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Picnic Grounds: A Novel in Fragments
 
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Picnic Grounds: A Novel in Fragments [Paperback]

Oz Shelach (Author)
4.4 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

April 1, 2003

Part reportage, part parable, part excavation of history, this jigsaw puzzle of compelling tales constitutes an exile’s nostalgic tour into Israel’s culture of denial. Captivating in its beguiling, seeming simplicity, Picnic Grounds is a novel built from the layers of overlapping lives and stories, much like the villages and cities of Israel are constructed from a culture superimposed over the palimpsest of history. Landscape, language, and the manufacture of knowledge are deconstructed by a unique new voice, writing in a language that is not quite English, from a life that is anything but post-colonial.

Oz Shelach was born in West Jerusalem in 1968 and has been a journalist and editor for Israeli radio and magazines. He currently lives in New York.


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Editorial Reviews

Review

" ...at times airy and light, at others leaving behind the aftertaste of broken hearts." -- Kirkus Reviews, March 2003

"A spare and perfectly painful little book, Oz Shelach's Picnic Grounds sketches an Israel that you won't see on the news.... With ruthless precision, Shelach's novel plots the terrain of complicity, denial, and shared, unspoken culpability that Israel has crafted for itself over the last half-century." – The Village Voice -- Review

"A spare and perfectly painful little book,... Shelach's Picnic Grounds sketches an Israel that you won't see on the news" -- Village Voice

"An intriguing debut from a brave new voice in Israeli fiction." -- Planet Magazine

"Shelach... critiqu[es] Middle East politics through the creative fuzz of metaphor and suggestion" -- San Francisco Bay Guardian

"The novel, Shelach's first, is set in an Israel at once familiar, yet utterly alien." -- Forward Magazine

...a forceful debut whose fragmentary form lends it the feel of a scrapbook -- Philip Herter, St. Petersburg Times, April 2003

...a mosaic of parable-like reportage, remaindered memories, and demotic prose poems...[Shelach's] metaphors unfold with an unsettling emotional restraint -- The Village Voice, July 2003

Shelach's prose has an elegant precision borne of his journalistic activities.... [his] ironic understatement provides an eloquent indictment... -- San Francisco Bay Guardian, April 30th, 2003

a wonderful writer. There is no doubt that, from his very first book, [Shelach] has a great future ahead him. -- Ha'aretz, May 16 2003, by Yitzhak Laor

About the Author

Oz Shelach was born in West Jerusalem in 1968, has been a journalist and editor for Israeli radio and magazines, and runs an online news service and art gallery. He currently lives in New York.

Product Details

  • Paperback: 112 pages
  • Publisher: City Lights Publishers (April 1, 2003)
  • Language: English
  • ISBN-10: 0872864197
  • ISBN-13: 978-0872864191
  • Product Dimensions: 7.2 x 4.5 x 0.4 inches
  • Shipping Weight: 4.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #942,900 in Books (See Top 100 in Books)

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Customer Reviews

5 Reviews
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Average Customer Review
4.4 out of 5 stars (5 customer reviews)
 
 
 
 
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7 of 8 people found the following review helpful:
5.0 out of 5 stars A Moving Message in Bite Sized Pieces, August 3, 2003
This review is from: Picnic Grounds: A Novel in Fragments (Paperback)
In his book, Picnic Gounds, author Oz Shelach manages to evoke a strong feeling of the history of the lands where the modern state of Israel now exists. His stories are tiny, most a single page - never more than two - and at first they seem almost unrelated. They are snippets, snapshots of modern life in Israel that the author, who was raised in Jerusalem, tells with striking clarity. For anyone who has visited modern Israel, especially Jerusalem, the places in the story will seem at first familiar, but something deeper is being evoked.

Reading through the book, one soon begins to see the underlying theme of the places and the people that lived there before. The stories take place in modern Israel, but reflect back on the Palestinians who were displaced, the villages that were bulldozed, the hillsides that were razed, and the history that remains largely ignored. Through these stories, a picture of a modern state superimposed over the historical Palestine emerges. Furthermore, we begin to sense how modern Israel avoids this recent history, covers it over. A family picnic on the grounds of a former Palestinian village, or the dense pine forests covering the hillsides outside Jerusalem that once were covered with olive orchards - the stories all speak to the way modern Israel manages to exist in a state of near denial.

