171 of 174 people found the following review helpful:
5.0 out of 5 stars
A great movie pales compared to this, March 25, 2003
I rarely read a book after I have seen the movie it was based on because it seems almost akin to reading the final pages of the book first. Why start reading a book when you already know how it ends? When the movie already gives you a mental picture of what the characters are like? When it would be impossible to read the description of a scene, a conversation, an expression, or a mood without thinking first of the director's and screenwriter's interpretation of those things?
I stand by that view, but I also suggest throwing it out the window when it comes to The Pianist.
I was so moved by the film that when I saw this book in a store, I could not help but pick it up. Once in my hands, I could not help but read the first few lines. Once I read them, I could not help but buy the book. And once I bought it, the next day and a half of my life was dominated by the chilling, horrible, graphic and compelling story.
I won't go into an overview of the plot, since my fellow reviewers have covered that territory very accurately. But I will say that this is a rare case where the value of a book is not compromised by the movie -- the story is so well told and the details (most of which the movie screenwriter was forced to leave out) are so evocative and potent that they flow over and around any preconceived notions.
The film is well done, and by all means it should be seen. But don't let seeing the movie deprive you of the pleasure of this powerful book, which illustrates once again what we have known all along -- that great literature succeeds where other art forms fall short.
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39 of 39 people found the following review helpful:
5.0 out of 5 stars
An Unforgettable Story of Survival, February 25, 2000
The Pianist is a moving eye-witness account of one man's survival in Nazi-occupied Warsaw. Wladyslaw Szpilman--a Jew and famed pianist for Polish Radio--relates his memories of the unutterable and unrelenting horrors of the Holocaust in Warsaw--the random executions, starving children, mass deportations--with a sober, almost uncanny detachment. And though the machinery of extermination is all around him, he somehow evades his pursuers through friends willing to risk their lives to hide him. His father, mother, two sisters and a brother are all deported and sent to their deaths in concentration camp. And, when it appears, near war's end, that he is at the end of luck, trying to still keep himself concealed in a part of Warsaw that his been systematically destroyed by the Germans, he finds an unexpected saviour: Wilm Hosenfeld, a German Army captain who, rather than kill Szpilman, provides him with a hiding place and necessities to kept him alive until the Soviet Army finally liberates the city. This slim volume written with in a kind of terse, no-nonsense style that will keep the reader riveted to each episode in Szpilman's incredible Odyssey, is probably one of the best books I have read in the area of Holocaust literature.
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74 of 79 people found the following review helpful:
5.0 out of 5 stars
Pan Wladek, April 17, 2003
In January 2000, while visiting Warsaw, I met "Pan Wladek," the retired Director of Music at the Polish Radio. I read a book by him about his survival in the Nazi-occupied capital, and I was intrigued by the fact that I knew all the places he mentioned in the book. I was not surprised to learn that he still lives in the same part of Warsaw that I am from. I knew exactly where to find him.
Pan Wladek was a composer, honored by President of Poland with a Commander Order with a Star of Polonia Restituta. Although for decades he was known to millions for producing popular rather than classical music. He was responsible for launching the careers of many Polish singers. They often complained at first for choosing them the wrong material, almost every time he proved them wrong. A composer of nearly 500 songs; many made the pop charts. My favorite was the one about going to the Old Town, how he described the beauty of the restored part of the city, which was almost completely destroyed during WWII as Hitler's revenge against the Home Army's Warsaw Uprising in 1944. As a child, I learned that song from my grandmother and I sang it to my daughter years later. By the age of 2, she knew it by heart. That January, I visited the author.
After three attempts (finally, I realized that I was knocking on the wrong door), I met Pani Halina, the musician's wife, a doctor who comes from a prominent Polish family. She was an example of hospitality, feeding me with coffeecake and preserves, chatting but not letting me disturb her husband who as she explained was not feeling well that day. I sighed, but had no right to push my luck any farther. We hugged, and I walked to the door when I looked up the stairs. And there he was, the maestro. He was wearing silky navy blue pajamas with tiny white polka dots and a brown velvet robe with his gray hair nonchalantly combed off his face. He walked down slowly. Standing there, speechless, I was yelled at by Pan Wladek for letting my husband wait in the car while I'm chatting and drinking coffee with his wife. I grabbed my husband and brought him before the man. We were treated to the tour of the memory lane; the grand piano in the corner of the living room had a collection of photographs. Pan Wladek traveled the whole world as a member of the Warsaw Piano Quintet. He traveled everywhere but Australia. He talked about his musician friend Bronislaw Gimpel who lived in LA. We learned his whole family story, about the son who lives in Japan and the other one from Hamburg. He was just as I imagined: wise, dignified, well mannered, and funny above it all.
He displayed his disappointment that the American version of his book did not include photographs, as the German edition did.
Later, he mentioned that a famous Polish director contacted him about making a movie based on his book but he was very skeptical, it seemed so unreal. So we just laughed.
Pan Wladek died the following July at age 88. Three years later, I sat in the West Newton movie theatre watching 6 years of his life before my eyes on a big screen. The famous director's name was Polanski. Pan Wladek's last name was Szpilman and he is the main character behind "The Pianist" now "playing in a theatre near you". In the collaboration of three Poles: Fryderyk Chopin, Wladyslaw Szpilman and Roman Polanski, a masterpiece was created. Palme d'Or for the Best Picture at Cannes' International Film Festival was followed by the Boston Film Critics Award, New York Critics Award, and 7 Oscar nominations. Why this film differs from the Hollywood-made Holocaust movies is for you to find out.
In the 80's, the children of the German officer who in the last days of the war offered Szpilman a coat and chose not to kill him, visited Mr.Szpilman in Warsaw. They do not remember their father but learned about Mr.Szpilman from his letters from stalag. The pictures in a photo album beautifully arranged by the officer's daughter in law, showed Mr. Szpilman climbing the stairs to the attic where he hid. The little boy next to him is the grandson of the German officer. Another photograph shows Mr. Szpilman in a beautiful tailored suit and the officer's son exploring together the streets of Warsaw's Old Town. I feel privileged that I had an opportunity to meet Mr.Szpilman, and I feel obligated to share it with you.
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