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20 of 21 people found the following review helpful:
4.0 out of 5 stars
Beautiful Storytelling, February 13, 2007
Mason tells the story of Edgar Drake, a piano tuner from London who is asked to journey deep into the jungles of Burma to tune the piano of an eccentric officer. This is a story evocative of Conrads "Heart of Darkness" and the spin off movie "Apocalypse Now". However, in Conrad the journey up the Congo river represents a descent into depravity as the shackles of civilization are cast off, and barbarism takes over. Mason replays the story in a very different way. Instead of descending into darkness, Drake ascends into enlightenment. He blossoms in the heat of the tropics, becoming things he did not dare in polite London society. From tuner he becomes a pianist. From tradesman he becomes a diplomat. From a dry emotionless husk of a man he becomes a passionate lover. But circumstances conspire against our hero and in the end it is the civilized world that shatters the primeval dream of the jungle. Beautifully written and a well told story. We can never be sure of the final resolution until we reach the end of the book. Will love, music and passion triumph over politics, empire and the gun? Can the music of a piano in the jungle bring greater peace than an army? What a nice notion.
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3.0 out of 5 stars
Nonsense Ending, October 29, 2011
I'd heard good things about this book. Unfortunately, the writing made it annoying to read in places. Things like switching from present tense to the past tense in the same paragraphs. Yes, the setting in Burma was wonderful. But it couldn't make up for the ridiculous ending. It felt like perhaps the author faced a deadline, panicked, and threw something in for the finale. I won't give anything away, but the entire premise of the ending made absolutely no sense.
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2.0 out of 5 stars
Not magic realism, just unrealistic and slow moving., May 7, 2011
I bought this book because I was intrigued by the title. A London piano tuner is engaged to go to Burma at the end of the Nineteenth Century. It starts quite slowly, and there is quite realistic detail on the construction and maintenance of pianos ( in fact I would have liked more ). The trouble (if you can call it that) starts on the journey to Burma, the tuner is told a tale of shipwreak and we know there's a big metaphor going on here, if not a portent, only we just don't quite know what its portends. He meets the lovely Asian girl, but is loyal to his wife, and journey's to meet the influential, conflicted anti-hero (or is it hero?) .Violence ensues. Our piano tuner must make a choice between the conventional and the heroic. Will he be windy, or throw caution to the winds?. At many points during the Burmese part I was afraid it would turn directly to magic realism, and we would understand that the piano was an emotion or a dream or a cloud or something. But it doesn't, otherwise I wouldn't have finished the book. The story ends in very concrete terms. Which is good, I think, however I didn't enjoy the book overall, and in retrospect should have stopped at the Suez canal.
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