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Photoshop CS3 Restoration and Retouching Bible
 
 
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Photoshop CS3 Restoration and Retouching Bible (Paperback)
by Mark Fitzgerald (Author)
  5.0 out of 5 stars 14 customer reviews (14 customer reviews)  

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Editorial Reviews
Product Description
The Photoshop CS3 Restoration and Retouching Bible is a full-color comprehensive reference to retouching and restoring photographs using Adobe Photoshop CS3. Written by an Adobe Certified Expert and Adobe Certified Instructor in Photoshop CS & CS2, Mark Fitzgerald, the Photoshop CS3 Restoration and Retouching Bible provides training, tips, and techniques for amateur to professional photographers who want to complete expert quality photo restorations and retouchings. The book begins by reviewing the fundamentals of working with digital images - covering adjusting image brightness and contrast, working with color, understanding RAW and high-bit files, working with layers, and getting organized. Fitzgerald guides readers through all of the relevant Photoshop tools and techniques including a full chapter on creating flexibility with layer masks. A robust four-chapter section on rescuing damaged photos enables readers to bring their damaged images back to life. The final section of the book focuses on adding the final touches to images - retouching, with hands-on examples of retouching portraits and architectural projects.

From the Back Cover
Restore, refresh, and fine-tune your favorite photos

Take years off your keepsake photos or enhance the current ones with Photoshop CS3's powerful tools and the expert techniques and tips you'll find in this comprehensive guide. Using step-by-step instructions and over 500 pages of full-color examples, this book shows you how to clone, blend layers, add contrast, reduce glare, and more. From portraits to landscapes to architectural masterpieces, fine-tune your favorites with this expert guide.

Companion Web Site
Visit www.wiley.com/go/restoration and download the practice files from the book. You can start with the original images and work through the author's step-by-step instructions in the book.

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Product Details
  • Paperback: 489 pages
  • Publisher: Wiley (March 17, 2008)
  • Language: English
  • ISBN-10: 0470223677
  • ISBN-13: 978-0470223673
  • Product Dimensions: 9.1 x 7.4 x 1.2 inches
  • Shipping Weight: 2.5 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars 14 customer reviews (14 customer reviews)
  • Amazon.com Sales Rank: #51,432 in Books (See Bestsellers in Books)

    Popular in this category: (What's this?)

    #80 in  Books > Computers & Internet > Digital Photography & Video > Adobe Photoshop

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Mark Fitzgerald "Photoshop Teacher and Author"'s latest blog posts
       
 
Mark Fitzgerald "Photoshop Teacher and Author" sent the following post to customers who purchased Photoshop CS3 Restoration and Retouching Bible
 
12:08 PM PDT, May 7, 2008
I've been involved in the professional imaging industry for my entire adult life. When the digital revolution occurred a few years ago, I was able to apply everything I already knew about traditional film photography to the learning process. This is what gives me my unique slant on Photoshop and how it's used in the digital workflow. Here's how it all happened:

Before Digital
I bought my first camera right after graduating from high-school. I instantly fell in love with photography. A couple of years later I began to work for one of the largest photo processing companies in the country, Fox Photo. We had several labs across the country, but only one professional lab at that time. It was located in San Antonio, TX, which is also where Fox's corporate headquarters was located. The pro lab was in the same building as one of the huge "mother labs", so on average we had about 150 people working there throughout a 24-hour period.

In the early days, for someone who was interested in photography, Fox Photo's Pro Lab was an incredible place to work. It was like having a job in a candy store. I was not only exposed to lots of amazing photographs and the photographers who made them, I also worked with some of the smartest people in the industry. All of them were willing to share their knowledge, as well as their photographic equipment.

Having a state-of-the-art pro lab at my disposal made it possible to burn through lots of film at a fraction of the usual cost. I was able to improve my photography and technical s