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Pilgrim at Tinker Creek (Harper Perennial Modern Classics) Paperback – Deckle Edge, June 12, 2007
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"A triumph." -- -- Publishers Weekly
Pilgrim at Tinker Creek is a series of essays that combines scientific observation, philosophy, daily thoughts, and deeper introspection with glorious prose. On the surface, Annie Dillard is simply exploring a place called Tinker Creek and its inhabitants: "It's a good place to live; there's lots to think about." But as her observations range well beyond the landscape into worlds of esoteric fact and metaphysical insight, each paragraph becomes suffused with images and ideas. Whether she is quoting the Koran or Albert Einstein, describing the universe of an Eskimo shaman or the mating of luna moths, Annie Dillard offers up her own knowledge with reverence for her material and respect for her reader. She observes her surroundings faithfully, intimately, sharing what can be shared with anyone willing to wait and watch with her. In the end, however, "No matter how quiet we are, the muskrats stay hidden. Maybe they sense the tense hum of consciousness, the buzz from two human beings who in silence cannot help but be aware of each other, and so of themselves." The precision of individual words, the vitality of metaphor, the sheer profusion of sources, the vivid sensory and cerebral impressions - all combine to make Pilgrim at Tinker Creek something extravagant and extraordinary. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Kirsten Backstrom --This text refers to an out of print or unavailable edition of this title.
About the Author
Annie Dillard has written twelve books,including in nonfiction For the Time Being, Teaching a Stone to Talk, Holy the Firm, and Pilgrim at Tinker Creek. She is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences.
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Top Customer Reviews
Annie Dillard moved to Tinker Creek, in the Blue Ridge Mountains of Virginia, in her mid-twenties (or, at any rate, this book achieved final published form when she was twenty-nine). Like Thoreau, she came to the woods to "keep a meteorological journal of the mind". Indeed, "Walden" is the model: a person of reflective tendency steps out of the stream of life, as it were, to go to the woods, just to see what he or she can see. It turns out that one's own mind is a large part of the scenery when one gets away from the rough-and-tumble of society. Big mysteries are at stake here; it is somehow appropriate that looking with all attention at minute creatures and giving oneself over momentarily to ephemeral events provide clues. Why is nature cruel? Why is there beauty? Could these be related?
I put it baldly, but these and other questions are more the expression on her writing's face than the subject of it. There are details, and funny descriptions, and a rifling through the wonders of her library of naturalists. But, always, there is a person doing all this: walking, having a sandwich, creeping up on a copperhead for a closer look (after patting her pocket to make sure the snakebite kit is there), or just lying in bed remembering a horrifying or glorious experience of that particular day, in the woods, on the banks of Tinker Creek.
Have I mentioned the quality of the writing? It's glorious.Read more ›
chapter five or six. It creeps in, slowly taking over the positive images and feelings, until you finally find that you are reading about children abusing newts in a state park, or caterpillars walking in the same circle around the same vase for seven full days, because their leader was taken away without their knowledge. Death is a reoccurring theme here. A main question in my class was what happened to make her change styles? Was it planned, or was it the effect of some event--the death of a friend or loved one perhaps? Either way, we read on through the spring and summer, and into the fall. She leads us into a flood, where she says, "I like crossing the dam. If I fall, I might not get up again...I face this threat every time I cross the dam, and it is always exhilarating.Read more ›
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The footage in the video is obviously not from Tinker Creek, but from my own "backyard" and surrounding areas in Saint Petersburg, Florida. I captured the images using the new Flip Ultra Video Camcorder, and edited them using Apple's iMovie. The music (perhaps a bit cheesy) was composed using samples from Apple's GarageBand software. All quotations are from Dillard's book. Enjoy!
I'll add my two cents to the Dillard vs. Thoreau debate. While many readers--especially high school students--don't see much of a resemblance (mostly because Dillard is so much easier to read), Dillard herself invites comparison by mentioning Thoreau's work half a dozen times. Her style, like Thoreau's, is informal, and her powers of observation are keen. Yet, in my view, there is one important difference between the two writers: Dillard appears to have no interest with the human issues that preoccupied Thoreau: race relations, political activism, egalitarianism--and even environmentalism. In this book especially, Dillard rarely strays from "nature writing," with the exception of a few short passages pondering the role of the "creator" and the place of humans in the universe and one ill-conceived section in which she mangles quantum physics in metaphorical support of some insights on "mysticism.Read more ›
Most Recent Customer Reviews
wonderful lyrical, philosophical and scientifically well read reflections on living with nature.Published 1 day ago by Amazon Customer
Bought this for my daughter. My copy is worn and frayed from constant rereading.Published 6 days ago by David Willis
This book is beautifully written---mostly on a poetic level but is best sampled in small intervals.Published 17 days ago by JANET STRICKLAND
100 pages into this book and I can't go on any further. Much as I want to like it, as a naturalist myself, her observations are too arbitrary and personal, I honestly can't follow... Read morePublished 23 days ago by gw
If Henry David Thoreau and Brennan Manning had a literary love child, she would write this book. It is theology in the form of verse, meditation, and natural wonder.Published 24 days ago by Sanders
Great writing; thoughtful insights into life's biggest questions and intimate observations in nature.
Captivating and important.