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Picasso's War [Hardcover]

Russell Martin (Author)
3.8 out of 5 stars  See all reviews (11 customer reviews)


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Book Description

October 24, 2002
On April 26, 1937, the Basque town of Guernica in northern Spain was bombed by Hitler's Luftwaffe in the midst of a bloody civil war on behalf of Francisco Franco's rebel forces. Twenty-four hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty--the first large-scale attack against civilians in modern warfare-outraged the world, and one man in particular. Pablo Picasso, an expatriate living in Paris, responded to the devastation in his homeland by beginning work on Guernica, a painting that many today consider the greatest artwork of the twentieth century.

Weaving themes of politics, art, war, and morality, and featuring some of the twentieth century's most memorable and infamous figures, Martin follows this renowned masterwork across decades and continents. From Europe to America and, finally, back to Spain, Picasso's War sheds light on the conflict that was an ominous prelude to World War II and delivers an unforgettable portrait of a genius whose visionary statement about the horror and terrible wounds of war still resonates today.

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Editorial Reviews

From Publishers Weekly

Picasso watched closely from his adopted Paris as the Spanish Civil War unfolded, and when German bombers leveled the Basque village of Guernica, the previously apolitical Picasso felt stirred to action. Created at a frenzied pace, his painting Guernica was both homage to his Catalonian homeland and a scathing indictment of bloodshed. While Martin (Beethoven's Hair) meticulously describes the painting's creation and context, much of the book focuses on the controversies that haunted the canvas for decades. When Guernica was first introduced at the Spanish pavilion of the 1937 International Exposition of Art and Technology Applied to Modern Life in Paris, it was ignored by many, criticized by others for ugliness-and even for not being political enough. Later acknowledged as a classic, it was housed in New York's Museum of Modern Art, safe from the war overseas. By the '60s, voices grew stronger asking for its return to Spain, the country that had originally commissioned its creation. With Franco still in power, an aging Picasso asked that the painting go to Spain only when the country was once again free from oppression. Within this larger narrative, Martin weaves a memoir of his own trek to visit Guernica, which finally arrived in Spain in the 1980s. The culmination of this thread, when Martin coincidentally views the painting on September 11, 2001, brings the narrative into the contemporary world and highlights Guernica's brutal relevance today.
Copyright 2002 Reed Business Information, Inc.

From Library Journal

Picasso's "Guernica" was painted in reaction to the barbarous Nazi bombing of the Basque village in Spain in 1937. Martin (Beethoven's Hair) extensively researched the circumstances surrounding the creation of this painting and the attention it has continued to command. On 9/11 he was in Madrid viewing "Guernica"; here he has collaged his response to the attacks in New York City with his feelings about the painting. In the face of such terrible loss, it may be reasonable to parallel the two horrific events; however, Martin mixes fact and opinion with his personal reminiscences. Picasso's politics were ambiguous at best; while he joined the Communist Party to please his friends after World War II, he became disillusioned with Stalin in the 1950s. Picasso said, when asked, in typical fashion, that painting was his party. "Guernica's" historical significance as possibly "the last great history painting" gets lost here, begging the question is it politics, art, or tragedy that is Martin's focus? He discusses visuals yet provides no illustrations, such as the photographs Dora Maar took of Picasso working on "Guernica" or the preparatory drawings. This effort will not satisfy the thoughtful reader, and it skimps on production. For a contrasting perspective on Picasso and "Guernica," try James Lord's Picasso and Dora. You can pass on this one. Ellen Bates, New York
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Hardcover: 288 pages
  • Publisher: Dutton Adult (October 24, 2002)
  • Language: English
  • ISBN-10: 0525946802
  • ISBN-13: 978-0525946809
  • Product Dimensions: 8.5 x 6.1 x 1.1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #1,068,158 in Books (See Top 100 in Books)

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Customer Reviews

11 Reviews
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Average Customer Review
3.8 out of 5 stars (11 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars A Beautiful, Haunting Story -- Must Read, November 11, 2002
By 
This review is from: Picasso's War (Hardcover)
This is a beautifully written, timely book. The author's insights into the oppression of the Spanish people in the 1930s and the collaboration between Hitler and Franco are especially relevant in the wake of 9/11. This book is for people who are fascinated by history but also for those looking for explanantions for the recent horrible events in the U.S.. Russell Martin is a brilliant writer. He draws on his passion, empathy, and intelligence to tell an incredible story. It made me weep.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars Great Book for a Light Read On Picasso, May 30, 2004
By 
Natascope (Redmond, WA United States) - See all my reviews
This review is from: Picasso's War (Paperback)
The book as a whole was rather well written, and, if someone asked me for a good nonfiction book about Picasso, there is a good chance that I would point them to this book. The book had good descriptions throughout, it was written for so that people who had very little understanding previously could understand what was going on, and the book was written so that it didn't have to be read all in one sitting. So, while I probably wouldn't pass it onto others, I feel that it was a good experience to read it.
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7 of 7 people found the following review helpful:
3.0 out of 5 stars Great Read -- Great History?, September 7, 2003
By A Customer
This review is from: Picasso's War (Hardcover)
Russell Martin has taken the history of the Spanish Civil War and a single work of art an woven them together into an entertaining and enlightening book. I am disturbed, however, by the author's Bibliographical Note, which begins "This narrative is intended for general readers rather than scholars, and for that reason I have chosen not to cite sources in the text or in accompanying notes. But I will be pleased to answer queries directed to me through the publisher about specific sources...." The author claims a great deal of detailed knowledge, from time to time stating with authority how Picasso felt in particular situations. It would be nice, even for a general reader, to know whether these conclusions were based on letters or interviews or the author's supposition...
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Inside This Book (learn more)
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First Sentence:
It was an enormous canvas, so large that Picasso needed a ladder and brushes strapped to sticks in order to paint its heights, a canvas so grand that he had little doubt of its ability to captivate the citizens of the world who would see it exhibited beside the Seine in only a few weeks' time. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Pablo Picasso, Juan Carlos, Francisco Franco, United States, Angel Vilalta, Soviet Union, Condor Legion, Dora Maar, Great Britain, Guggenheim Bilbao, Museum of Modem Art, Museum of Modern Art, Reina Sofia, Josep Lluis Sert, Picasso's Guernica, Roland Dumas, Buen Retiro, Paul Eluard, San Francisco, Adolf Hitler, Antonio Aguirre, Max Aub, Museo del Prado, Popular Front
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