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Photoart: Darkroom, Digital, Handcoloring, Montage [Paperback]

Tony Worobiec (Author), Ray Spence (Author)
4.2 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

June 1, 2003
One of the hottest topics in photography right now is the use of alternative processes, which marry traditional photographic techniques with the latest in digital technology. From image destruction to digital toning and multiple images to montaging, Photo Art bridges the gap between fine art and photography. Packed with over 200 inspiring, innovative images, this comprehensive resource shows how to turn simple photographs into unique visual concepts that can’t be achieved through conventional photographic methods.



Step by step, readers will discover how to master such processes and techniques as multiple images; in-camera multi-exposure; fill-in flash and shutter speeds; montage and collage; Polaroid transfer and lift; image destruction and manipulation; printing in edges; photo batik photograms; and much, much more. Plus, every technique is covered in complete detail, accompanied by clear illustrations that make everything simple. Photographers, fine artists, and anyone else fascinated by imagemaking will turn to Photo Art for a never-ending source of techniques and creative inspiration!




• One of the few books to merge fine art with alternative photographic processes

• The 200 full-color illustrations are inspirational as well as instructive


Editorial Reviews

About the Author

Tony Worobiec is a fine art photographer who specializes in monochrome and alternative printing processes. His work has been exhibited in museums and galleries throughout the UK. The author of Toning and Handcoloring Photographs, he lives in London. Ray Spence is a professional writer/photographer/educator whose articles appear frequently in photographic magazines. He lives in London.

Product Details

  • Paperback: 160 pages
  • Publisher: Amphoto Books (June 1, 2003)
  • Language: English
  • ISBN-10: 0817453725
  • ISBN-13: 978-0817453725
  • Product Dimensions: 10.8 x 8.6 x 0.6 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #141,399 in Books (See Top 100 in Books)

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Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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10 of 11 people found the following review helpful:
3.0 out of 5 stars Beyond Ordinary Photography, August 12, 2003
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This review is from: Photoart: Darkroom, Digital, Handcoloring, Montage (Paperback)
This book is aimed at the photographer who wants to go beyond "straight" photography and into the realm of the other visual artistic media. It does this by describing a number of different techniques less commonly used by photographers that can be applied to photographic images.

The techniques explored range from the traditional like multiple exposure and toning to what some might consider more avant-garde, like photograms, which are images made on photo-sensitive media without a camera, and distressed images, that is, those deliberately subjected to destructive forces. The authors recognize that the mechanics of photography are in flux and so refer to both chemical darkrooms and digital manipulation.

This is more of an idea book than a how-to book. The descriptions of most of the techniques are cursory. If one wanted to use a technique in connection with one's photography, one would probably have to do additional research. In addition, the number of examples provided in the book is necessarily limited to about a half dozen for each technique. For me, with the exception of some approaches of which I had already been thinking, that was not enough for me to see how I could apply the procedures to my own photography.

Of course, that may be a major problem with a catalogue of unusual procedures. It is difficult, or perhaps impossible, to explain how to extend one's vision so that these techniques will prove useful. I suspect that one must already have both a full understanding of, and a deep dissatisfaction with, the traditional techniques of photography as a method of expressing one's vision. If that is true of a photographer, he or she is probably already thinking about how to change the form to express his or her vision. In that case, this volume might provide a few useful ideas.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars wonderful (and wondrous) - highly recommended, July 28, 2005
By 
John Stevenson (Colorado Springs, CO U.S.A.) - See all my reviews
(REAL NAME)   
This review is from: Photoart: Darkroom, Digital, Handcoloring, Montage (Paperback)
This is a great book, full of practical guidance, inspirational ideas and impressive/intriguing images produced by the authors (all in about equal measure). Just as one simple illustration of the scope covered, there are example images throughout the book taken using conventional film cameras (old and new, in several different formats), pinhole cameras and digital cameras, plus others generated via photograms and from digital scanners when used as "cameras". Further, the book even includes work based on the use of found-object photographic originals (old magic lantern slides). The mixed media artwork described in the book all uses conventional photography as its basis: but, as I counted, about fifteen different techniques are outlined (sic) by which added media can be incorporated into the final presentation of the image itself. And my count doesn't include a separate section which encourages the printing of images onto bolts or segments of fabric (using tee-shirt transfer film, for example). Finally, at the very end of the book, there's a short chapter focused on depicting the passage of time via still images. Personally I feel that this is one of the truly under-explored "provinces" of contemporary creative photography - particularly given all of the digital toolkits that are available today. About the only reason for an aspiring fine art photographer not to buy this book would be if he or she wanted to find specific detailed routines for the use of Photoshop or similar photo-editing software. In that circumstance, it might be best to purchase a companion handbook, just dealing with the basic application(s) of the software by itself. But then again, he or she could wait until the author's newer book "Digital Photo Art" becomes available in the U.S. (currently it can only be found in the U.K.) ...
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Concerning both traditional and digital working methods, August 7, 2003
This review is from: Photoart: Darkroom, Digital, Handcoloring, Montage (Paperback)
Collaboratively written by photography experts Tony Worobiec and Ray Spence, Photo Art: Darkroom, Digital, Handcoloring, Montage is enhanced with two hundred color and twenty-five black & white illustrations. Photo Art is more than a just another photography collection -- it is a carefully organized and effectively presented step-by-step instructional manual which is ideal for novice photographers seeking to create art through the use of their cameras, as well as an outstanding educational resource appropriate for even experienced photographers as it provides technical know-how, advice, tips, tricks, and techniques concerning both traditional and digital working methods for taking pictures which rise to the high esthetic standards of fine art. The eye-catching full-color photographs and extensive suggestions for light, border, distinctive contrast in subject material and much more fill this memorable guide.
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Inside This Book (learn more)
First Sentence:
SOME MAY VIEW the overlap between art and photography as a fairly recent phenomenon, but it is a relationship that goes back to the beginning of photography. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
selective toning, chloride bleach, toning process, painting with light, infrared film, copy layer, flatbed scanner, liquid emulsion, adjustment layer, negative carrier, entire print, pinhole camera, transfer film
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Gaussian Blur, Duane Michals, Nikon Coolpix
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