10 of 10 people found the following review helpful:
5.0 out of 5 stars
A brilliant achievement by a vastly under-rated pianist., August 17, 1999
By A Customer
This review is from: Piano Works (Audio CD)
Eleonora Bekova brings all her experience in chamber and song recital work to produce a brilliant recording of these masterworks by Martinu. The Fantaisie et Toccata is demanding of technique and musical vision yet Bekova handles the dissonances and rapid musical developments to produce a reading which is a triumph of eloquence and cohesion. The eight preludes run the gamut of emotional intent yet Bekova handles the jazzy numbers one and two with as much innate sense of ragtime as she measures the dark depths of number five. The Sonata is handled with lyrical virtuosity (why isn't this piece in the mainstream piano repertoire?) and the three miniatures with which Bekova finishes this disk are utterly beautiful. Wow, what a pianist! Its no surprise that Martha Argerich says she is fantastic.
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4.0 out of 5 stars
A nice survey, November 5, 2009
This review is from: Piano Works (Audio CD)
Eleonora Bekova's cross-sample of Martinu's piano music never received a sequel, and given the success of the Naxos series of the complete piano music probably won't. It is however worth considering for those not wishing to engage on a complete cycle, with such a project's unavoidably variable musical rewards. Well, not everything on this disc can be considered Martinu at his best, either, but the disc comes off to a good start with the (technically demanding) Fantaisie et Toccata written during Martinu's flight from Paris; it is an urgent, fervent, slightly steely piece, full of energy but also air and lightness.
The preludes from 1929 are altogether less light-weight than one could expect, being superbly varied in color, spirit and mode of expression. The 1954 sonata is more introvert and I must admit that I haven't quite manage to come to terms with it - it is resourceful and varied, but it sounds to me like a rather meandering walk towards a very conventional ending, with lots of episodes that seems like false starts that never develops into anything. The last three works on the disc are lightweights - the Dumka is uncomplicated and charming, The Fifth Day of the Fifth Moon an eminently forgettable piece of chinoiserie, and the Bagatelle a fine, neo-baroque miniature.
I have little to complain about with regards to the performance; Bekova's playing is spirited and displays a thorough understanding of the idiom. The sound is good as well, and I think this disc can be safely recommended to anyone remotely interested in Martinu's piano music - it doesn't contain all of his worthwhile work for piano (far from it), and contains some pieces that are not among his strongest, but the result is at least a nicely varied programme.
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