“Sharpley-Whiting gets at the heart of the paradox . . . and puts the discussion on the turntable.”
“Sharpley-Whiting’s book does not suffer from the sort of cowardice one too often hears from black academics who genuflect to hip hop in order to stay current with the tastes of the students who provide them with whatever power they have on college campuses. Sharpley-Whiting calls them as she sees them and wisely quotes the offensive material when necessary. Her book is high level in its research and its thought, and those looking for adult ideas about the subject should look it up.”
-Stanley Crouch,New York Daily News
"Sharpley-Whiting’s uncommon perspective is one that deserves to be examined more often."
“Sharpley-Whiting unmasks thought provoking socio-political commentaries concerning sexual obsession in rap music and its effects on the black female sense of self.”
T. Denean Sharpley-Whiting is Professor of African American and Diaspora Studies and French at Vanderbilt University, where she also directs the Program in African American and Diaspora Studies and serves as Director of the W. T. Bandy Center for Baudelaire and Modern French Studies. Author of four books, she was described by cultural critic and scholar Michael Eric Dyson as a rising “superstar” among black intellectuals and “one of the country’s most brilliant and prolific racial theorists” in the Chicago Sun-Times in 2002. She has also co-edited three volumes, including The Black Feminist Reader.
The author repeated the same information too many times throughout the book. This book was a hard read because my attention wasn't captured.Published 13 months ago by Lateisha Arnold
I had to read this for a class and that is the only reason I gave it 2 stars. Would not recommend unless you have to read it.Published 17 months ago by Edgar G. Escobar
There were one or two chapters that were interesting but the information and chapters did not flow.Published on September 17, 2009 by Be-Loved