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21 of 25 people found the following review helpful:
3.0 out of 5 stars
It's All in There!, April 28, 2003
At first glance this looks like an ideal book for someone who is moving from the point-and-shoot stage of photography to something beyond snapshots. Everything most people want to know about photography from the relationships of f-stops, shutter speed and film speed all the way to underwater photography is in this book. Unfortunately the book throws the information at you so quickly and with so little discussion and few examples of applications that you may miss some very important concepts and confuse others.It would be nice to think that a person could improve his or her photography without a lot of effort, but that just isn't so. It's not enough to have a new rule thrown at you. Most people need photography principles to be explained, usually in several different ways, with plenty of examples. You'd expect lots of pictures to be used to illustrate points. After all, this is about photography. But that is not the approach taken by this book. The principles are stated, and later in the book, restated, but not illustrated well. It's really a shame, because this book is small enough to carry with you in case you want to check on something in the field. Art Wolfe, whose pictures appear throughout the book, is one of the great outdoor photographers (Gardner's pictures also appear to a lesser extent, but they aren't in the same league as Wolfe's.). Unfortunately the pictures aren't tied to the teaching points very strongly. That's a shame because stronger ties to Wolfe's pictures could really teach one about outdoor photography. The book gives a nod to incorporating digital photography, but only in the most rudimentary fashion. For example, I consider an understanding of "white balance" to be essential for a serious digital photographer, but this book just barely acknowledges that there is such a thing. There are several mistakes in this book. A chart on page 83 suggesting exposure guidelines for low-light photography captions a column ISO 50 (film speed) when it means ISO 400. Follow these guidelines and your picture will be hopelessly underexposed. The author discusses pushing film. This process involves setting your camera as if the film you are using is more sensitive than it really is and then asking your lab to develop the film in a way that will make it that sensitive. The author says that pushed film is less grainy then film with a higher rating shot and developed normally. It's not true. If it were, all we'd ever need is one speed of film. If I absolutely needed a guide that would fit in my pocket in the field I'd consider this book. Otherwise I'd buy a book like John Shaw's Nature Photography Field Guide. It's physically bigger, but will be more effective in improving your outdoor photography.
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