Photographic Possibilities, Second Edition: The Expressive Use of Ideas, Materials and Processes [Paperback]

Robert Hirsch (Author), John Valentino (Author)

Book Description

ISBN-10: 0240803620 | ISBN-13: 978-0240803623 | Publication Date: May 24, 2001 | Edition: 2

Photographic Possibilities, Second Edition continues to provide a reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images. This practical guide integrates technical methods with the aesthetic outcome. It offers readers clear, step-by-step instructions on historic and on contemporary processes that integrate both the technical information and the aesthetic inspiration needed to create outstanding photographs.

This new expanded edition concisely covers the most significant new products, processes, and issues that have effected the practice during the past decade. Two new chapters are exclusively devoted to digital photography, covering the history of digital imaging as well as the latest techniques and practices. Also included is an in-depth discussion on the copyright, which deals with the ethical and conceptual issues surrounding digital imaging that are rapidly changing the world of photography.




*New chapter on digital imaging
*Features artwork for almost 100 top photographers
*Explains key techniques such as Cyanotype, Polaroid transfers, and Photo Weaving

WORK CALL FOR NEW EDITION

Editorial Reviews

Review

Feedback from Professors -

"This is a very informative and creatively illustrated publication. Thank you!"
-Rosemary LeBeau, Anna Maria College

"very nice text, thorough, easy to read, wonderful variety of photo techniques"

"very well written and interesting...I am glad all of the alternative methods discussed are included"

"very comprehensive book on all aspects of photography...particularly useful for it's in depth coverge of alternative processes and it's clear description of how to do them"

"provides new ideas for approaching a traditional medium"

"this book is fasinating"

From the Publisher

This new edition covers the most significant new products, processes, and issues that have affected the practice during the past decade. Two new chapters are exclusively devoted to digital photography, covering the history of digital imaging as well as the latest techniques and practices. It also includes a section on how to use the web as a medium and exhibition space.

See all Editorial Reviews

Product Details

• Paperback: 272 pages
• Publisher: Focal Press; 2 edition (May 24, 2001)
• Language: English
• ISBN-10: 0240803620
• ISBN-13: 978-0240803623
• Product Dimensions: 10.9 x 8.4 x 0.7 inches
• Shipping Weight: 2.2 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #745,560 in Books (See Top 100 in Books)

More About the Author

Robert Hirsch is an artist and author of Seizing the Light: A Social History of Photography; Light and Lens: Photography in the Digital Age; Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes; and Exploring Color Photography: From Film to Pixels. He is the former Associate Editor for Photovision and Digital Camera magazines and a contributing writer for Afterimage, exposure, Fotophile, The History of Photography, and The Photo Review among others. His ongoing project, World in a Jar, has traveled to over a dozen venues around the world since opening at Big Orbit Gallery and being purchased by the Burchfield-Penney Art Center in Buffalo, NY. A former Executive Director and Chief Curator of CEPA Gallery, Hirsch now operates Light Research. His projects can be viewed at: www.lightresearch.net.

Customer Reviews

Most Helpful Customer Reviews

13 of 14 people found the following review helpful:

3.0 out of 5 stars Technically informative but lacking, July 25, 2006

By 

Reader 1024 - See all my reviews

This review is from: Photographic Possibilities, Second Edition: The Expressive Use of Ideas, Materials and Processes (Paperback)

Although this is a vast improvement over the first edition, I still have reservations about the book. The essays are a bit oversimplified (Such as "Why we take pictures"), which don't seem to understand that the readers of a book about alternative processes are looking a bit deeper into the subject of photography.

Artists such as Robert Parkeharrison and Mike and Doug Starn are mentioned, but I would like to know more about their processes and more importantly, why they believe these techniques are the best medium for their images.

The technical information is well-presented, but there is one glaring omission that I believe is the book's main flaw: lack of color. A comprehensive chapter on toners leaves one frustrated as to what all these formulas look like when applied to a print. There are eight pages of full-color plates, but they mostly illustrate different artist's work, and not the processes that are described.

14 of 18 people found the following review helpful:

4.0 out of 5 stars Torn..., May 17, 2005

By 

N. cain - See all my reviews
(REAL NAME)   

This review is from: Photographic Possibilities, Second Edition: The Expressive Use of Ideas, Materials and Processes (Paperback)

Torn, as in whether to rate this book as a useful instructional guide, or boring casual reading.

Torn, as in the author's feelings on whether to write about the sentiment and philosophy behind photography. Sections get weighed down by the author's need to discuss (in overly maudlin terms) the creative expression offered by photography. I would have preferred a book to be either wholly technical or entirely emotional (and clearly presented as such, so that I could avoid it).

Torn, as in the pages falling from this poorly bound book. Several friends have informed me that their copies fell apart, too.

All in all, I found the procedural information to be clear and concise, covering not just basics, but some more interesting darkroom techniques. It seemed that the rest was serving as filler; personally I would prefer more picture examples and less of the non-procedural text. However, this book is a good alternative to some of the better, but unfortunately out of print, darkroom guides.

11 of 36 people found the following review helpful:

5.0 out of 5 stars Great! A must read for serious photographers., November 16, 1998

By A Customer

This review is from: Photographic Possibilities (Paperback)

This is a very good book that covers many of the less well known photographic processes and materials. It is well written and provides clear instructions about using the various processes.