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The Philosopher's Stone : Chaos, Synchronicity and the Hidden Order of the World
 
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The Philosopher's Stone : Chaos, Synchronicity and the Hidden Order of the World [Paperback]

David Peat (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Editorial Reviews

From Library Journal

Science explains how the world works through the laws of physics, and scientific theory is based upon the separation of humans from the natural world. Peat ( Cold Fusion , LJ 11/15/89), an expert on synchronicity (a fusion of physics and psychology) refutes this contention, pointing out that many of the laws cannot cover the multiplicity and complexity of the world and events. Using chaos science (a theoretical discipline which attempts to predict events that seem inherently unpredictable) as a backdrop, he proposes that the universe is nonunitary. His study is interesting and intriguing--particularly the concept of mapmaking as a method for unifying the physical, the mental, and the spiritual. Recommended for libraries with an audience for philosophy, scientific theory, or the intersection of science and the spirit.
- Gail Wood, Montgomery Coll. Lib., Germantown, Md.
Copyright 1991 Reed Business Information, Inc.

Product Details

  • Paperback: 244 pages
  • Publisher: Bantam (July 1, 1991)
  • Language: English
  • ISBN-10: 0553353292
  • ISBN-13: 978-0553353297
  • Product Dimensions: 8.1 x 5.2 x 0.8 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #392,401 in Books (See Top 100 in Books)

More About the Author

Welcome to my Amazon page. One of the most enjoyable tasks of my life has been writing books. Or rather lying in bed dreaming about what I want to write tomorrow then jumping out of bed in the morning and rushing to my computer to get it all down before I forget! And what a pleasure it was to see my latest book in print "A Flickering Reality" which was such a joy to write because it combined by interests in the changing nature of reality along with the chance to revisit so many films I had enjoyed in the past along with some very new ones.

I was born and grew up in Liverpool. My father was an electrician and when his apprentice announced that he would quit to go to Germany with his band my father told him, "George Harrison, one day you'll come crawling on your hands and knees to get your job back." I was also a little annoyed when my closest friend, Dot, told me she was seeing a really fascinating student at art college - John Lennon!

After university I moved to Canada to carry out research in theoretical physics. Then while on a sabbatical with Roger Penrose I met the physicist David Bohm and began a friendship that lasted until his death. Indeed, we were working on a second book together when he died.

I had also been involved in documentaries for the Canadian Broadcasting Corporation and was responsible for a twenty one-hour series on the development of physics in the 20th century. After leaving the National Research Council of Canada I turned to writing both books and plays for radio and the stage. I also made contact with Native American groups which ended up as a circle of Native Elders and Western Scientists sponsored by the Fetzer Institute. Some these experiences found themselves in "Blackfoot Physics".

From Ottawa we moved briefly, and totally by chance, to the medieval hilltop village of Pari in Tuscany, and from there moved to London so I could write
"Infinite Potential: The Life and Times of David Bohm". In London I made contact with the artists Anish Kapoor and Antony Gormley and ended up organizing a weekend where artists and scientists could meet and talk informally.

From London I moved back to Pari and in 2000 opened the Pari Center for New Learning in order to run courses and conferences and have writers and artists come to visit for a month or so. Pari has also been an ideal place in which to reflect and write and to meet new people. It has also been a time when I have developed my idea of Gentle Action which can be found at www.gentleaction.org and well as in my book "Gentle Action: Bringing creative change to a turbulent world".

My latest book is "A Flickering Reality: Cinema and the Nature of Reality". The shows how everthing from Freud and Jung, quantum theory and chaos theory, the neurosciences and postmodernism have changed the way we look at ourselves and the world, and the most direct way to experience this is via films. I also have a blog on this at http://aflickeringreality.blogspot.com.

If you'd like to learn more then why not buy my biography, "Pathways of Chance" or look at my website www.fdavidpeat.com or www.paricenter.com.


 

Customer Reviews

3 Reviews
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Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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11 of 13 people found the following review helpful:
1.0 out of 5 stars a messy new age metaphor soup, June 22, 2003
This review is from: The Philosopher's Stone : Chaos, Synchronicity and the Hidden Order of the World (Paperback)
While marketing reasons exist for flashy titles, difficulty sets in when both the title and subtitle promise something they can't deliver-such is the case with F. David Peat's Philosopher's Stone.