Without pretension or moral overtones, the author gets his message across with subtle calm. The stories are very short, but like a good chocolate, they leave a lingering taste on the palette. I found myself reading only one or two stories at a time, letting their meaning sink in, and coming back to savor the morsels day after day until, sadly, the book was finished.

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2 of 2 people found the following review helpful:
4.0 out of 5 stars Always out of context, September 21, 2004
This review is from: Picnic Grounds: A Novel in Fragments (Paperback)
I have noticed that most reviewers have seen this book through their own eyes, well informed, educated eyes and how could they do anything else? Right? Except that the book must exist outside of history. Sure you could argue that by saying where in the holy city he was born, he was declaring a political agenda but there will come a time in history when no one will know what that means to be born on the west side and then they must decide for themselves the value of the book.

They must see the subtle shifts in mood, the creeping fear that the narrator is loosing identity, that who we are is not always who we really are and how this world is sometimes not this world.

I know how cryptic that must sound but if you read the book and divorce yourself, as must as possible from the politics, the book will come alive the way Van Gogt comes alive when you see past the print on your wall to the thick, confused paint strokes on real canvas. Read Picnic Grounds. It's very inexpensive and it won't break the bank. Read it at least once.
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Shaking up Hallowed Ground, March 31, 2004
By 
J. Papernick (Waltham, MA USA) - See all my reviews
(REAL NAME)   
This review is from: Picnic Grounds: A Novel in Fragments (Paperback)
To many, the year 1948 represents the establishment of the modern state of Israel; to others, 1948 is inextricably intertwined with Al-Nakba, or the Catastrophe; the destruction of indigenous Palestinian communities and the creation of a diaspora of downtrodden refugees. It is not difficult to ascertain where former Israeli journalist Oz Shelach's sympathies lie. The short author bio, at the back of Picnic Grounds: A Novel In Fragments, states that the author was born not in Jerusalem but in "West" Jerusalem; an overt political statement, incendiary to those who support Israeli sovereignty over all of the holy city.

Picnic Grounds is a relentlessly political book in which the Jerusalem neighborhoods of Katamon and Talbieh as well as the Jezreel Valley are all spelled with their Arabic transliterations. The author has even chosen to write the book in English, either to reach a larger readership, or perhaps to cast off the language of the putative oppressor.

It is difficult to call Picnic Grounds a novel; composed of fifty-seven fragments each no longer than two pages, the book is a series of minor epiphanies, the best of which are reminiscent of the poetic compression of Ernest Hemingway's vignettes in "In Our Time." The book opens with a professor and his family obliviously picnicking in the woods at the sight of Deir Yassin, a former Arab village where scores of its inhabitants were massacred by Irgun irregulars in April of 1948. The story is subtle and chilling, and sets the tone for the entire book. Shelach returns again and again to picnic grounds throughout Israel where "a village was bombed out and later razed," or "ghosts... haunt the soil which is soaked with blood."

But, there is little that is shrill or strident in Shelach's writing, he allows silences to speak volumes; the whispering of tall Canadian pine trees on the road from Tel Aviv to Jerusalem serves as a mute testament to depopulated Arab villages. This is an angry book, but its cool, dispassionate tone, sly wit and humor is usually deft enough to diffuse heavy-handedness.
Much of the book is written in a collective first person "we," voice and the reader travels from the fortresslike Hebrew University throughout Israel to the Sinai Desert -- a land, "we had once called ours." And throughout the narrator's travels, disillusionment abounds; the natural beauty of the Land, its Za'atar fields, wildflowers and olive groves corrupted by colonizing militias.

The reader witnesses the aftermath of suicide bombings, the controversial trial of suspected Nazi war criminal John Demjanjuk, a war widow on vacation in Kathmandu, discovering that Baruch Goldstein has massacred dozens of Muslims at prayer in a Hebron mosque. And in a clever subversion of the heavy burden of history that the Israelis must bear, the narrator encounters an old friend from high school dressed in traditional Arab garb, working at the Museum of Bedouin Heritage. When asked what he is doing there, the friend answers "I am the Sheik on duty." It is a humorous moment, however, deeper consideration reveals a chilling echo of Hitler's proposed Museum of Extinct Peoples.
Picnic Grounds is a powerful, disturbing book that challenges readers to face up to the sometimes nasty business of nation building and its fallout.

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