Foerstner recounts the story of the photographers of the Amana colonies, a utopian religious community in Iowa, during the 1890s and the early years of the twentieth century. In particular, she celebrates the inspirational career of Bertha Shambaugh, one of the earliest social documentary photographers and the first outsider to photograph the colonies. Other photographers represented include Christian Herrmann, Paul Kellenberger, Rudolph Kellenberger, F. William Miller, William F. Noe, Friedrich Oehl, Jacob and Henrietta Selzer, Peter Stuck, and the author's great-uncle William Foerstner. The photographs' subject matter is the stuff of ordinary life: children and adults at work and play, seasonal celebrations, the interiors of old Amana churches, empty schoolhouse benches. Intimate and warm, the text evokes in style and tone the elegiac quality of the photographs. The mood of the whole book is best captured by the image of a pair of oval-shaped, dark-rimmed glasses resting on an open Bible and illuminated by a shaft of light from above. This is a rare glimpse of a nineteenth-century utopian religious society, which is to say a unique document of a vanished way of life.
June Sawyers
--This text refers to an out of print or unavailable edition of this title.
Review
Like a time machine, the photographs in Picturing Utopia carry us back to a wondrous Iowa experiment in creating a kinder, more spiritual way of life. I recommend this book to all who are overwhelmed by the complexities of modern-day living.”--Jon Anderson, Chicago Tribune
The photographs' subject matter is the stuff of ordinary life: children and adults at work and play, seasonal celebrations, the interiors of old Amana churches, empty schoolhouse benches. Intimate and warm, the text evokes in style and tone the elegiac quality of the photographs. . . . This is a rare glimpse of a 19th-century utopian religious society, which is to say a unique document of a vanished way of life.”--Booklist
Historians of the Amana Colonies have long been grateful that the leadership of Amana's religious communal society did not strictly enforce its prohibition of photography: the images are essential resources that document our community's past. With its wonderfully rich collection of newly discovered images, Picturing Utopia not only adds to our knowledge of the Amana Colonies' history but also gives us a greater appreciation for the artistic expression of the photographers.”--Lanny Haldy, executive director, Amana Heritage Society