Pink Flag

Wire | Format: Audio CD

Product Details

• Audio CD (July 1, 1993)
• Original Release Date: 1977
• Number of Discs: 1
• Label: Restless Records
• ASIN: B000003BGK
• Also Available in: Audio CD
• Average Customer Review: 4.8 out of 5 stars  See all reviews (42 customer reviews)
• Amazon Best Sellers Rank: #28,003 in Music (See Top 100 in Music)
  • #45 in Music > Alternative Rock > British Alternative > British Punk

Track Listings

1. Reuters

2. Field Day for the Sundays

3. Three Girl Rhumba

4. Ex Lion Tamer

5. Lowdown

6. Start to Move

7. Brazil

8. It's So Obvious

9. Surgeon's Girl

10. Pink Flag

11. The Commercial

12. Straight Line

13. 106 Beats That

14. Mr. Suit

15. Strange

16. Fragile

17. Mannequin

18. Different to Me

19. Champs

20. Feeling Called Love

See all 22 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

24 of 24 people found the following review helpful:

5.0 out of 5 stars EMI Import version far superior to Restless Retro edition!, September 13, 2002

By 

C. Burkhalter - See all my reviews
(REAL NAME)   

This review is from: Pink Flag (Audio CD)

Its an indisputable fact that "Pink Flag" is a crucial piece of punk history, and even a crucial piece of the history of pop music in general. "Pink Flag" is an album almost any punk enthusiast should love, and one that even non-punks should be able to get into. The film-intellectuals-meet-minimal-composers-meet-Ramones-fans formula is unique (or was until half the bands in the world began showing the "Pink Flag" influence) and still thrilling. "Pink Flag" is without a doubt the spunkiest album of Wire's catalog, and an ideal starting place for recent Wire converts. I feel swell after swell of pop excitement at the openings of each of the album's better songs (which there are plenty of), and none of the tracks are anything close to dull. I imagine Wire take some criticism from the more staunchly political punk sects, because there is nothing *overtly* political here (which is not to say that "Pink Flag" is without socio-political critique), but that's never stopped me from loving this album, and I spend most of my time listening to The Ex. But enough about why "Pink Flag" is such a fantastic album. There are already enough highly intelligent discussions of Wire's virtues here, written by reviewers who know a good deal more about Wire than I do, and I will defer to them on those issues.

Mainly I want to explain why you should buy the EMI import version (available here on Amazon[.com], and not badly priced) of this flawless album instead of the Restless Retro version. First of all, the EMI import has one more bonus track than the Restless edition does, and its a really good song. But more importantly, the Restless edition plays at such a faint volume level that I found it tough to enjoy. The sound quality is fine, but its very, very, quiet. If you want to, I dunno, "rock out" at home, you hafta jack up the volume til the CD sounds distorted and fuzzy, and the music gets muddled by that white noise hum/hiss you get when you turn up stereos to high. On headphones its okay - unless you want to go outside and, oh I dunno, ride in a car or bus, or walk near traffic or in densely populated areas. It gets to be very frustrating. The EMI edition has none of these problems, sounds great, and has that enticing bonus track; put your money on this one.

11 of 11 people found the following review helpful:

5.0 out of 5 stars The Definitive Minimalist Art-Punk Album., February 20, 2002

By 

Alan Koslowski (Seattle, WA) - See all my reviews
(REAL NAME)   

This review is from: Pink Flag (Audio CD)

Like other punk bands Wire strived to re-focus rock from it's growing excesses, but they took that aesthetic a step further. Unlike other artists Wire's aim wasn't a return to rock's roots, but minimalism. Wire didn't approach music as a rock band, but as an art experiment. On Pink Flag, Wire eliminate every extraneous element resulting pure, angular music. While not musically accomplished (in fact, the band members admit they were barely competent technically), Pink Flag contains an astounding variety and depth of creative ideas.

While other punk bands (The Clash, The Sex Pistols, The Ramones, etc.) acheived notoriety with genuine angst and shock, Wire distinguished themselves through unpredictabilty and vocalist Colin Newman's sly, oft acerbic wit (while oft incomprehensible, he's always compelling). In a sense it seems Wire's limited musicianship actually works to their advantage; since they have limited tools the band is forced to rely soley on ideas and chemistry. The 21 songs on Pink Flag rarely exceed three minutes (most are 1-2 min in duration) and rarely conform to any standard notions of song structure. With titles like "Field Day for the Sundays", "Three Girl Rhumba", "Ex Lion Tamer", and "Mannequin", many understandably view the songs as minimalist paintings tranformed into music. Arty as Wire can be at times, they're anything but pretentious. Pithy and snobbish as Wire might seem, Pink Flag is remarkably entertaining; it's intense, wryly witty, and at times undeniably funny. Wire's breadth of ideas is remarkable; they cover ground which includes proto-hardcore ("106 Beats That", "Different to Me"), tweaked power-pop ("Reuters", "Champs"), power-blues ("Lowdown"), and even spare texture experiments ("Strange"). "Mr. Suit" is the only marginal track... and it's still pretty enjoyable.

Some have argued that Pink Flag's songs are only fragments, but close analysis reveals Wire's brilliance; each song serves to convey it's ideas as expediently as possible and once this objective is reached it ends immediately. In his Rollingstone review Greil Marcus remarked about the lack of personality on Pink Flag ("You hear cleverness, wit, irony, but not personality."). While this might be accurate the lack of intimacy isn't a problem in the musical context and actually coincides well with Wire's aesthetic . One of the many things that makes Pink Flag unique is it's combination of emotional intensity and vaguely arty distance (which eventually became dominant in their later work). Wire's somewhat impersonal approach also makes Pink Flag transcendent; unlike many late 70s punk bands who focused on the sociopolitical climate, Pink Flag's more esoteric themes (both musical and lyrical) make it vital and relevant 25 years after it's release. Pink Flag is proudly touted as a profound influence by artists as diverse as Big Black, Sonic Youth, The Minutemen, Elastica ...and REM (who covered a more straight-forward version of "Strange" on their album Document). Wire would later make other ambitious and noteworthy albums (most notably "Chairs Missing" and "154"), but never made another as seminal, ageless, and visionary as Pink Flag.

5 of 5 people found the following review helpful:

5.0 out of 5 stars Punk? What's Punk?, September 4, 2002

By 

Atlas Groaned (CO) - See all my reviews

This review is from: Pink Flag (Audio CD)

Greil Marcus wrote that Pink Flag owed more to Jean-Luc Godard's New Wave than to the Sex Pistols, or something like that. Cryptic though it may be, he's on the right track: Pink Flag takes Malcolm MacLaren's idea of pumping rock songs full of Situationist manifestoes the next natural step: the songs themselves play like Situationist "moments," bite-sized Impressions rather than fully-realized Ideas. I'd include it in the (always paradoxical) Punk canon because of the sense of dread that most of these songs manage to convey. Wire didn't suffer from the same kind of paranois you find on the Pistols' "Holidays in the Sun" or SLF's "Suspect Device; where tracks like those convey an Us-against-Them-but-we're-Them-too mentality, Wire relies on terse, direct songs with vague, abstract lyrics to give the sense that "There's something going on that's not quite right." And the fact that they never give you enough information to figure out exactly what that something is makes Pink Flag a creepy listen. Highlights for me include "Reuters;" "Lowdown" for its insistence on jackhammering a single riff for 2 and a half minutes; "Strange" for parodying Punk's buzzsaw guitar with a sound like the bloaded corpse of Steve Jones; and "Champs," just for rockin'.