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The Picture of Dorian Gray
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As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Top Customer Reviews
Dorian Gray is beautiful and irresistible. He is a socialité with a high ego and superficial thinking. When his friend Basil Hallward paints his portrait, Gray expresses his wish that he could stay forever as young and charming as the portrait. The wish comes true.
Allured by his depraved friend Henry Wotton, perhaps the best character of the book, Gray jumps into a life of utter pervertion and sin. But, every time he sins, the portrait gets older, while Gray stays young and healthy. His life turns into a maelstrom of sex, lies, murder and crime. Some day he will want to cancel the deal and be normal again. But Fate has other plans.
Wilde, a man of the world who vaguely resembles Gray, wrote this masterpiece with a great but dark sense of humor, saying every thing he has to say. It is an ironic view of vanity, of superflous desires. Gray is a man destroyed by his very beauty, to whom an unknown magical power gave the chance to contemplate in his own portrait all the vices that his looks and the world put in his hands. Love becomes carnal lust; passion becomes crime. The characters and the scenes are perfect. Wilde's wit and sarcasm come in full splendor to tell us that the world is dangerous for the soul, when its rules are not followed. But, and it's a big but, it is not a moralizing story. Wilde was not the man to do that. It is a fierce and unrepressed exposition of all the ugly side of us humans, when unchecked by nature. To be rich, beautiful and eternally young is a sure way to hell. And the writing makes it a classical novel. Come go with Wotton and Wilde to the theater, and then to an orgy. You'll wish you age peacefully.
The Belknap Press of Harvard University Press has published a new edition of Oscar Wilde's The Picture of Dorian Gray. While there is no burning need for such a volume in the day of Lady Gaga and marriage equality, it's important to remember that Wilde spent two years in prison for being gay and for having the guts (stupidity?) to flaunt his sexuality. In many ways, it was the flaunting rather than the act themselves that so angered his persecutors.
And Dorian Gray, his first and only novel, was certainly a shot fired directly into the heart of Victorian prudery.
And in this day of Kindles, e-books and tweets, this is truly a magnificent job of bookmaking. Oversized, lavishly illustrated and gorgeously presented, Oscar would have loved it. The text is examined minutely, with a variety of comparisons from various publications of the novel, as well as Wilde's original manuscript. While there's nothing particularly new to discover in the emendations from the sources, merely a reinforcement of the outrageousness inherent in the piece, the scholarship is both astounding and informative.
The annotator and editor, Nicholas Frankel, easily and effortlessly places the modern reader in Wilde's time and place, London's late Victorian Age in London. There is still a tingle to Dorian's story of endless debauchery while he remains looking pure and innocent for decades and the painting ages and grows monstrous, reflecting his sins and crimes.
Strangely, the book seems more modern than one would imagine. Rather than merely a potboiler from two centuries back, WIlde's genius imbues the story with a strange and haunting immediacy, and a cautionary tale for us all: Be careful what you wish for.
One could hardly wish for a more beautifully accoutered book.
Most Recent Customer Reviews
This is an interesting piece of work from Oscar Wilde, a witty man who I always look up to.Published 2 days ago by Mike Stan
I read this book as a teen and it scared me. This book was the first exposure I'd had to human evil. This is not a book for young people. Read morePublished 2 days ago by D. Duggan
Okay, why did no one ever tell me how utterly gay this book is? I'd have read it SO MUCH SOONER!
And I don't mean "gay" as in the colloquial for "bad. Read more
Kinda scared me when I was a kid. I still get goosebumps reading it.Published 9 days ago by Debora Martinez
Yes, it is obviously a good book which I highly recommend to anybody!Published 10 days ago by Amazon Customer
My favorite book. The best work about the struggles between a writer and his/ her muse and the struggles in the human soul. Read morePublished 12 days ago by Anna Faktorovich
This book is actually interesting especially when you're longing for interesting books to read.Published 16 days ago by Neil Franco
Had to get this book for school (Literature and Psychology class). Know the story but this book is a great read.Published 19 days ago by Heather L