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By some lucky quirk of fate,
Phone Booth landed on Hollywood's A-list, but this thriller should've been a straight-to-video potboiler directed by its screenwriter, veteran schlockmeister Larry Cohen, who's riffing on his own 1976 thriller
God Told Me To. Instead it's a pointless reunion for fast-rising star Colin Farrell and his
Tigerland director, Joel Schumacher, who employs a multiple-image technique similar to TV's
24 to energize Cohen's pulpy plot about an unseen sniper (maliciously voiced by
24's Kiefer Sutherland) who pins his chosen victim (a philandering celebrity publicist played by Farrell) in a Manhattan phone booth, threatening murder if Farrell doesn't confess his sins (including a potential mistress played by Katie Holmes in a thankless role). In a role originally slated for Jim Carrey, Farrell brings vulnerable intensity to his predicament, but Cohen's irresistible premise is too thin for even 81 brisk minutes, which is how long Schumacher takes to reach his morally repugnant conclusion.
--Jeff Shannon
Colin Farrell, with an impressive Bronx accent, as a slick P.R. agent trapped on the phone with a sharpshooting psycho. After the audience gets past the nostalgia of seeing a Bell Atlantic phone booth on a New York street (which was filmed mostly in L.A., of course), the punchy eighty-minute script by the low-budget horror master Larry Cohen and the energetic direction of Joel Schumacher make for some entertaining nonsense. Farrell is a joy to watch; he delivers his dialogue with a screwed-up energy that seduces everyone in sight. -Bruce Diones
Copyright © 2006
The New Yorker