From Publishers Weekly
In this ambitious debut, the narration alternates between Satomi, a Japanese girl pushed by her mother to make her mark on the world, and Rumi, Satomi's American daughter who grows up in the mid-late 1960s believing her mother is dead. The novel is strongest at the beginning, as Satomi tells of her postwar childhood in a small Japanese village, the only girl without a father and the only girl with a talent: she is going to be a world-famous concert pianist. After her mother remarries, Satomi goes away to music school and, later, to Paris to perfect her craft. In Paris and back in Japan, Satomi falls in with the Western antique dealers who will eventually take her to the United States after her mother dies. The second half switches between the stories of Satomi and Rumi, who develops a skill at reading Asian antiques and begins to wonder about her mother when an old friend of her parents re-enters her life. Rumi's quest to unravel her tricky family history is absorbing, and even if it lacks the simple beauty of Satomi's coming-of-age narrative, Mockett succeeds where many others fail: making the reader care. (Oct.)
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“A book of intelligence and heart.” —AMY TAN
“Deeply preoccupied with girls, talent, and power.” —MAUD NEWTON
“The best elements of a mystery story, ghost story, magical realism and the complex difficulties in deciding what is ‘best’ for our elders and offspring.” —Minneapolis Star Tribune
“[Picking Bones from Ash], so firmly anchored in a sensuous reality, veers into a dream world. A reader has the sense that even the author was driven by her most powerful character: the original mother, raising her daughter alone, shunned by villagers, forced to make decisions that haunt her descendants.” —Los Angeles Times