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The Physical Comedy Handbook
 
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The Physical Comedy Handbook [Paperback]

Davis Rider Robinson (Author)
4.6 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

0325001146 978-0325001142 April 26, 1999

Although there are numerous books that examine physical comedy from a historic or aesthetic perspective, few provide guidance in how to do it. So where can actors and teachers go for instruction? To The Physical Comedy Handbook.

The Physical Comedy Handbook is a one-of-a-kind resource for actors, teachers, and directors interested in physical comedy - from slapstick pratfalls to the theater of the absurd. Davis Robinson believes that the basic physical skills of comedy can be taught to anyone. His twenty years of practical experience - including workshops with Jacques LeCoq, Tony Montanaro, Bill Irwin, Avner Eisenberg, Mark Morris, and Ronlin Foreman--have taught him so. Robinson shares what he has learned in this book, providing a thorough explanation of a range of techniques for developing comic timing, writing original material, and working with scripts. The book includes numerous hands-on exercises designed to help anyone, regardless of experience, develop their sense of play.

Acting students will learn how to sharpen their physical skills. Teachers will learn how to structure and guide their students' work. Actors will explore a range of comic styles. Directors will discover a number of tools for bringing comedy to life.


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Editorial Reviews

About the Author

Davis Robinson is Director of Theater at Bowdoin College in Brunswick, Maine. He is also Artistic Director of Beau Jest Moving Theater, an award-winning ensemble that has appeared at numerous festivals and theaters, including Off-Broadway and at the Piccolo Spoleto Festival.

Product Details

  • Paperback: 144 pages
  • Publisher: Heinemann Drama (April 26, 1999)
  • Language: English
  • ISBN-10: 0325001146
  • ISBN-13: 978-0325001142
  • Product Dimensions: 9 x 6.1 x 0.4 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #866,791 in Books (See Top 100 in Books)

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Customer Reviews

5 Reviews
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Average Customer Review
4.6 out of 5 stars (5 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
3.0 out of 5 stars Where's the illustrations?, June 28, 2003
This review is from: The Physical Comedy Handbook (Paperback)
While Mr. Robinson's book is a nice description of basic comedy bits and the tricks that make them work, I thought the book cried out for illustrations. I had a difficult time understanding the directions. How much more informative the book could have been if someone had taken the time to illustrate (even stick figures) the wonderful classic moves.
Still a good book. I hope they reprint it with graphics.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars YES!!!!, November 7, 2002
By 
J C Mawdsley (Reggio Emilia Italy) - See all my reviews
This review is from: The Physical Comedy Handbook (Paperback)
Beautiful, Beautiful, Beautiful! Time and time again I have found the exercises in this book useful as a student of physical comedy. The book is well set out starting performers off with solo work and taking them all the way up to ensemble work, building the performers' physical vocabulary along the way. The book gives easy to follow, useful descriptions of technique. I can only hope that later editions will include step-by-step illustrations for some of the techniques. I highly recommend this book, and yes it is something you'll refer to again and again.
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6 of 8 people found the following review helpful:
5.0 out of 5 stars A true master, September 6, 2001
By 
This review is from: The Physical Comedy Handbook (Paperback)
Davis Robinson is one of the most influential figures in my performing arts career. I studied with him at Emerson until his last year before moving on to Bowdoin College. I assistant directed with him as well as taking his movement and physical comedy courses. His knowledge and foresight are inspirational in this book and the excercises he shares are well-explained (here and in real life.) I think of him often and smile because his teachings are dead-on, direct, and completely originated from his extensive background in movement and theatre. He is the type of mentor who kicks you in the butt when you absolutely need it and empathetic when its appropriate. Buy this book and you will get a small glimpse of his artistic and technical prowess.
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