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I began contemplating the question in early 2005, and the artists I had in mind were Aynsley Lister, Ian Parker and Erja Lyytinen, all of whom have a distinct and contemporary blues identity. How would such artists react to an exploration of the places of great historical significance in the blues world in short, a blues pilgrimage? There was only one way to find out. I decided on three recording destinations, which would give a varied overview Clarksdale, Mississippi, Memphis, Tennessee and New Orleans, Louisiana. Just one week before the sessions were due to start, nature dealt a cruel blow in Louisiana and Mississippi in the form of Hurricane Katrina. Of course, the human suffering, loss of life, and devastation of property in the region put any concerns into stark perspective. With the New Orleans studio completely flooded, plans had to change.
We headed straight for Clarksdale to begin work. There was no doubt that we would find the true essence of the blues there, as it is not only a place of great nostalgia, but also where the blues culture is truly alive and thriving today.
The first day at the Delta Recording Studio was an intrepid experience for the artists, but when they heard the first playbacks of the day, the realization was made that this was a unique experience to be savored. By day two, any insecurities and pre-conceptions about how the sessions "should" be conducted were dissipating, the local "its all good" catch phrase becoming everyones new mantra. Late night discussions in the shacks on the old plantation near the studio revealed everyones changing attitude towards making music with a revived passion for the blues and child-like excitement for the project. In total, nine tracks were cut during four long days in Clarksdale.
The Memphis sessions happened at Ardent Studios, produced by Jim Gaines, a man steeped in the musical history of not only Memphis, but rock & roll and blues music through his work with Stevie Ray Vaughan, Santana, Luther Allison, amongst so many others. Mr. Gaines subtle approach undoubtedly brought out the best in everyone on the four tracks we recorded during the next three days.
The endless fun we had during the pilgrimage is undoubtedly reflected in the music on this release. The trip inspired a good deal of soul searching and maybe even some re-evaluation of musical values. In just seven days of recording I was able to witness three young artists develop, grow and rediscover themselves in the wonderful American art form known as the blues.
Thomas Ruf
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Most Helpful Customer Reviews
4 of 5 people found the following review helpful:
4.0 out of 5 stars
Pretty good not great,
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This review is from: Pilgrimage: Mississippi To Memphis (Audio CD)
The 3 Europeans do have talent and an affection for blues music and the Cd is pretty good. Of the 3, Erja Lyytinen, from Finland seems to be the best with one big exception. In the middle of one song, she starts rapping for 30 seconds or so, which is something most blues fans will not appreciate. Other than that, a worthwhile effort when they stick to the blues.
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