A woefully unsatisfying read, Peat's book is a vague rhapsody through eight chapters loosely connected to quantum physics, chaos theory, and the nature of scientific inquiry, but strongly tied to mysticism (Eastern, Western, and other) and New Age philosophy. The saying goes that one should not judge a book by its cover, but that maxim does not apply to the excerpts from reviews printed on back and inside covers to promote a book; thus one should cautiously note that The Philosopher's Stone was praised by the authors of Space, Time and Medicine, Recovering the Soul, Creating Alternative Futures, Parallel Universes, and The Eagle's Quest. The book's greatest fault is not its subject matter, but its circular logic, unsupported claims, and conclusions that stand in conflict with the material covered.

This is unfortunate precisely because Peat's book does contain sparks that could lead to a more rigorous, insightful, and provocative text, such as the growth of crystals, superconductors and superfluids, and the differences between scientific and human-perceptual models of space and time; instead of exploring these topics in detail and then teasing out wasy in which they point toward the book's thesis, they are merely superficial evidence for a conclusion the author never doubted. When scientists write about the history and philosophy of science, an in-depth knowledge the history and philosophy of science should be a prerequisite. Peat cites Bacon and Newton, but leaves out Hume and Kant-two philosophers important not because they are "correct" but because they deal with the questions of time, space, and causality at stake in quantum mechanics (QM). The author, however, engages in a naive romanticism by referring constantly to "ancient wisdom" (of Native Americans, Asian peoples, and others), by assuming an a-critical position regarding mankind's supposed Ur-connectedness with nature, and by misrepresenting both the harmony of the medieval world and the hyper-rationalism of the Renaissance and Enlightenment.

Although not entirely clear, Peat's explanation of fractals and of "fractional dimensions" is refreshing, as is his exposition of the Verhulst equation in connection with the size of insect colonies. Other books, however, provide more lucid discussions of strange attractors and non-linear dynamics in general. The seventh chapter is the point at which "chaos" makes its first and only appearance in the book; unfortunately it is not truly taken into account in the book's final chapter in which the author proposes an ethics of "gentle action." The Jungian concept of "synchronicity" (the subject and title of Peat's previous book) is poorly developed and vaguely defined here, although the author throws around the term uncritically in every chapter: phenomenon after phenomenon is labeled an "example of synchronicity." David Bohm's "implicate order" likewise suffers from superficial coverage; instead, one should read Bohm's own works, or get a good introduction in Peat's biography of Bohm, Infinite Potential (Addison-Wesley, 1997), a vastly superior book.

General statements about the nature of mind and consciousness, and of nature itself, will strike many readers as dogmatic, naive, and unsupported by any evidence in the book; other books that discuss the failures of artificial intelligence (AI), for example, describe or at least cite relevant efforts and experiments, and then conclude that computers and computing as we understand them are not able to imitate the mind-Peat states this as a categorical impossibility. The book begins with an assertion of the intrinsic and essential meaningfulness of the universe, and whenever scientific results (e.g. the double-slit experiment in QM) threaten objective truth and meaning, Peat searches for a way to salvage meaning, for he ontologizes meaning in such a way that it is connected with truth. The Philosopher's Stone rightly calls into question the truth-claims of "traditional" science-a task undertaken more credibly in other works-but insists upon its own truthfulness; thus it is neither insightful nor refreshing, neither challenging nor provocative.

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2 of 3 people found the following review helpful:
5.0 out of 5 stars The universe is more like a painting than a machine, December 11, 2000
By 
Joel Brown (Pittsburgh, PA USA) - See all my reviews
This review is from: The Philosopher's Stone : Chaos, Synchronicity and the Hidden Order of the World (Paperback)
This book is loaded. It discusses a plethora of fascinating scientific topics, and finds a way to connect with all of our living universe in able to make meaning of it all. Though some of what it includes may be rather difficult subjects, what the book puts forth is easy to understand... I'm no scientist and I apprectiated what was said. Synchronicity to Chaos Theory to Quantum Physics to phase space to unitary transformations and back. Many metaphors and diagrams are used to illustrate his concepts simply. It kept me up 'til 2 AM on a school night, it must be good!! Bond with our universe and be alive!!!
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Was this review helpful to you? Yes No


3 of 6 people found the following review helpful:
5.0 out of 5 stars The universe is more like a painting than a machine, December 11, 2000
By 
Joel Brown (Pittsburgh, PA USA) - See all my reviews
This review is from: The Philosopher's Stone : Chaos, Synchronicity and the Hidden Order of the World (Paperback)
This book is loaded. It discusses a plethora of fascinating scientific topics, and finds a way to connect with all of our living universe in able to make meaning of it all. Though some of what it includes may be rather difficult subjects, what the book puts forth is easy to understand... I'm no scientist and I apprectiated what was said. Synchronicity to Chaos Theory to Quantum Physics to phase space to unitary transformations and back. Many metaphors and diagrams are used to illustrate his concepts simply. Bond with our universe and be alive!!!
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