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Pissarro: Creating the Impressionist Landscape [Paperback]

Katherine Rothkopf (Author)
4.5 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

March 20, 2007
This lavishly illustrated publucation illuminates Camille Pissarro's remarkable transformation from a Barbizon-style landscape painter to one of the leaders of the emerging Impressionist movement. This is the first major examination of the revolutionary landscape paintings Pissarro created between 1864 and 1874. During this pivotal decade in the artist's career, Pissarro produced his most beautiful and innovative canvases and his experimental techniques and vision laid the groundwork for an entire generation of painters. This publication brings together approximately 50 of these exquisite paintings, from key works included in the Salon exhibitions of the 1860s to a powerful selection of landscapes seen in the first Impressionist show of 1874.  Many of these paintings are drawn from major museums around the world and rarely shown private collections.
 
Along with full-color reproductions and in-depth catalogue entries on the paintings are essays on the development of Pissarro's painting style from 1864 to 1874, and on the influence of place in his work--acknowledging his formative years in St. Thomas and Venezuela as well as his fascination with the countryside surrounding Paris. Technical studies of several of the artist's paintings from the 1860s reveal new insights into the artist's creative process.  This volume accompanies an exhibition organized by The Baltimore Museum of Art. It will travel to the Memphis Brooks Museum of Art in Tennessee and the Milwaukee Museum of Art in 2007.


Editorial Reviews

Review

"The catalogue is a visual treat, as one luscious although not predictably impressionistic landscape after another fills its pages.  It is also a very profound work of scholarship…The first catalogue to look so closely at Pissarro’s pre-impressionistic years, his experimental techniques during this time, and the profound impact place had on his painting of landscapes, it is recommended for academic, public, and special libraries supporting an art history collecting program."  --Jennifer H Pollack, Library Journal
 
"Well-produced and very reasonably priced...Highly recommended." --J. Weidman, Choice

About the Author

Katherine Rothkopf is the Curator of European Painting and Sculpture at The Baltimore Museum of Art and a specialist in late nineteenth-century French painting.

Product Details

  • Paperback: 214 pages
  • Publisher: Philip Wilson Publishers (March 20, 2007)
  • Language: English
  • ISBN-10: 0856676306
  • ISBN-13: 978-0856676307
  • Product Dimensions: 11 x 9.9 x 0.9 inches
  • Shipping Weight: 3.2 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,434,835 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:
4.0 out of 5 stars Good book, April 5, 2008
By 
David A. Marshall (Chesterfield, MA USA) - See all my reviews
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This review is from: Pissarro: Creating the Impressionist Landscape (Paperback)
If you like Pissarro's earlier landscape work before he got involved in neo-Impressionist stuff, this is pretty much the only book I've seen with a good selection of prints from that period. I wish it were more comprehensive but there are a number of lesser known paintings in here. A few knocked my socks off (such as Houses at Bougival 1870). At his best, he was every bit as good as Cezanne, Monet, and Corot; sometimes better. Its a shame that so many paintings from this period were lost in a fire.
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1 of 4 people found the following review helpful:
5.0 out of 5 stars Pissarro, January 23, 2008
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Loretta E. Knight (Parkersburg, WV United States) - See all my reviews
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This review is from: Pissarro: Creating the Impressionist Landscape (Paperback)
I found that the book Pissarro was very through and had lots of his work included. I enjoyed it very much. He was one of the first impressionists and they school of impressionism is my favorite area of the arts.
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Inside This Book (learn more)
First Sentence:
A little-known and unusual work in the collection of The Baltimore Museum of Art, Camille Pissarro's Strollers on a Country Road, La Varenne-Saint-Hilaire (cat. 3), was the impetus for this examination of the artist's early landscapes. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
new catalogue raisonné
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Camille Pissarro, New York, Christopher Lloyd, National Gallery, John Rewald, Claude Monet, New Haven, Paul Cézanne, Yale University Press, Camille Corot, Lucien Pissarro, Pantheon Books, The Metropolitan Museum of Art, Effect of Snow, Théodore Duret, Richard Brettell, Alfred Sisley, Origins of Impressionism, Presses Universitaires de France, River Seine, San Francisco, The Municipal Garden, Charles-François Daubigny, Crystal Palace, Forest of Fontainebleau
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