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18 of 19 people found the following review helpful:
4.0 out of 5 stars
A rewarding, subtle work., June 7, 2002
Imagine you are an old man so afraid of life that you have spent most of your years alone, living in a small room and working in an insignificant job as a security guard on the front steps of a bank, your only pleasure somehow derived from the monotony of your daily routine. Then one day a living creature, a pigeon, appears unexpectedly on your doorstep, and it shouldn't be there--it is out of place. And this frightens you like nothing has in many years. You flee your apartment (for good, you think). Because of your agitated state you break your own routines; you begin acting strangely, and your perceptions alter. This sets off a chain reaction of encounters in which you, despite your lifelong precautions to the contrary, begin interacting with a world that seems determined to drive you over the edge. Suskind's "The Pigeon" is subtly meticulous in depicting its protagonist's complex psychological journey. The story is at once free of sentimentality, raw, honest, and yet life-affirming in the most vital sense. While it is reminiscent of Kafka and--most notably--of Knut Hamson's "Hunger," Suskind's novella also manages to glimpse something just around the corner, something almost out of sight, beyond the valley of despair.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Oh man, we need more from Suskind., October 11, 2002
I had to get a copy of The Pigeon used after reading Perfume. I read it in one sitting. It's such a gem. I don't know how many pages go by where the main character is just standing in front of this bank thinking, not doing anything. It's riveting. He eats a meal towards the end of the book and I've never read such tasty descriptions of food. And rain, and peeing in the tub, and ripping your pants in public. I'm going to have to do some searching to get my Patrick Suskind fix. This is one of the most satisfying books I've ever read. It left me on a high for a couple weeks. It's since worked it's way somewhere deep in me, I won't forget it.
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10 of 10 people found the following review helpful:
4.0 out of 5 stars
Short and satisfying, December 7, 2003
The central achievement of Süskind's novella is the way it articulates the social anxiety of a man whose childhood fear of abandonment has played out as a lifetime of limited scope, controlling routines and self-imposed isolation. That might sound heavy but it isn't - mainly because Süskind wisely chooses the "free indirect" narrative style (mastered by Henry James). The story is told in the third person, but is nevertheless filtered through Jonathan Noel's gaze and consciousness so that external reality exists only as refracted in his mind. The result is that we see the world as he sees it, but without the unreliability that such a point of view entails. Süskind is thereby able to show us precisely what he wants us to see - both the horror and humour of Noel's experience - and to deliver a climax which remains somewhat objective and thereby inspires hope. Other reviewers seem to have found the ending cloying and unrealistic, but I think they're assuming more than Süskind suggests. Noel and his life are not utterly transformed at the end - he has an epiphany, he loses his fear, but it may or may not last.
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