Customer Reviews

The Pin-up Art of Dan DeCarlo

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The Pin-Up Art of Dan DeCarlo is an absolutely gorgeous collection of work from 1956 through 1963, when the cartoonist was at the peak of his powers.

For those who came late, Dan DeCarlo got his cartooning start working at Timely (later Marvel) Comics drawing such fare as Millie the Model and Sherry the Showgirl for Stan Lee. From the late 50s into the 90's, DeCarlo was the quintessential Archie artist, best known for his work on the daily Archie comic strip and his definitive depictions of the yin and yang of Riverdale sexuality, Betty and Veronica. Millions of adolescent boys felt peculiar stirrings while reading about the exploits of the wealthy brunette and the wholesome blonde (particularly while engaging in their titular Summer Fun... no pun intended).

The discovery years later that DeCarlo was moonlighting as a girlie cartoonist for the Humorama line of men's magazines was, for some fanboys, the sociological equivalent of the discovery of the early nude photos of Madonna or Vanessa Williams. As sexy as Betty and Veronica were, they were chaste (to Archie's eternal frustration). The women DeCarlo drew for Zip, Joker and Laugh Riot were not innocent. And they were often naked.

While DeCarlo's drawings of men came in all shapes and sizes, critics charge that all of his women looked exactly alike, with the same rounded face, turned-up nose and hourglass figure; That the only differing feature was the hairstyle. It's a valid point, but in the end it doesn't matter. It's like criticizing the Ramones for recording the same song over and over. Yeah, they did. And better than anyone else.

DeCarlo's art was pure cartooning, clean and distinctive, with a masterful line and a sense of design that rivalled anyone's. He drew clothes better than almost any cartoonist this side of Hank Ketcham (not that there's a lot of sartorial evidence in this book) and his comedic timing was exemplary.

The Pin-Up Art of Dan DeCarlo (compiled by Alex Chun and Jacob Lovey) is beautifully printed in a black and orange two toned scheme, mostly full page cartoons with some devoted to detail from the art. There are a few problems. An out of place pin-up drawn by DeCarlo in 2000 awkwardly stretches across two pages near the end of the book, none of the cartoons are dated or annotated and the text for the gags has been redone, but those are minor complaints (the absolutely hideous sliced lettering used for the title of the book is unforgiveable, however). This book is indispensible for anyone who loves pin-up art, beautiful cartooning.... or ever wanted to see Betty and Veronica naked.

Not that I ever thought about that.

I just love this stuff. For every time our parents claim how properly they were brought up, there is a cartoon in this book that reminds me that they were every bit as bawdy as we are today. They just had better taste about it. This book starts with a history that isn't all that much to read and then single panel cartoons each page. The art is what it is and the jokes are the ones we've been retelling for years so it must be good stuff.

The beginning of the book has the story of Dan DeCarlo and how he got into doing comic books of Archie, Veronica, Betty, Jughead also some of the other comic books for adults. It then contains drawings of Betty and Veronica when they are grown women and out on their own. Also contains funny panels showing the girls and their dates with words explaining their predicaments and also Archie with some "sticky situations" I am always interested in the artist and his work.

I had heard of Dan DeCarlo from the older Archie Comics and was surprised to see that he had done more provocative works in other magazines. His art style was the basis for the female characters in Archie's gang, and has been imitated many times since. There are a LOT of his older single-panel gags from several adult magazines. If you like nice artwork and nicely-drawn woman, it's a must have!

Having always been a fan of Betty and Veronica (I'm more of a Veronica type myself), I was happily surprised to see the release of this book. Mr. DeCarlo's art is a great romp through thrugh the golden age of comic pin ups. It's a treasure for anyone who appreciates erotica with a sense of fun and for those of us who in our younger days wished that the Archie Comics girls were just a little more scandalous!

Dan DeCarlo is considered by many comics fans to be the quintessential Archie artist -- and considered by all comics fans to be the best delineator of Archie's rival girlfriends, Betty and Veronica. DeCarlo, who died in 2001, also had a prolific career as a pin-up artist for humor magazines, and this little tome collects some of his best work from the late 50s and early 60s. DeCarlo had a knack for making his women appear funny and sexy at the same time. While most of the gags aren't much, the girls are simply TOO much. There's some (relatively tasteful) nudity here, but most gags involve skimpy clothing and lingerie, so I'd rate this between a PG-13 and a "soft" R.

The heyday of these cartoons were the 1950s and 1960s before the sex explosion of the later decade forever altered public sensibilities. This is a great selection of cartoons by the wonderful Dan DeCarlo, more famous as the Archie artist.

The book is a trade paperback measuring 5-3/4" x 7-3/4" of 216 pages. In it are dozens and dozens of one panel gag cartoons all involving well endowed young ladies in various states of undress. While the realism of the anatomy might be suspect the perception of the tastes of the target audience were no doubt spot on. The humor varies from very clever to rather lame but that wasn't the main point.

Besides the cartoons proper there are some introductory pages placing these cartoons in their proper cultural contexts. The cartoons universally depict women as sex objects but as depicted they are using this to their advantage as often as not. The lecherous old men and bosses are clearly not having everything their own way. Despite this one can't help but to think that depictions such as these did their share to launch the women's lib movement of the late 1960s.

The only complaint I have are the numerous pages which are blown up segments of cartoons. They don't seem to serve any useful purpose - surely the pages could have been put to better use?

Highly recommended - on its own terms or strictly as a cultural curiosity.