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This book is fiction
on March 2, 2014
As a person who was interviewed for this book and who appears as a "character" in it, I believe this book should be categorized as fiction. The Lost Child of Philomena Lee, written by Martin Sixsmith, was originally published in 2009. After the success of the movie Philomena, the book was reissued with a new title. By now, everyone knows that the book tells the tragic story of Philomena Lee, who had an illegitimate child in the early 1950s while living at an abbey run by nuns in Ireland. An American couple adopted her son, Anthony Lee, when he was 3 years old and renamed him Michael Hess. Philomena and Michael were stymied in their search to find each other by the nuns' refusal to give them information before Michael's death from AIDS.
About 7 years ago, Michael's partner (called Pete in the book) referred me to a journalist who was trying to pitch a book based on the story of Michael's birth mother's search for her son. Following Pete's lead, I agreed to speak to Martin Sixsmith about my friendship with Michael. He recorded our 2-hour conversation. Pete expected to hear from Sixsmith if the book proposal ever came to fruition.
When the book appeared without prior notice to Pete or me in 2009, I was appalled to find that Sixsmith had written a fictional version of Michael's life in which characters engage in conversations that never happened. Because the book received consistently bad reviews in the British newspapers, I decided not to write a review, hoping that the book would fade from view. That is exactly what happened until Steve Coogan read the 2009 newspaper article by Sixsmith and the rest is history.
I cringed when I read my "character" engaging in fictional dialogue with Michael. Things only went downhill from there. The dialogue that Sixsmith invented for the conversations Michael and I supposedly had were not quotes from the interview I gave, and I did not agree to my interview being turned into scenes with made-up dialogue. Michael is dead and cannot verify these conversations or, for that matter, any of the conversations he is purported to have had throughout the book.
Inaccuracies abound. I met Michael when he hired me to work for him in December of 1977. The book has me engaging in fictional conversations during 1975 and 1976 with Michael about his boyfriend Mark, and even having conversations with Mark about Michael's supposedly dark moods and behavior. I think the author created these events to support his premise that Michael was a troubled and tortured soul because he could not find his birth mother and because he was required to hide his sexuality at his place of work. This was the 1980s and there were very few gay men or woman who were "out" at work.
The fiction continues. I did not discuss politics with Michael during this time period and never talked about supporting Carter. Also, Sixsmith has Michael moving in with me to "recover" from too much partying. Not true. The many purported conversations in which I provide advice to Michael about his love life or work problems simply did not occur. Like most good friends, I did a lot of listening and nodding.
It is really difficult for those of us who knew Michael to see him portrayed so poorly. He was smart, charming, good looking and thoughtful. Michael always went out of his way to make his friends' birthdays special. For 10 years, he took my young daughter and me to many, many Christmas tree lots in search of the perfect tree.
Michael was a great boss and mentor who taught me so much about legal research and writing and encouraged me to take on difficult and challenging assignments. He was a terrific writer and speaker. These talents and a lot of hard work contributed to his successful career.
Pete and other friends have tried to correct Sixsmith's depiction of Michael as a tortured soul in recent articles that appeared in The New York Times and Politico. They stress his long-term relationship with Pete and his multifaceted interests, which ranged from following Notre Dame sports to predicting the best new Broadway musicals to his prodigious gardening.
Between the made-up dialogue and almost prurient focus on Michael's sexual behavior, the author has failed to present anything near a recognizable picture of Michael Hess. While I can only speak definitively to the information that I gave Sixsmith and my knowledge of Michael, the book contains other conversations that can't possibly be sourced because the people are dead. If you plan to read the book, be aware that you will be reading fiction and, not very well written fiction, at that.