Physical Graffiti

Led Zeppelin | Format: MP3 Download

Product Details

• Original Release Date: February 24, 1975
• Label: Atlantic Records
• Copyright: 1975 Swan Song Inc.
• Total Length: 1:22:17
• Genres: Classic Rock/Arena Rock, Hard Rock & Metal/British Metal, Rock/Blues Rock
• ASIN: B0011Z7JRU
• Average Customer Review: 4.7 out of 5 stars  See all reviews (417 customer reviews)
• Amazon Best Sellers Rank: #1,301 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
  • #5 in MP3 Downloads > MP3 Albums > Hard Rock & Metal > British Metal
  • #8 in MP3 Downloads > MP3 Albums > Rock > Blues Rock
  • #9 in MP3 Downloads > MP3 Albums > Classic Rock > Arena Rock

Customer Reviews

Most Helpful Customer Reviews

106 of 114 people found the following review helpful:

5.0 out of 5 stars Zeppelin's peak, January 14, 2004

By 

Levi Stofer "_leon_" (Lawrenceville, GA USA) - See all my reviews

This review is from: Physical Graffiti (Audio CD)

Containing some of Zeppelin's very best tracks, "Physical Graffiti" is definitely worth the price of two discs. Like most double albums, it can get a little excessive... but if you've purchased their first 4 albums and still can't get enough, this is a must have! "Kashmir" is essential by itself and possibly the best song the group ever recorded... a majestic epic that fuses rock, blues, and middle eastern influnces... all the things Zep is known to do best! Then there's the blistering "Trampled Under Foot" which has one of Page's best riffs of all time and a funky clavinet played by the multi-talented John Paul Jones. Plant is in top form on the spiritual catharsis of "In My Time of Dying" with John Bonham providing the raw energy all the way through.

Disc one is more consistent, but disc two offers a wide variety of gems such as the building ballad "Ten Years Gone" which offers some of Robert's best lyrics to date, the fun old-timey feel of "Boogie With Stu", the countrified acoustic track "Black Country Woman", and the wild "Wanton Song". Many of these tracks have the feel of b-sides (which is essentially what they were) and makes them even more fun to listen to.

One of the few double LPs to truly be worth purchasing (along with the Beatles White Album, Stevie Wonder's Songs In the Key of Life, George Harrison's All Things Must Pass, and Pink Floyd's The Wall), Physical Graffiti is the high water mark of Led Zeppelin's career.

187 of 212 people found the following review helpful:

5.0 out of 5 stars Hard-Rock goes Baroque, July 25, 2004

By 

Valjean (Salem, Ma United States) - See all my reviews

This review is from: Physical Graffiti (Audio CD)

If you can understand sheet music and are attempting to master any instrument (from a cello to a tuba) you might want to take a look at the scripts for this album. You'll be devistated! Also, if you are interested in making an album and happen to own a studio, you might find a listen to Physical Graffiti to provide a very instructive statement the limits of how complex mixing and multi-tracking get.

Sure, a few tracks on the ablum: Custard Pie and Trampled Under Foot, are probably the best embodiment of the blues-rock Zep-sound that most people are familiar with, but after those tracks, the album turns into a zen statment on overindulgence. Normally, I might agree that musical overkill is a bad thing, but there's a right time and place for everything; and within the framework of this album, overkill becomes baroque. I argue that only Zep could pull this off.

Beginning with Kashmir, the album lays track upon track until many songs (ie: In the Light, Ten Years Gone) are orchestrated with somtimes 7 or 8 different guitar tracks and 3 or 4 different bass tracks. Bach himself might be proud of such hefty orchestration. Throw in JPJ's keyboards, along with several exotic instruments such as mellotrons and vibrophones, and you've got yourself a saturated hard-rock symphony. Many of the songs, such as Kashmir, In The Light, and Ten Years Gone, are very cerebral, creating a soothing Indian Raga-like effect, while others sustain a hectic Occidental pace (ie: Rover, Night Flight) but are never abrasive to the ear.

I feel that the overall album gets a bum rap sometimes, because many people would prefer to hear the more concise and abbreviated sound associated with the pentatonic riffs of earlier Led-days (ie: Whole Lotta' Love, Heartbreaker). They complain that this album is overindulgent, solos are extended too long, etc.. But they never really explain why this makes the album less worthy than say, the Runes Album. I think that the intent of the album was to push the manifold of hard-rock overindulgence and the result is the raga-like, baroque musical symphony from the '70s that is Physical Grafitti.

I would not hesitate to say that this is the best album from the 70's hard-rock genre; if not the best rock and roll album of all time.

64 of 71 people found the following review helpful:

5.0 out of 5 stars A wonderful 90 minute journey through rock music..........., September 17, 1999

By 

"[e-mail]" (Three Rivers, CA USA) - See all my reviews

This review is from: Physical Graffiti (Audio CD)

Wow. As Zeppelin's most ambitious statement, and their first and only double album, Physical Graffiti would hypothetically be a contender for greatest rock album of all time it it weren't for Zoso (Not that I'm complaining or anything! :-))

Custard Pie is blues on speed, while being squashed under the skillful wah-wah pedal of Jimmy Page.

The Rover simply rocks. It combines headbanging with flair in a musical statement that is hard to overestimate.

In My Time of Dying contains some of the best spitfire-blues slide guitar you'll ever hear.

Houses of The Holy is a great, catchy pop-rock song that just makes you wanna get up and get your schwerve on.

Trampled Under Foot is pure, 100%, unfiltered headbanging enjoyment.

Jimmy Page & Robert Plant both agree that "Kashmir" was their greatest work. I say they're just being humble about "Stairway to Heaven", but Kashmir is a close second. (Man, Puffy really pissed me off when he did "Come With Me"! Ruined a great song! (Yeah I know Jimmy helped him, but I think Jimmy was just trying to expose a new generation of listeners to Zeppelin, which is honorable))

In The Light has two distinct moods: A peaceful, glorious side, and a dark, foreboding, heavy metal side. These two moods throw you back and forth until you're dizzy, which is a good thing.

Bron-Y-Aur is an acoustic track kinda hidden amidst greatness, but it's actually Jimmy Page's best perfomance on this album! As a guitarist, trust me. This is NOT an easy song to play! Very pretty, too.

Down By The Seaside is a really peaceful little song, with really cretive use of a tremolo effect on Page's guitar. Gets you in the mood for the next two songs.

Ten Years Gone is the middle track of PG's "mellow part", and really lets the listener appreciate Zeppelin's flair and subtleties.

Night Flight is a great ballad that, while overall pretty subdued, starts to rock up the album a little again, as to get you ready for....

The Wanton Song! Headbanging conviently wrapped in a sleek, 4:06 package for your enjoyment!

You'll find Boogie With Stu kinda silly the first couple times you hear it, but the more you listen to it, the more you're gonna wanna get up and, well, boogie!

Black Country Woman is some great acoustic blues that really convey the blues to the listener.

And finally, Sick Again is a great romping, rockin' closer that, along with the overall effect of the album, will leave you breathless.

So BUY THIS ALBUM, for god sakes!