercilessly worked to pay her 'debt' to the Sisters in their laundries for four years. Though never given a chance to say goodby to her son or even told that he would be adopted, she has never forgotten him or stopped trying to find him.

Her worries are endless--is he homeless, a drug addict, did he die in Viet Nam -and most hilariously--is he obese?--she's heard that is an enormous problem in America due to portion sizes. Her worries are both unfounded and very real--her son had done very well in life, was loved but died young. In the interim, he tried to find her as well, and asked to be buried in the churchyard of the place he was adopted from.

How Philomena reacts when she finds out about her son's life, the gentle lessons she teaches Martin, and her enduring love and ability to forgive are lovingly portrayed in this touching and often humorous story.
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"Philomena" is based on a true story about an Irish woman searching for the toddler son she gave up for adoption 50 years ago. She was forced to "atone for her sins", while the Catholic Church sold her son to Americans who paid a thousand pounds for her child. She was part of a group of young girls who were brought to a Catholic home run by brutal nuns who worked these women to the bone and sold their children.

Dame Judi Dench, plays Philomena, who kept her secret for 50'years. She finally told her daughter, and her story was told to a journalist. Martin Sixsmith, played by Steve Coogan. Hectares on the task of finding the son, Anthony. They journey to the United States, in search, and this is Philomena's story. Philomena, a middle class woman, and Martin Sixsmith, who worked for the Government have different tastes and differing methods if finding the truth.

Philomena is a good soul, a strong Catholic, and Martin is a sarcastic, smug man. They clash, but quickly change their tone. This is a film that will cause many tears, but, is full of search and discovery and the times to face the truth. A lively film about a woman searching for her son, and all the while wondering if he ever thought of her.

Recommended. prisrob 04-15-14
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on January 2, 2014
Perhaps the most profound movie I've seen this year.

Remember this is based on a true story. And remember Judi Dench is well regarded for portraying "real people" with authenticity...true to the person. So when I realized that through out this journey Dench's Philomena did not allow herself to get caught up in anyone else's issues or agendas, I was riveted to what I was learning about forgiveness - compassion - and transcendent love that takes a mother beyond the temptations of anger that would weaken her resolve and distract her from her path to reunion. Her single-mindedness penetrates to a purity of heart that humbled me... there was only one thing that mattered... finding her child. Clearly, Dench's Philomena had been preparing her heart for 50 years for reunion. From the moment Philomena reveals to her daughter the photograph of her son.... everyone has an opinion and employs their powers of persuasion... either to pursue her intention or to abandon it. The focus of the reunion wasn't about what Philomena would gain, or achieve from the reunion -- the reunion was the fruit of her love for her child. She wasn't about settling scores.... nor punishing anyone - not even herself. She didn't allow anyone's anger and rage to penetrate her tranquility of spirit... her peace.... THESE qualities --- what Philomena brought in her heart for the journey of reunion --- these serve as a model for anyone considering a reunion.

Don't be distracted by who helps and who deters ... focus on how centered Philomena stays. Pure Grace! It would be a mistake to focus on what she did and miss how she did it. She did it with a purity of heart, and a peace that could not be uprooted by anyone. And she even avoided the trap of trying to change the opinions of others. She let her love bear witness. I was deeply aware of how far I was from staying at peace in such combative circumstances! Tilting at windmills and getting distracted by my own brokenness. So... this is what the Beatitudes look like when lived in everyday life. The film is a primer... for anyone yearning for a reunion of any type... and it is one of the most profound witnesses to the truth of the Beatitudes.
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on August 9, 2014
A touching story about the journey of a little old Catholic Irish woman who sets her fears aside and decides to pursue her dream of locating her son whom she put up for adoption 50 years earlier. Experience Philomena's ups and downs, the battle of her internal religious demons and the quirky relationship that she forms with Martin, the man who is helping her try to find her son, Anthony. It's laugh out loud funny at times and so sad you will need a tissue at other times. As an LGBT mother this story was especially surprising and appreciated. An emotional drama that will stay with you. I gave it 4 stars because the beginning was very slow.
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on May 27, 2015
I love any movie or TV program with Judi Dench. This one did not disappoint. It is a true story and in some ways a very sad one but there are many lighter moments to offset to some extent the sadness. This is a story of an Irish woman who after 50 years began to search for her son who was taken from her when he was three years old and sold to an American couple.
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