The late cartoonist who defined Betty & Veronica's look for Archie comics also produced hundreds of exquisite ink-wash cartoons for the Humorama line of girlie digests from 1956 to 1963. This handsome volume collects many of the best.
A handsome collection of rare pin-ups from the late cartoonist who defined Betty & Veronica's look. For nearly half a century, Dan DeCarlo was the Archie comic book artist and defined the look of every adolescent boy's wet dreams, Betty and Veronica, with their trademark upturned noses, tight sweaters, and barely-there mini-skirts. From 1956 to 1963, DeCarlo also produced hundreds of pin-up cartoons for the Humorama line of girlie digests, where his line drawings and exquisite ink-wash paintings shared the pages with Jack Cole, Bill Ward, and Bill Wenzel, and photos featuring Bettie Page. Culling through thousands of Humorama digests, editor Alex Chun has selected the best of DeCarlo's ink wash pin-up work, with many featuring captions by Marvel Comics' Stan Lee. Along with collecting hundreds of long out-of-print images, the book also features an introductory essay by long time DeCarlo friend and current Bongo Comics creative director Bill Morrison.
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Book Description
Editorial Reviews
From Publishers Weekly
For more than 40 years, DeCarlo, who died in 2001, was the principal artist at Archie Comics, not only working on the company's title character and his friends but also co-creating Josie and the Pussycats and Sabrina, the Teenage Witch. Within the innocent context of these comics for juveniles, DeCarlo's Betty, Veronica and other heroines had a surprising degree of sex appeal, and they influenced the work of younger cartoonists from the Batman cartoon's Bruce Timm to Jaime Hernandez of Love and Rockets fame. In the 1950s, though, DeCarlo drew gag cartoons for the Humorama line of men's magazines, and editor Chun and designer Covey have assembled nearly 200 of these pieces into this collection. DeCarlo's cheery caricatures seem out of place in the blatantly risqué world of dirty pictures, unable to match the erotic appeal of more illustrative pin-up artists. In his introduction, Bill Morrison (The Simpsons) claims these DeCarlo cartoons reveal the sexual underside of the repressed 1950s. Actually, they depict a dated, anti-feminist world where young, buxom women make themselves available to men who often look less attractive, much older and smug. Intended in their day to be adult and sophisticated, these cartoons now look pathetically adolescent. Moreover, the gags are consistently unfunny. This book produces not titillation so much as tedium. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
Though best known for his signature visual influence on Archie Comics, pioneering artist Dan DeCarlo also drew bawdy pinup cartoons for 1950s magazines. The Pin-Up Art of Dan DeCarlo showcases his unique style in a far less innocent way, giving us a glimpse of what Betty and Veronica may have been up to after graduation. (Playboy )
The vavoom-figure drawings retain the doe-eyed innocence of Betty and Veronica, which makes gags about strippers and heavy petting sort of thrilling, in an illicit way. (The Onion A.V. Club )
The cover sums it up—a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is—well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape. (Noah Berlatsky - The Hooded Utilitarian )
The vavoom-figure drawings retain the doe-eyed innocence of Betty and Veronica, which makes gags about strippers and heavy petting sort of thrilling, in an illicit way. (The Onion A.V. Club )
The cover sums it up—a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is—well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape. (Noah Berlatsky - The Hooded Utilitarian )
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
5.0 out of 5 stars
And you thought Betty and Veronica were cute!,
By Pops Gustav (Hoboken, NJ USA) - See all my reviews
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This review is from: The Pin-up Art of Dan DeCarlo (Paperback)
The Pin-Up Art of Dan DeCarlo is an absolutely gorgeous collection of work from 1956 through 1963, when the cartoonist was at the peak of his powers.
For those who came late, Dan DeCarlo got his cartooning start working at Timely (later Marvel) Comics drawing such fare as Millie the Model and Sherry the Showgirl for Stan Lee. From the late 50s into the 90's, DeCarlo was the quintessential Archie artist, best known for his work on the daily Archie comic strip and his definitive depictions of the yin and yang of Riverdale sexuality, Betty and Veronica. Millions of adolescent boys felt peculiar stirrings while reading about the exploits of the wealthy brunette and the wholesome blonde (particularly while engaging in their titular Summer Fun... no pun intended). The discovery years later that DeCarlo was moonlighting as a girlie cartoonist for the Humorama line of men's magazines was, for some fanboys, the sociological equivalent of the discovery of the early nude photos of Madonna or Vanessa Williams. As sexy as Betty and Veronica were, they were chaste (to Archie's eternal frustration). The women DeCarlo drew for Zip, Joker and Laugh Riot were not innocent. And they were often naked. While DeCarlo's drawings of men came in all shapes and sizes, critics charge that all of his women looked exactly alike, with the same rounded face, turned-up nose and hourglass figure; That the only differing feature was the hairstyle. It's a valid point, but in the end it doesn't matter. It's like criticizing the Ramones for recording the same song over and over. Yeah, they did. And better than anyone else. DeCarlo's art was pure cartooning, clean and distinctive, with a masterful line and a sense of design that rivalled anyone's. He drew clothes better than almost any cartoonist this side of Hank Ketcham (not that there's a lot of sartorial evidence in this book) and his comedic timing was exemplary. The Pin-Up Art of Dan DeCarlo (compiled by Alex Chun and Jacob Lovey) is beautifully printed in a black and orange two toned scheme, mostly full page cartoons with some devoted to detail from the art. There are a few problems. An out of place pin-up drawn by DeCarlo in 2000 awkwardly stretches across two pages near the end of the book, none of the cartoons are dated or annotated and the text for the gags has been redone, but those are minor complaints (the absolutely hideous sliced lettering used for the title of the book is unforgiveable, however). This book is indispensible for anyone who loves pin-up art, beautiful cartooning.... or ever wanted to see Betty and Veronica naked. Not that I ever thought about that.
9 of 10 people found the following review helpful:
5.0 out of 5 stars
Humor of olden still golden,
By
This review is from: The Pin-up Art of Dan DeCarlo (Paperback)
I just love this stuff. For every time our parents claim how properly they were brought up, there is a cartoon in this book that reminds me that they were every bit as bawdy as we are today. They just had better taste about it. This book starts with a history that isn't all that much to read and then single panel cartoons each page. The art is what it is and the jokes are the ones we've been retelling for years so it must be good stuff.
9 of 11 people found the following review helpful:
5.0 out of 5 stars
The Pin-up Art of Dan DeCarlo,
This review is from: The Pin-up Art of Dan DeCarlo (Paperback)
The beginning of the book has the story of Dan DeCarlo and how he got into doing comic books of Archie, Veronica, Betty, Jughead also some of the other comic books for adults. It then contains drawings of Betty and Veronica when they are grown women and out on their own. Also contains funny panels showing the girls and their dates with words explaining their predicaments and also Archie with some "sticky situations" I am always interested in the artist and his work.
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