Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.
Maria Elena Buszek, Ph.D. is a scholar, critic, curator, and Associate Professor of Art History at the University of Colorado Denver, where she teaches courses on Modern and contemporary art.
Her recent publications include the books Pin-Up Grrrls: Feminism, Sexuality, Popular Culture and Extra/ordinary: Craft and contemporary art; contributions to the anthologies It's Time for Action (There's No Option): About Feminism; Blaze: Discourse on Art, Women, and Feminism; and Contemporary Artists; catalogue essays for numerous national and international exhibitions; and articles and criticism in such journals as Art in America, Art Journal, Photography Quarterly, and TDR: The Journal of Performance Studies. She has also been a regular contributor to the popular feminist magazine BUST since 1999. Her current book project explores the ties between contemporary activist art and popular music.








