Review
Alexandra (Alex) McKelvey is a convert to the LDS Church. She is enrolled at BYU, studying English. But she finds herself on an archaeological dig in the Utah desert, accompanied by archaeology students from BYU. She feels a strong connection with the earth, with the myths and legends of the Native Americans who populated, and continue to populate, these stark, desert lands. She is accompanied by her nearly prescient Siberian husky named Kit. As the dig progresses, new members of the crew arrive. They are a mixed bunch -- archaeology students from BYU along with other non-affiliated adventurers. Some don't fully understand the challenges ahead -- the crude living conditions, the bitterly-hot desert, and really hard work ahead. The arrival of Tony Balbo, a Native American not assigned to the site, causes conflict and concern among some of the diggers. Tony's philosophy is wrapped in the stuff of ego and contempt, the necessity for manipulation and deceit. Alex has determined to live by the moral standards of her adopted church. But there is a deeper antipathy at work here, one that Alex does not completely understand. As a moth to the flame, she is drawn into Tony's circle of control, intent on breaking free but feeling a need to, in her words, "call him out." Alex is the central character in this story. She brings to the dig two unique aspects: her status as a relatively new convert to the Church, and her fascination with, and connection to, the earth legends. This is not the first time she's been drawn into the desert to admire the pictographs. In them she seems to find some peace, some connection with a higher reality. But interwoven with Alex's story is an ongoing narrative wrapped around the myths themselves -- a veritable parade of legends and interactions in the world of the spirits, seen through the interpretive eye of Coyote, also known as First Angry. Coyote sees himself as the personification of all that is clever, all this is superior to the animals around him. Coyote's sometimes disjointed but often magical cogitations circle in the air around this book much as a kaleidoscope sends images flying neatly before the human eye. As I read, I was equally fascinated by the grime and the smell of an archaeological dig as I was by the lofty, ethereal meanderings of Coyote. And as the humans at the dig interact in ways both accepting and suspicious, even so does the mythic populace of Coyote's dreamworld, a cornucopia of animals and reptiles forever in conflict. I debated as to how to describe how the storylines come together. I realized I couldn't do it without giving away much of the plot, and I'm unwilling to do that. But It is in the merging of storylines that the real meaning behind this book arises. To call the story "spooky" is not enough. There is another-worldliness about it that kept me riveted. Long after I should have been abed, I was plowing through the pages, wanting desperately to come to some point where I could say, "Now I understand; now I see what the author is trying to say." Instead, the reader waits until the last few pages to truly bring the underlying message to fruition. "The Pictograph Murders" is more than just a murder mystery. In fact, the murder itself is in many ways secondary to the story. Karamesines is doing more than laying out a desert puzzler. The field of play is more than the desert -- it is the totality of the human experience as reflected in the sometimes uncomfortable coexistence of history/science and myth. This is a remarkable book, and merits wide readership. --Reviewed by Jeffrey Needle
About the Author
P. G. Karamesines lives and writes in Payson, Utah. She has won several literary awards from Brigham Young University, the University of Arizona, the Utah Arts Council, and the Utah Wilderness Association. Her M.A. is from BYU (creative writing), and she has pursued post-graduate studies in folklore and linguistics at the University of Arizona. She has published in literary journals and popular magazines, locally and nationally. Three of her poems were published in the anthology, Harvest. This is her first novel. A sequel, Loon Woman, is in preparation.