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A Philosophy Of Interior Design (Icon Editions)
 
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A Philosophy Of Interior Design (Icon Editions) [Paperback]

Stanley Abercrombie (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

006430194X 978-0064301947 February 5, 1991
This book explores and explains the fundamentals of interior design. Because it does not emphasize current trends and fashion, its value will be long lasting.

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Editorial Reviews

About the Author

Stanley Abercrombie, author of Architecture as Art, is chief editor of Interior Design magazine.

Product Details

  • Paperback: 192 pages
  • Publisher: Westview Press (February 5, 1991)
  • Language: English
  • ISBN-10: 006430194X
  • ISBN-13: 978-0064301947
  • Product Dimensions: 8.9 x 6.1 x 0.4 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #373,390 in Books (See Top 100 in Books)

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Average Customer Review
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9 of 9 people found the following review helpful:
4.0 out of 5 stars A Philosophy of Interior Design (by S. Abercrombie), May 24, 2000
By 
David Wang (Washington (the state), USA) - See all my reviews
This review is from: A Philosophy Of Interior Design (Icon Editions) (Paperback)
There are very few books out there that combine "philosophy" with "interior design." For this reason alone, Abercrombie's book is a worthy contribution to the literature in interior design. One trait of philosophical works is their tendency to identify broad but fundamental categories that, together, describe a particular reality. I take this approach to be what the author means by "a philosophy of" interior design. That is to say, Abercrombie provides a menu of basic categories (plan, room, planes, levels, ornament, furniture, art, details, etc) and parses the reality of an interior built world through these lenses. His examples are good, and the book is well illustrated (although some of the magic of interior experience is not conveyed by the black and white pictures). Another good aspect about this book is this: the author is subtle in not making an arbitrary line of demarcation between "interior design" and "architecture." Even though his categories serve to focus on the topic of interiors, it does so without disconnecting interior design from the domain of architecture in some artificial way - and I think that is as it should be. In other words, this is a worthwhile book for both architects (who sometimes forget about interiors) and interior designers (who sometimes forget about architecture). As one who teaches design and has been in practice for many years, I would consider this book a good fit for those just starting to learn about interior design and/or those who are seasoned designers looking for something of a refresher on the fundamental nature of interior design. As the title implies, the book is not meant to be a "nuts-and-bolts" reference text for the practitioner; it is more of a meditative reflection about the nature of the worlds that the design practitioner can create for others.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars A Philosophy of Interior Design (by S. Abercrombie), May 24, 2000
By 
David Wang (Washington (the state), USA) - See all my reviews
This review is from: A Philosophy Of Interior Design (Icon Editions) (Paperback)
There are very few books out there that combine "philosophy" with "interior design." For this reason alone, Abercrombie's book is a worthy contribution to the literature in interior design. One trait of philosophical works is their tendency to identify broad but fundamental categories that, together, describe a particular reality. I take this approach to be what the author means by "a philosophy of" interior design. That is to say, Abercrombie provides a menu of basic categories (plan, room, planes, levels, ornament, furniture, art, details, etc) and parses the reality of an interior built world through these lenses. His examples are good, and the book is well illustrated (although some of the magic of interior experience is not conveyed by the black and white pictures). Another good aspect about this book is this: the author is subtle in not making an arbitrary line of demarcation between "interior design" and "architecture." Even though his categories serve to focus on the topic of interiors, it does so without disconnecting interior design from the domain of architecture in some artificial way - and I think that is as it should be. In other words, this is a worthwhile book for both architects (who sometimes forget about interiors) and interior designers (who sometimes forget about architecture). As one who teaches design and has been in practice for many years, I would consider this book a good fit for those just starting to learn about interior design and/or those who are seasoned designers looking for something of a refresher on the fundamental nature of interior design. As the title implies, the book is not meant to be a "nuts-and-bolts" reference text for the practitioner; it is more of a meditative reflection about the nature of the worlds that the design practitioner can create for others.
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