A new addition to the Australian Screen Classics series, this thoughtful and perceptive critique of Jane Campion s award-winning film assesses the film s unearthly and controversial visions, its poetic power and its capacity to entrance and alienate.
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'one of the strongest yet in the Australian Screen Classics series, and a showcase for Jones s vivid and acute writing at its best.' --Australian Book Review
About the Author
Gail Jones teaches cinema, literary and cultural studies at the University of Western Australia. She is the author of two books of short-stories: The House of Breathing and Fetish Lives and four novels: Black Mirror, Sixty Lights, Dreams of Speaking and Sorry. Her work is widely translated and the recipient of several literary awards.
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