Customer Reviews

Photography and the Art of Seeing

5 star:		(19)
4 star:		(12)
3 star:		(5)
2 star:		(2)
1 star:		(3)

 

 

I bought "Photography and the Art of Seeing" knowing nothing about it. I had not even heard of the author, Freeman Patterson. I had a certain expectation based on current photography books of the same genre, but what I found is a book beyond compare.

I would recommend this book to any level of photographer with a desire to truly express themselves through their photography. You won't come away with a list of rules and instructions about when to apply them. Nor will you end up with a cheat sheet of camera settings that achieve particular effects. If you are open to it, however, you will learn new ways to look at, think about, understand, and portray the world you see through the lens of your camera; you will become more empowered to express yourself in your photography.

I was happily surprised that this book is more about photography than it is about the author. Certainly he includes many personal experiences to explain himself and his work, but he does so without the self-aggrandizing rhetoric of similar books. You really begin to feel as if you are part of his process, rather than someone he is trying to impress, as he describes his approach to his work.

And the photos! While they are exceptional, this is not a book to flip through, pause for the pictures, and then put on a shelf. Instead, it lives up to an important word in the subtitle, "workshop." You may never attend an expensive workshop with an accomplished photographer. But Patterson generously provides a workshop that includes intriguing, mind-expanding exercises all for the cost of this book.

Yes, I love this book! So much so that I've ordered two more of Patterson's books, and I can hardly wait to get started on them.

Please don't buy this book. It will change your photography. I bought it, and now I have an advantage, and I want to keep it!

Seriously, this is probably the most disturbing photography book I have found. It will challenge everything you do in photography, and that is unsettling.

If you follow the exercises properly, you will develop a whole new way of seeing and taking photos.

Sure, if you want to, you can read it from cover to cover and go "Ho, hum, very nice." and take it no further. But if you want to improve your photography, take your time, and do the exercises carefully. You will be surprised at the results.

I especially like the one where you lock yourself in a small room (bathroom) and have to take 20 images. "If you don't feel desperation before you finish this exercise, then you have to take another 20 photos."

Don't buy this book! Run away and hide. Keep taking boring photos.

This book is full of exercises targeted to open your mind to new ways to see and new ways to make a picture too. You have to have some spare time and patience to spend on some of these exercises, I have just made two of them with great results! This book is totally different to what you normally expect from a photo book as you don't only get some technical details but also the author's philosophy which reveals his passion for photography.

I have been using cameras for a long time, so I mostly know how they work. But I was looking for guidance and inspiration on how to make my photos more emotionally compelling. This book really hit the sweet spot for me.

First, it discusses and describes important concepts of composition with what I thought were excellent examples, as well as beautiful photographs. While most other books talk about basics like the rule of thirds, leading lines, etc, Art of Seeing goes much further into compositional elements.

But as important is Mr Patterson's clear love of the medium and ability to convey how to see in many different ways. I have been practicing this summer, and am finding now that many more of my images are worth something -- many just helping me understand where I went wrong so I can continue to improve. This book helped me find the subjects that are hidden in many otherwise ordinary things.

My only criticism of the book is that on a personal level I am not as interested in highly asbstract subjects that are a large part of the images in the book, although I will say that there is one shot of trees from an airplane that had me entranced. But this kind of subject makes sense for a book focused on composition.

I really learned a lot from this book, and highly recommend it.

Freeman Patterson is an artist with camera in his hand. All of this books are not limited to the "talking-of-equipment" nor "exposure setting". Instead, Freeman gives you the visual design; then, you address what you see + what you design on film. In this book, Freeman applied the "visual design" through the framing and composing technique -the art of seeing. Unlike other photo books, this book shows you more on composition of shape and color, not much on equipment. Thus, the gear-luster may found this book is inferior to others. I, however, found this book is a requirement after you master the exposure and gear. Several workshops are given in this book as well as the evaluation techniques that I found very useful. Like other Freeman's books, many nice photo are provided for your joy and learn.

Several years ago, I took a class with my new camera for a national known photographer. I ask for a book or text to help learn to get the shot I knew was there. His first and only suggestion was this book. I went to the library, got the book every time I could for the next year and almost worn it out. The next year, I entered a statewide juried show with 4 photos in 4 of 12 categories and took home a 1st,2nd,and 2 honorable mentions. The photos are now in musuem forever. This I credit to the book and the photographer who would not suggest another book. Good luck and happy seeing to all :)

This book is mainly for advanced photographers who have a thorough knowledge of the basics of photographic composition and are looking to explore new areas. It's goal is to get you to extend your techniques beyond the usual and develop your own personal style. The basics of composition are addressed only in a cursory fashion.

For a beginning to intermediate photographer like myself, it would help to have a solid grasp of composition before departing from it. If this is your situation, then you would be better served by "Photograhic Composition" by Grill and Scanlon (which is currently in print) or better yet "Image:Designing Effective Pictures" by Michael Freeman. The latter book is by far the best discussion of composition that I've read. Unfortunately, it's no longer in print, so you'll have to find a used copy.

An excellent book - clearly written for novices and professionals alike. For technical photography-book addicts like me, this is a welcome change to the other books which focus so much on 'getting it right'. This book encourages you to experiment and to extend yourself. I for one, will try to photograph the seemingly-mundane objects in my house to see beyond what's there. The only thing I miss is the technical details of his outstanding photos. Still an excellent book. I am now a true Freeman Patterson fan.

If you have moved up from the technical aspects of photography, and are into "photography as an art", this is the book to buy to take you to that next level.

If there is just one book in the whole world that you can buy, this is it! I own all of patterson's instruction books - and they are all great! a worthy investment and proudly displayed in my bookshelf.

Not only does this book contain some very beautiful pictures but it explains how to create your own beautiful pictures. The prose is well written and easy to understand and the examples fit very well. I found the book inspiring and it infected the way I think about the world around me. Reading this book has helped me take better photographs and increased my enjoyment of photography.