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Pilgrim at Tinker Creek (Harper Perennial Modern Classics) Paperback – Deckle Edge, June 12, 2007

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Editorial Reviews

Review

"A triumph." -- -- Publishers Weekly

Pilgrim at Tinker Creek is a series of essays that combines scientific observation, philosophy, daily thoughts, and deeper introspection with glorious prose. On the surface, Annie Dillard is simply exploring a place called Tinker Creek and its inhabitants: "It's a good place to live; there's lots to think about." But as her observations range well beyond the landscape into worlds of esoteric fact and metaphysical insight, each paragraph becomes suffused with images and ideas. Whether she is quoting the Koran or Albert Einstein, describing the universe of an Eskimo shaman or the mating of luna moths, Annie Dillard offers up her own knowledge with reverence for her material and respect for her reader. She observes her surroundings faithfully, intimately, sharing what can be shared with anyone willing to wait and watch with her. In the end, however, "No matter how quiet we are, the muskrats stay hidden. Maybe they sense the tense hum of consciousness, the buzz from two human beings who in silence cannot help but be aware of each other, and so of themselves." The precision of individual words, the vitality of metaphor, the sheer profusion of sources, the vivid sensory and cerebral impressions - all combine to make Pilgrim at Tinker Creek something extravagant and extraordinary. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Kirsten Backstrom --This text refers to an out of print or unavailable edition of this title.

About the Author

Annie Dillard is the author of many works of nonfiction, including An American Childhood and Teaching a Stone to Talk, as well as the novels The Living and The Maytrees.

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Product Details

  • Paperback: 304 pages
  • Publisher: Harper Perennial Modern Classics (September 10, 2013)
  • Language: English
  • ISBN-10: 0061233323
  • ISBN-13: 978-0061233326
  • Product Dimensions: 5.3 x 0.7 x 8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (391 customer reviews)
  • Amazon Best Sellers Rank: #9,251 in Books (See Top 100 in Books)

More About the Author

Annie Dillard is the author of ten books, including the Pulitzer Prize-winner Pilgrim at Tinker Creek, as well as An American Childhood, The Living, and Mornings Like This. She is a member of the Academy of Arts and Letters and has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts. Born in 1945 in Pittsburgh, Dillard attended Hollins College in Virginia. After living for five years in the Pacific Northwest, she returned to the East Coast, where she lives with her family.

Customer Reviews

Most Helpful Customer Reviews

190 of 198 people found the following review helpful By B. Allen on May 1, 2000
Format: Paperback
I was assigned to read Annie Dillard's Pilgrim at Tinker Creek for my AP English III class. We had just finished reading Henry David Thoreau's Walden, or Life In The Woods a few weeks prior, and our teacher had told us that Dillards writing style was similar to Thoreau's. Now, I'm not a big Thoreau fan (as my test grade proves), so this was not consoling to me. Over spring break I picked up the book and began to read it. She starts simply "I used to have a cat, an old fighting tom, who would jump through the open window by my head in the middle of the night and land on my chest." From that sentence on, I was hooked. There are two parts to this book, a via positiva, and a via negativa. The beginning is filled with life, positive imagery, and numerous quotes from Thoreau and van Gough. Dillard covers her perspectives on Heaven and earth, seeing, winter, and "the fixed" in this section using such qualities as listed before. The via negativa begins somewhere in
chapter five or six. It creeps in, slowly taking over the positive images and feelings, until you finally find that you are reading about children abusing newts in a state park, or caterpillars walking in the same circle around the same vase for seven full days, because their leader was taken away without their knowledge. Death is a reoccurring theme here. A main question in my class was what happened to make her change styles? Was it planned, or was it the effect of some event--the death of a friend or loved one perhaps? Either way, we read on through the spring and summer, and into the fall. She leads us into a flood, where she says, "I like crossing the dam. If I fall, I might not get up again...I face this threat every time I cross the dam, and it is always exhilarating.
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185 of 193 people found the following review helpful By James R. Mccall on September 18, 2001
Format: Paperback
I read this book every ten years or so. It may well be my favorite; it's right up there, anyway. (At my age, picking a favorite book is dangerous: I've probably forgotten about half the strong candidates.) It is, if you will, a connected series of "nature" essays. Each one is strong, and can stand alone, but all are bound by many threads into a larger whole.

Annie Dillard moved to Tinker Creek, in the Blue Ridge Mountains of Virginia, in her mid-twenties (or, at any rate, this book achieved final published form when she was twenty-nine). Like Thoreau, she came to the woods to "keep a meteorological journal of the mind". Indeed, "Walden" is the model: a person of reflective tendency steps out of the stream of life, as it were, to go to the woods, just to see what he or she can see. It turns out that one's own mind is a large part of the scenery when one gets away from the rough-and-tumble of society. Big mysteries are at stake here; it is somehow appropriate that looking with all attention at minute creatures and giving oneself over momentarily to ephemeral events provide clues. Why is nature cruel? Why is there beauty? Could these be related?
I put it baldly, but these and other questions are more the expression on her writing's face than the subject of it. There are details, and funny descriptions, and a rifling through the wonders of her library of naturalists. But, always, there is a person doing all this: walking, having a sandwich, creeping up on a copperhead for a closer look (after patting her pocket to make sure the snakebite kit is there), or just lying in bed remembering a horrifying or glorious experience of that particular day, in the woods, on the banks of Tinker Creek.
Have I mentioned the quality of the writing? It's glorious.
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134 of 144 people found the following review helpful By Nate TOP 500 REVIEWERVINE VOICE on November 6, 2007
Format: Paperback
Length: 3:01 Mins
I've been meaning to try my hand at video reviews ever since they were announced, but this is my first. It was fun to make, and turned out to be a nice way to practice shooting and editing. My hope is that this short video may inspire some to pick up and read this remarkable book.

The footage in the video is obviously not from Tinker Creek, but from my own "backyard" and surrounding areas in Saint Petersburg, Florida. I captured the images using the new Flip Ultra Video Camcorder, and edited them using Apple's iMovie. The music (perhaps a bit cheesy) was composed using samples from Apple's GarageBand software. All quotations are from Dillard's book. Enjoy!
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42 of 44 people found the following review helpful By D. Cloyce Smith on February 7, 2004
Format: Paperback
Dillard describes herself as "a wanderer with a background in theology and a penchant for quirky facts." Published thirty years ago, "Pilgrim at Tinker Creek" is a pleasant if somewhat aimless journal that combines a rather jejune spirituality with lots of those "quirky facts"--anecdotes and observations that flavor the accounts of her wanderings through the fields, meadows, and woods surrounding her home. Monitoring a flood caused by a hurricane, stalking an unwary muskrat, tracking the life cycle of a mantis--little escapes her attention, and she supplements her explorations with fascinating tidbits she has gathered from her readings. Although the book ostensibly cycles through the seasons, from winter through summer and back again, her recollections are randomly presented, if organized very loosely by theme.
I'll add my two cents to the Dillard vs. Thoreau debate. While many readers--especially high school students--don't see much of a resemblance (mostly because Dillard is so much easier to read), Dillard herself invites comparison by mentioning Thoreau's work half a dozen times. Her style, like Thoreau's, is informal, and her powers of observation are keen. Yet, in my view, there is one important difference between the two writers: Dillard appears to have no interest with the human issues that preoccupied Thoreau: race relations, political activism, egalitarianism--and even environmentalism. In this book especially, Dillard rarely strays from "nature writing," with the exception of a few short passages pondering the role of the "creator" and the place of humans in the universe and one ill-conceived section in which she mangles quantum physics in metaphorical support of some insights on "mysticism.
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