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  • Pieces De Caractere
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Pieces De Caractere Import

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Audio CD, Import, December 10, 2002
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$96.00 $2.99

1. Pieces de viole & continuo, Book 1, 5 suites (1747): La Mandoline
2. Pieces for lute, book 2: Le Resveur
3. Pieces de viole & continuo, Book 1, 5 suites (1747): La Portugaise
4. Les Amusements, for viol & continuo (Pièces de viole)
5. Pieces for lute, book 1: La Belle Piedmontoise
6. La Grotte de Versailles Overture (by Lully)
7. Bransle, for viol & continuo (unpublished ms.)
8. Pieces for lute, book 2: Le Beau Danceur

Product Details

  • Composer: Marin Marais, Antoine Forqueray, Charles Mouton, Louis De Caix d'Hervelois, Roland Marais, et al.
  • Audio CD (December 10, 2002)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Import
  • Label: Alliance
  • ASIN: B00005YVZW
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #884,785 in Music (See Top 100 in Music)

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Most Helpful Customer Reviews

This is a decent disc of music for lute and viola da gamba, but I'm not that enthusiastic about it overall. It certainly has its moments but I think there are much better recordings of these pieces available.

The programme is an attractive and imaginative mixture of pieces for duet or solo lute by some of the finest composers of the French Baroque, and it provides a very good sample of the best of the period. The combination of lute (or theorbo) and gamba is a very attractive one, and they are both competently played here. However, I get a slight sense of constraint and lack of real depth and enjoyment which is hard to put my finger on, but makes it feel a bit like working through a set of exercises rather than a pleasurable musical event. It isn't helped by a rather thin sound on the gamba at times. I also didn't get on too well with the very unstructured rhythmic freedom in the de Visée pieces for solo theorbo, which meandered rather - although to be fair I thought the pieces by Mouton were excellently played.

I'm sorry to be a little vague in my assessment, but it's a matter of feeling as much as anything else, and this disc didn't feel quite comfortable in itself to me. There's nothing actively wrong with it, but I would recommend any of Jordi Savall's or Paolo Pandolfo's recordings of Marais, for example, or recordings of de Visée by Pascal Montailhet or Jose Manuel Moreno in preference to this. It's OK, but I can only give it a very qualified recommendation.
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